Chapter 1 Platos Picture Show The Cave image is significant: link between philosophy and the cinema. Like Platos cave the cinema is dark where we are transfixed by mere images that are removed from reality. Watch images that are projected onto a screen. Images are copies of the real things outside the cinema. Highly realistic images vs the cave shadows. We are prisoners as we are prevented from grasping the true order of things by the limits of everyday experience‚ the limits of out ordinary conception
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that is a perfect example of the form itself. To anyone scanning through the forms they might not grasp the full concept Plato is trying to get across. However‚ if time is taken to examine Plato’s theory it can make sense. For Plato everything has a pure form. If you take any property of an object and separate it from the object itself‚ you are left contemplating a form. Plato splits up being into two worlds‚ the material world and the transcendent world of forms. We know of the world of forms
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Plato believed that the chief cause of factions is the difference in property owners. Recall that he said: "In each city there exists two cities; the city of the rich and the city of the poor - eternally at war." Madison was similar in his belief though‚ he believed the primary cause of factions is the unequal distribution of property. They each had their own set of solutions. Madison understands that factions cannot be eliminated (recall Federalist 10) where he provided the two methods in
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Plato vs. Aristotle Theatre is said to be a performing art that is always changing and whose every performance is unique (Downs 472). While there is a set definition of theatre‚ there hasn’t been a set reason as to why we do theatre‚ and many people such as Aristotle and Plato have come to a disagreement as to what that very nature is. However as a Christian I would have to say that I disagree with the philosophy of Plato and do believe that theatre helps open the mind of the viewers to see the
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What do Plato‚ Descartes‚ and Hobbes contribute to the question "how do we know what is true‚ and what is false?" In the allegory of the cave‚ Plato views the sunlight as the truth‚ and the shadows in the cave as being false‚ and his contribution to the question "how can we tell what is true‚ and what is false" is that we have no way of knowing what is true‚ and what is false‚ until we have experienced them both‚ and can compare the two. I think that Plato is trying to say that society
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philosophers it’s a tossup between being born with it while others think that knowledge is gained as one grows up. In simple terms‚ is knowledge nature or nurture? Are you already born to be joining IMSA or are you brought up with a great education? Plato believes that knowledge is innate‚ meaning that it’s already in you from the beginning‚ also known as a priori knowledge. But other philosophers claim that knowledge is gained through experience. While Plato’s theory does make some sense‚ I believe
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O.C #2-Machiavelli Though often presented as two ideological opposites‚ personally I find there to be a lot more similarities between Plato and Machiavelli than usually acknowledged. Obviously there are some sharp contrasts. If one examines the excerpts from Machiavelli’s “The Prince” and Plato’s “The Republic”‚ it’s easy to conclude that Plato believed it to be essential for a government leader to be just‚ good‚ and free from corruption. Whereas Machiavelli’s ideal ruler is less concerned
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CollegeMay 29‚ 2011 | | Abstract This paper will describe the learning experience of my interviewees while translating what The Myth of the Cave by Plato means to them. Further‚ it will discuss the similarities and differences between the responses received from my interviewees based on my discussion of The Myth of the Cave by Plato as read in Twenty Questions: An Introduction to Philosophy. For this paper‚ I interviewed a group of my peers at work. My company Bombardier makes trains
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these two great men differ immensely and the foundation for these differences can be found in their distinctive views regarding human nature. Once this is assessed the picture that each man paints of their ideal ruler or founder becomes much clearer. Plato promotes the concept of philosopher-kings who rule over his imagined Utopian society‚ while Machiavelli endorses a ruthless and at times amoral prince whose primary objective is the preservation of the state. Plato’s view of human nature can
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undoubtedly informed Plato’s ideas‚ but by the time Plato brings up the notion of a philosopher-king it’s thirty years after Socrates’ death and what the character Socrates says in the Republic is probably much more Plato than Socrates. This is also two hundred years after Confucius‚ so it may even be that the two are not quite so isolated from each other as they may seem. A couple interesting differences between the two become readily apparent. Plato thought that a true philosopher actually wouldn’t
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