UNIVERSITY OF MUMBAI PROJECT ON “MAN-WOMAN RELATIONSHIP IN JANE AUSTEN’S EMMA” Submitted by NISHA DEEPAK TAREJA ROLL No. 55 IN PARTIAL FULFILLMENT OF THE REQUIREMENT UNDER THE SUBJECT FICTION FOR THE AWARD OF THE DEGREE OF M.A. IN ENGLISH
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Emma / Clueless comparative essay – film techniques How do the film techniques help in the exploration of the themes in ‘Emma’ and ‘Clueless’? Refer to the films in detail. The directors of the films ‘Emma’ and ‘Clueless’ use a range of film techniques to highlight the themes of the texts. Diarmuid Lawrence and Amy Heckerling explore the themes of marriage and matches‚ distortion of vision‚ social and moral responsibility‚ and the importance of self-knowledge. A detailed analysis of four parallel
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Knightley as her social equal‚ which is why she is ultimately able to consider his opinions and perceptions of her character. If he were not within her social sphere‚ she would never give credence to his ideas. In fact‚ as the reader can clearly see‚ Mr. Knightley is the only character in the novel equal to the task of showing Emma the error of her ways. Emma ’s next significant blunder
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Just as Mr. Woodhouse had predicted‚ the air was chilling. Mr. John Knightley made an enthusiastic comment‚ “By God‚ Mr. Woodhouse! Snow is falling upon us tonight.” “Ahh! of course I was right.” Mr Woodhouse turned to Mr. George Knightley and looked him up and down‚ “Did I not warn you to dress warm‚ my son? Why‚ you look half dressed? Have you looked this way all night?! You look to be in costume for a circus!” Mr. George Knightley‚ assisted by Mr. Weston loaded Mr. Woodhouse into his limousine; who
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Comparative studies‚ Emma and Sive IMPORTANCE OF MONEY ‘Emma’ is set in England in the early nineteenth century. Jane Austen succeeds in communicating the values of her culture and society. Money is highly valued in this society. People are judged by their wealth and material possessions. In some ways the cultural context of ‘Sive’ is utterly different to that of ‘Emma’. It too is set in a stable rural society of families and neighbours‚ but quite unlike the novel‚ the main characters lead
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Amy Heckerling’s Clueless sustains interest in the values represented in Jane Austen’s Emma by the modernization of the initial text through the medium of novel to film. Additionally‚ Heckerling transforms the ideas of marriage‚ social class and gender roles from Austen’s early Nineteenth century context‚ to a late twentieth century context through an examination of relationships‚ high school cliques and the changing notion of gender roles. Emma embodies the value of social class by the determination
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January 2013 Markets‚ Marketing and Strategy Report MMS Report‚ 1 January 2013 Markets Marketing and Strategy Report Executiv summary : This report provides an analysis and evaluation of Chanel’s marketing strategies and of its place in the Luxury market today. Methods of analysis include three theorical models that help to understand the complexity of Chanel business environment and its main resources. Those three models are: PESTEL‚ SWOT and 5 Porter’s forces. In this
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narrative voice is one of both objectiveness and incite ‚ as characterised by Wayne C. Booth; being as the embodiment of everything admirable – ‘wise‚ gracious‚ penetrating in judgment‚ subtle‚ witty‚ tender’ a reflection of which can be seen in Mr Knightley‚ the only other source of seemingly omniscient knowledge in the book. This narration is contrasted with the thought and feelings of Emma (revealed by FID) to both extenuate and highlight the follies‚ pretences‚ and nativity exemplified in Emma‚ often
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Composition 2 Individual Work week 3 13 Literary Analysis of Emma Jane Austen’s Emma Deborah Simones Emma was an independent woman who stood her ground as she tried to stand tall in the upper class society that she belonged to. She made it a point to help those that she felt needed help when it came to love and marriage. She thought that she was very accomplished at being a matchmaker. She never intended to cause harm or illusion just pleasure and self-fulfillment. Austen portrayed
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‚ The Decade of Disillusion: British Politics in the Sixties‚ (London‚ 1972) Higgins‚ P.‚ Heterosexual Dictatorship: Male Homosexuality in Post-War Britain‚ (London‚ 1996) Irving‚ C.‚ Scandal ’63: The Profumo Sensation: Complete‚ (London‚ 1963 Knightley‚ P.‚ & C Lamb‚ R.‚ The Macmillan Years‚ 1957-63‚ (London‚ 1995) Marwick‚ A.‚ The Sixties‚ (Oxford‚ 1998) Sandbrook‚ D.‚ Never had it so good: A history of Britain from Suez to the Beatles‚ (London‚ 2005) Thompson‚ J [ 3 ]. Sparrow‚ Gerald‚ The
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