some extent music. As much as involving itself in designs for industry‚ the Constructivists worked on public festivals and street designs for the post-October revolution Bolshevik government. Perhaps the most famous of these was in Vitebsk‚ where Malevich ’s UNOVIS Group painted propaganda plaques and buildings (the best known being El Lissitzky ’s poster Beat the Whites with the Red Wedge (1919)). Inspired by Vladimir Mayakovsky ’s declaration ’the streets our brushes‚ the squares our palettes ’
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Chapter 31 1. No. He stated‚ “ ‘Progress’ is merely a modern idea‚ that is‚ a false ideal. The European of today is vastly inferior in value to the European of the Renaissance: further development is altogether not according to any necessity in the direction of elevation‚ enhancement‚ or strength. 2. A.) Paul Verlaine‚ Arthur Rimbaud‚ Charles Baudelaire‚ Stephane Mallarme‚ & Maurice Maeterlinck. B.) To find a language that embraced the mystical‚ the erotic‚ and the ineffable world
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owCitation: 47 IDEA 453 2006-2007 Content downloaded/printed from HeinOnline (http://heinonline.org) Wed Jul 31 02:58:46 2013 -- Your use of this HeinOnline PDF indicates your acceptance of HeinOnline’s Terms and Conditions of the license agreement available at http://heinonline.org/HOL/License -- The search text of this PDF is generated from uncorrected OCR text. -- To obtain permission to use this article beyond the scope of your HeinOnline license‚ please use: https://www.copyright.com/ccc/basicSearch
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The Videopainter Felix Gmelin Robert Stasinski Felix Gmelin‚ a veteran-boyish artist and a persistent auditor of the attitudes of the 60s‚ has recently exhibited new work at the 4th Berlin Biennial. In the piece Sound and Vision (2005) – a two channel video installation – his severe love-hate relationship with this mystified decade comes into play. The work features archive footage of the artist as a young man‚ as well as an eerie instruction video showing blind kids learning about sex‚ by
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Hat Rack: The Object as an Artistic Critique Suspended from the ceiling of the Art Institute of Chicago’s modern wing‚ and illuminated from the center of the room‚ Hat Rack (original 1917‚ 1964 recreation‚ image 1) hangs from the ceiling‚ casting shadows upon the wall‚ which resemble curved shapes protruding outward into space. Marcel Duchamp’s ready-made‚ Hat Rack is fashioned out of day-to-day objects repurposed as works of art‚ Hat Rack (1917)‚ is a wooden hat rack‚ with a mass-produced finish
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Impact of Industrial Revolution on Modern Art at the turn of the 20th Century. To understand most period and movements in modern art‚ one must first understand the context in which they occurred. When one looks at the various artistic styles‚ one will realize how artists react to historical and cultural changes and how artists perceive their relation to society. The transition between the 19th and 20th century has brought further development of modernistic ideas‚ concepts and techniques in
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Vsevolod Meyerhold and Vladimir Mayakovsky are two legendary names in the realm of Russian and international art frequently associated with the most turbulent period in Russian history‚ the beginning of the twentieth century‚ during which Russian society underwent a profound social and political change. This period (1900 – 1930) saw the October Revolution‚ the First World War‚ the Russian Civil War‚ and the beginnings of Stalinism. It is precisely during these times of turmoil that Russian Avant-garde
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Heart of Darkness: Modernism and Its Historians Author(s): Robert Wohl Reviewed work(s): Source: The Journal of Modern History‚ Vol. 74‚ No. 3 (September 2002)‚ pp. 573-621 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/345112 . Accessed: 30/09/2012 11:34 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use‚ available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service
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Movement When Where Artist Key Characteristics Modernist Topic Pictorialism Julia Margaret Cameron Louis Daguerre The use or creation of pictures or visual images a movement or technique in photography emphasizing artificial often romanticized Pictorial qualities Used as representation of people and historical events Machine aesthetic Impressionism 1870 - 1890 France Alfred Sisley A theory or style of painting originating and developed in France during the 1870s‚ Characterized
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Cultural Changes: The Effect on Art You’re an artist during WWI‚ bombs exploding everywhere‚ innocent people even children losing their lives‚ how will you express your intense anger and sadness towards the events that are taking place? The frustration towards war and other social‚ political or cultural changes can bring about different responses from different people. When it comes to art‚ art movements are created out of the need for people to communicate their reactions to these changes. Whether
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