But I will have to hunt from the trees for days I’m hungry now said Kaa. Not if you hunt for a baby one‚ they like to play in the rotten logs on the ground said Baloo. Then kite the colorful bird comes flying in yelling “Baloo‚ Baloo” I have been told to drop off a message from Mowgli he has told me to tell you that the
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Aur aaj iss journey ko hum devlok se live telecast karne waale hai – sirf aur sirf aapke liye – so are you ready –I am… here we go……… (walks to the shuttle/exit/gate/wing) v/o – welcome to swarg loke.. swarg loke me aap sabhi kaa swagat hai… next scene – swarglok Narad Intro –BACHNA EH HASINO R interrupts N.M – R – Excuse me!!! Ye narad muni jii kahaan milenge N – Narad muniiiiii???? Main hee Narad Muni – aur pyaar se log mujhe N.M. bulaate
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帰国 Kikoku- Returning Home The sun disappears behind the rows of the leafy and elongated trees; the divine jewels of the emerald forest grow proudly out of the palms of the earth’s soil. A winding stream of pure mountain water flows through the imperial forest. The trickling sound of water flowing over the pebbles leads to a valley of snow-white cherry blossoms. The robust smell of soil‚ floral and dampness fills my nostrils as a warm breeze sweeps my hair. I am finally home. My final stroke
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Jungle Book was created with a variety of sounds that function to reveal character‚ shape the audience’s attention‚ and shape the audience’s feelings. One way sound impacts this film is by unveiling the characters of Kaa and Shere Khan to the audience. As Mowgli is snatched up the tree by Kaa‚ he speaking in a high pitch following a “hiss.” The pitch level was emphasized in Kaa’s character to create a diegesis of what a snake may sound like if he could speak. In addition‚ every time Shere Khan’s name
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naqaab aahistaa aahistaa nikaltaa aa rahaa hai aaftaab aahistaa aahistaa jawaaN hone lage jab vo to ham se kar liyaa pardaa hayaa yakalaKht aayii aur shabaab aahistaa aahistaa shabefurkat kaa jaagaa huuN farishton ab to sone do kabhii fursat men kar lenaa hisaab aahistaa aahistaa savaale vasl par unko uduu kaa Khauf hai itnaa dabe honThon se dete hain javaab aahistaa aahistaa hamaare aur tumhaare pyar men bas fark hai itnaa idhar to jaldii jaldii hai udhar aahistaa aahistaa vo bedardii se sar kaaTe
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to me because I was so ‘strict’. And then when I thought things were worst‚ he was taken to the Cold Lairs. I became sort of desperate to have my man cub back. I would go to the ends of the earth to get him back. And I did actually‚ no one goes to Kaa while he had just hunted. But to me and Bagheera‚ Mowgli is special. I knew that ever since I licked his feet on the day he roamed into the
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Marathi Manual Language and Culture 1 Prepared by: Kelsea David Natalie Hardage Crista Lindsey Texas State University class of 2011 Academic Advisor Rahul Charkraborty 2 This manual was prepared to assist speech-language pathologists in their effective treatment of people with speech and language disorders who are bilingual or multilingual speakers of English and Marathi. This is‚ by no means‚ an exhaustive treatise of Maharashtrian culture or language but the information found here
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* Disseminating of leaflets and pamphlets on health matters to all stakeholders at the Airport. * Forwarded a letter to HQs concerning insufficient allocation of funds towards one of our Wellness Programmes to be held within the Quarter Ref: KAA/MLI/10/32/01/192. This was Financial Wellness Seminar that was to take place. Training Two peer educators (Caroline Soi‚ Lucy Wangu) went for TOT training (on Wellness) at EASA from 5th -7th December 2012. Special report 1. After several meetings
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for this dominant soil type Horizon Depth (inch) Clay content (%) Available water capacity (inch/foot) Organic Matter (%) pH Permeability (inch/ hour) Textural Class Oa A Bh Cg Land Capability Class (LCC) LLC for dominant soil type: LCC I KaA II AuB III BaB Wheat 40bu Corn 75bu corn70bu Select a soil in each LCC‚ list 2 crops & average yield (bu/a) corn 120bu Soybeans 25bu Wheat 30bu For the dominant soil type and potential land uses listed below‚ characterize the limitation for each
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Capacity Statement for Railways Alex Landex‚ al@ctt.dtu.dk Centre for Traffic and Transport‚ Technical University of Denmark 1 Abstract The subject “Railway capacity” is a combination of the capacity consumption and how the capacity is utilized. The capacity utilization of railways can be divided into 4 core elements: The number of trains; the average speed; the heterogeneity of the operation; and the stability. This article describes how the capacity consumption for railways can be worked out and
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