In “Jean Toomer and Cane: ‘Mixed-Blood’ Impossibilities‚” Gino Michael Pellegrini analyzes the role that Jean Toomer’s political aspirations and biracial heritage played in the development of Cane. Pellegrini argues that Toomer’s sole purpose for writing Cane was to illustrate his personal experiences as a biracial‚ American man with the hopes of drawing attention to the plight of the mixed-race and that his efforts were widely misinterpreted. I agree with Pellegrini’s critical interpretation of
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