A REPORT ON THE FATE OF TRADITION – INDIAN CULTURE By P.SANDEEP ID.NO.2005S5P4483 A report submitted in partial fulfillment of the requirements of TAGC 312: Technical Report Writing 12 March 2007 a ACKNOWLEDGEMENTS I am grateful to Dr.CHAGLA‚ my instructor for the course TECHNICAL REPORT WRITNG‚ for many valuable ideas and suggestions he gave for the
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Republic of the Philippines SULTAN KUDARAT POLYTECHNIC STATE COLLEGE GLAN EXTENSION Glan‚ Sarangani Province COURSE SYLLABUS Course No: English 311 Course Title: Afro-Asian Literature Course Description: Introduction to Afro-Asian Literature Credit Unit: 3 Number of Hours: Pre-requisites: Colege Vision: The SKPSC endeavors to prepare and update itself in all instructional requisite in terms of the need to help totally transformation the vast resources not only the province of Sultan Kudarat
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Types Of Theatres The word theatre means "place for seeing".The first recorded theatrical event was a performance of the sacred plays of themyth of Osiris and Isis in 2500 BC in Egypt. This story of the god Osiris was performed annually at festivals throughout the civilization‚ marking the beginning of a long relationship between theatre and religion. There are several types of theatres in India.Each state in India has its own distinct theaterical form of itself. India has a longest and richest
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XLRI(HR)Batch of 2013-2015: the xlri interview I cam across ‚ this guy really worked hard ‚ here is his interview: How I went about the interview preparation. 7 April 2013 At the outset‚I am going to warn you that this post is going to be long and tedious.I am writing this piece not for my personal satisfaction‚but for thousands of aspirants who are mediocre like me;who ruined their high school/graduation academics‚and did not achieve anything significant in last 20 odd years of existence
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Rabindranath Tagore |Famous as |Poet and Author | |Born on |07 May 1861 | |Born in |Calcutta (Kolkata)‚ India | |Died on |07 August 1941
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By Indian English Writing‚ we mean that body of literature which is written by Indians in English. It could be in the form of poetry‚ prose‚ fiction or drama. English is not our mother tongue and we are not native speakers of English‚ yet when in the early decades of the nineteenth century‚ English was introduced as the medium of instruction in our educational system‚ Indians were able to read Western literature that was available in English. They found the language
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Theatre probably arose as a performance of ritual activities that did not require initiation on the part of the spectator. This similarity of early theatre to ritual is negatively attested by Aristotle‚ who in his Poetics defined theatre in contrast to the performances of sacred mysteries: theatre did not require the spectator to fast‚ drink the kykeon‚ or march in a procession; however theatre did resemble the sacred mysteries in the sense that it brought purification and healing to the spectator
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India -Chennai- Tamil- language‚ “the city” Tamil Nadu Architecture‚ Hindu-temples-gopurans Landscape Weather Population- 7 million Local and international: media‚ food -History‚ Culture of India- Population: 1 billion Space‚ 1/3 of USA 15 major languages‚ many alphabets Two national languages: Hindi & English World’s largest democracy Most diverse nation: ethnic groups‚ cultures Many musical types‚ diverse ecology Regionalism: North & South -The Indus Valley Civilization (c
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is the combination of PV technology with RO. Figure 1.3 Possible combinations of renewable sources with water desalination [11] The potential use of renewable energy sources in small-scale desalination in remote communities has received increasing attention in recent years. The integration of renewable energy sources such as solar‚ wind and geothermal energy with desalination systems holds great promise for tackling water shortage and is a potential for viable solution of climate change problems
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JODHAA AKBAR (Hindi‚ 2008‚ 209 minutes) Directed by Ashutosh Gowariker Produced by Ronnie Screwvala and Ashutosh Gowariker Story: Haidar Ali; screenplay: Haidar Ali and Ashutosh Gowariker; dialogues: K. P. Saxena; lyrics: Javed Akhtar; music: A. R. Rahman; cinematography: Kiiran Deohans; production design: Nitin Chandrakant Desai; costume design: Neeta Lulla Ashutosh Gowariker’s sumptuous tribute to the Mughal Empire at the height of its culturally-syncretic glory unfolds with the leisurely
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