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    Ambahan

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    Introduction to ambahan Ambahans inscribed on a bamboo slat The ambahan is a literary product and poetic expression of the Southern Mangyans of Mindoro‚ Philippines. Although there are about seven different ethnic groups living in Mindoro‚ collectively called the Mangyans‚ these groups are quite distinct from each other as to language‚ customs‚ and way of living. Only the ethnic group living in the south of Mindoro‚ roughly comprising the areas within the municipalities of Bulalacao (San Pedro)

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    timeline2

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    Choosen B. Mancao BEE III-2 PANITIKAN SA PANAHON NG MGA AMERIKANO Date Literary Works Author 1903 Muling Pagsilang (Rebirth) 1902 Ang Kaluwasan (Deliverance) 1913 Magkinaugalingon (Partisan to One’s Own 1908 Nueva Era (New Era) 1922 Liwayway (Dawn) 1930 Bisaya (Visayan) 1934 Hiligaynon (Ilongo) 1934 Banawag (Daybreak) Euro-Hispanic Tradition 1902 Walang Sugat (Not Wounded)- Severino Reyes 1903 Hindi aco Patay (I Am Not Dead) - Juan Matapang Cruz 1903 Kahapon‚ Ngayon at Bukas (Yesterday‚

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    1 STUDENTS’ ACTIONS VITAL TO THE ENVIRONMENT AND MOTHER EARTH MOVEMENT CHAPTER PROFILE Name of Chapter Address Name of Adviser Address Position President Secretary General Asst. Secretary General Treasurer Auditor Vice President – Team Earth Vice President – Team Fire Vice President – Team Water Vice President – Team Air Animator Coordinator Animator Coordinator Nuestra Senora de Aranzazu Parochial School Gen. Luna St. Guitnangbayan I‚ San Mateo‚ Rizal Mr. Gilbert Cruz Contact No.

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    Project In English Submitted by: Tham Allen A. Cartagenas III – St. James Submitted to: Sir Jerico Irinco Bury My Heart at Wounded Knee By Dee Brown Table of Contents 1. Bury My Heart at Wounded Knee: Introduction 2. Dee Brown Biography 3. One−Page Summary 4. Summary and Analysis 5. Quizzes 6. Characters Introduction Dee Brown’s Bury My Heart at Wounded Knee was first published in the United States in 1970. This landmark book—which incorporated a number of eyewitness accounts

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    Vim Nadera

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    (Malaysia‚ 2000)‚ International Seminar on Southeast Asian Literature (Malaysia‚ 2001)‚ Asia Arts Net Annual Conference (Taiwan‚ 2001) and Balagtasan sa Singapore (Singapore‚ 2002). http://www.panitikan.com.ph/authors/n/vecnadera.htm Si Vim Nadera ay isang makata‚ kuwentista‚ mandudula‚ guro‚ ama‚ asawa‚ kaibigan‚ at marami pang iba. http://vimnadera.blogspot.com/ In 2011‚ Vim defended his dissertation for his Ph.D. Philippine Studies and launched his poetry collection Kayumanggi. He is a Manila Bulletin

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    Title of the Movie “BAYANING 3RD WORLD” Cast of Characters Ricky Davao as Filmmaker # 1 Cris Villanueva as Filmmaker # 2 Joel Torre as Jose Rizal Daria Ramirez as Teodora Alonzo – mother of Jose Joonee Gamboa as Paciano – brother of Jose Rio Locsin as Trinidad – sister of Jose Cherry Pie Picache as Narcisa – sister of Jose Lara Fabregas as Josephine Bracken – an Irish‚ the last love of Rizal Ed Rocha as Fr. Vicente Balaguer – the one who is responsible in the release of the Retraction Paper Bon

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    High Frequency Words

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    CHAPTER I THE PROBLEM AND ITS SETTING Introduction High frequency words (sight words) are words that students encounter frequently in reading and writing. It is critical that readers and writers develop automaticity (automatic recognition)‚ a skill that leads to fluency. Many beginners in reading need explicit instruction with repeated practice to learn the high frequency words. By third grade‚ most students have initially come across high frequency words. If pupils are reading grade level

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    American Regime

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     (2) The Period of Imitation (1910-1924) By 1919‚ the UP College Folio published the literary compositions of the first Filipino writers in English. They were the pioneers in short story writing.  They were then groping their way into imitating American and British models which resulted in a stilted‚ artificial and unnatural style‚ lacking vitality and spontaneity. Their models included Longfellow and Hawthorne‚ Emerson and Thoreau‚ Wordsworth and Tennyson‚ Thackeray and Macaulay‚ Longfellow

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    References: 1. Covar‚ P. (1989). Paniniwala‚ pananampalataya‚ at paninindigan sa pelikulang bakbakan 2. Crisostomo‚ I. (1999). From stardom to history: The saga of a child of destiny. 3. Salazar‚ Z. (1989). Ang kulturang Pilipino sa harap ng mga institusyong panlipunan sa pelikulang bakbakan 4. Sotto‚ A. (1989). Christ figures in troubled land. In Unang Pagtingin sa Pelikulang Bakbakan 5. Singkol‚ A. K. (2009). PROFILE: Joseph Marcelo “ERAP” Ejercito Estrada. 7. Tolentino R. (2010). Masses

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    Bangkang Papel

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    Ika-23 ng Hulyo 2001‚ sinagot ng langit ang kanilang dasal. Mula Payatas sa Lungsod Quezon‚ biglang napunta sa bulwagan ng Batasang Pambansa sina Jayson Banogon‚ Jomer Pabalan at Erwin Dolera. Sila ang napili ng kauupo pa lang na Pangulong Arroyo para maging mukha ng kanyang programa para sa mahihirap na mamamayan. Libreng pag-aaral‚ kabuhayan para sa magulang at titulo sa lupang kinatitirikan ang aginaldo ng Pangulo para sa mga bata. Makalipas ang apat na taon‚ natupad na kaya ang

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