THEMATIC ANALYSIS OF ALEXANDRE DUMAS’ “THE COUNT OF MONTE CRISTO” BOOK AND KEVIN REYNOLDS’ “THE COUNT OF MONTE CRISTO” 2002 FILM Feb. 14‚ 2013 De Guzman‚ Dollie Tarnate‚ Julia Zamora‚ Sunshine CHAPTER I THE PROBLEM “The Count of Monte Cristo has become a fixture of western civilization’s literature as inescapable and immediately identifiable as Mickey Mouse‚ Noah’s Flood‚ and the story of little red riding hood
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anthropologist Claude Lévi-Strauss was arguably the first such scholar‚ sparking a widespread interest in Structuralism.[1] The structuralist mode of reasoning has been applied in a diverse range of fields‚ including anthropology‚ sociology‚ psychology‚ literary criticism‚ economics and architecture. The most prominent thinkers associated with structuralism include Lévi-Strauss‚ linguist Roman Jakobson‚ and psychoanalyst Jacques Lacan. As an intellectual movement‚ structuralism was initially presumed to be the heir
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may be completely different. In Letters to a Young Poet “Letter One” Franz Kappus a nineteen-year-old student‚ wrote a letter to Rainer Maria Rilke‚ in the pursuance of criticism‚ he strive for critique of his poem. However‚ Rilke refuses to criticize the young military born poet‚ but rather denounce Kappus inquiry for criticism in his poem. Likewise‚ in David Mitchell fictional excerpt solarium from “Black Swan Green”‚ Jason Taylor a thirteen-year-old boy from England‚ who’s profound affection toward
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THE THEOPNEUSTY OF THE HOLY SCRIPTURE The Doctrine of Inspiration and Its Critics Clements Romanus a church father refers to the scripture as being true through the Holy Spirit. Augustine refers to scripture as god’s handwriting or a letter from heaven. Aside from the term inspiration he also used dictation and direction. He gives reference to inspiration perhaps as a consequences of the translation into Latin of 2 Timothy 3:16. But He does not fix these term dogmatically because He also
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MATTHEW ARNOLD “THE STUDY OF POETRY” (1880) In his anthology of English poetry‚ Arnold illustrates the allegedly objective critical judgment of which he speaks in “The Function of Criticism at the Present Time” in terms of his selection of those poets worthy in his view of being anthologised. In his preface to the anthology‚ he clarifies what he means by ‘judgment’ by turning his attention in particular to the questions of literary history and canons. The main criteria informing Arnold’s approach
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Film authorship‚ or auteurism‚ is a way in which film can be categorised according to the stylistic and narrative elements of the director. Auteur theory usually attributes the creation of a films artistic style solely to the director. Film authorship can be explored as a commercial‚ textual‚ or critical category as explained below in relation to the films of director David Lynch. The concept of the director as “auteur” was brought about in an article by French film critic Alexandre Astruc featured
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theory is maybe it will be great if we also analyses about the background of the literary works too‚ not only with analyses the text. I think the background of the text of literary works also important to being analyses. The second theory is New Criticism‚ is the theory which have the similar think with Russian but at this theory we also analyses the text by moral values and cultures. I think it’s better than the last one before because this theory is not depend based on the text analysis but also
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CRITICISM OF “MIGHT IS RIGHT” BY RAGNAR REDBEARD BY OKOYE FRANKLIN NNAEMEKA PJPS/NAU/010/48 08066129459 NNAMDI AZIKIWE UNIVERSITY‚ AWKA. JUNE 2013 1 TABLE OF CONTENTS TITLE PAGE ---------------------------------------------------------------i CERTIFICATION ----------------------------------------------------------ii APPROVAL -----------------------------------------------------------------iii DEDICATION --------------------------------------------------------------iv ACKNOWLEDGEMENT ------------------------------------------------v
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The meaning of a literary work resides with the reader; a statement that the school of Russian Formalism would disagree with. Eichenbaum‚ Schlovsky and other scholars would argue that the audience has little to no relation with the text and therefore‚ cannot be a vessel of meaning for a literary work. For formalists‚ the form of the literary work creates the meaning that readers desperately seek. However‚ there is another school of literary theory that would argue against the Formalist thought;
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Stopes’ reading on the subject prompted her first book ’Married Love’‚ which was published in 1918. The book was condemned by churches‚ the medical establishment and the press but was very popular‚ selling 2‚000 copies within a fortnight. Thousands of women wrote to ask her advice. Marie Stopes became famous overnight‚ and used the publicity to advance her cause. Stope’s first book Married Love published in 1918 was condemned by churches‚ the medical establishment and the press. However‚ the book
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