"Kenneth Frampton" Essays and Research Papers

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    Geoffrey Bawa

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    INTRODUCTION The Architecture of Geoffrey Bawa has influenced not only Sri Lanka but also the south Asian countries. His works have been described as regional‚ traditional‚ culturally rich and often though with some qualification‚ modern. His projects are a synthesis of Modernist vocabulary and distinct contextual elements‚ rooted in regional identity and lifestyle of users. Bawa is very much a man of the end of the era - especially when seen in the context of modern movement in the west - because

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    Alvaro Siza report

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    References: Hudson‚ 2007)‚ 330. August 22‚ 2013. http://www.archdaily.com/150272/ad-classics-leca-swimmingpools-alvaro-siza/. August 22‚ 2013. http://www.archdaily.com/150272/ad-classics-leca-swimmingpools-alvaro-siza/. x Kenneth Frampton‚ Alvaro Siza‚ (England: Phaidon‚ 2000)‚ 82. 22‚ 2013. http://www.archdaily.com/150272/ad-classics-leca-swimming-poolsalvaro-siza/

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    Less Is More

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    Ludwig Mies van der Rohe built the Farnsworth house in 1946 for Dr. Edith Farnsworth in Plano‚ Illinois as Kenneth Frampton explains in Modern Architecture: A Critical History (235). Both the interior and the exterior of this house avoid decoration. The box-like exterior of the house is composed of exposed steel and large windows while the inside of the house contains minimum furniture (Frampton 235). On the other hand‚ Robert Venturi’s Vanna Venturi House is full of decoration. In the Theoretical

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    Ideology of Modernism

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    Bibliography: Curtis‚ William J.R.; Modern Architecture Since 1900 Phaidon Press Ltd‚ London‚ 2001. Darling‚ Elizabeth‚ Le Corbusier‚ Carlton Books‚ London‚ 2000. FramptonKenneth; Modern Architecture‚ A Critical History‚ Thames and Hudson‚ London‚ 2011. Le Corbusier‚ Towards a New Architecture‚ BN Publishing.net‚ Great Britain‚ 2008. Lutz‚ Brian; Knoll‚ A Modernist Universe‚ Rizzoli‚ New York‚ 2010. McCarter‚ Robert;

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    Rachel Whiteread's. House

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    Rachel Whiteread’s House Memory is not alien to us. We all have memories‚ memories that are situated in the past. Our memories are the representations of absent things that get portrayed in the form of an image. A memory is not the real thing‚ it’s just an image of what the minds manifests. Drawing from memory we can begin to bridge the gap between art and the socio-historical dimensions of specific places. A memory can be a reconnection of a place‚ thus establishing authenticity of meaning

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    Patchwork

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    Bibliography: von Buttlar ‚ Adrian. Neues Museum Berlin. Architectural Guide: Deutscher Kunstverlag (Mar 2010) Höfer‚ Candida and Kenneth Frampton

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    Tate Modern Social Realism

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    Bibliography: Website: Tate Collection (2010) Tate Collection (2010). Meredith Frampton [online]. Available at: [Accessed 4th May 2010] Tate Collection (2010) < http://www.tate.org.uk/servlet/ArtistWorks?cgroupid=999999961&artistid=2331&page=1> [Accessed 4th May 2010] Tate Collection (2010) < http://www.tate.org.uk/servlet/ArtistWorks

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    Enric Miralles: Architecture of Time Luis Diego Quiros‚ Stefanie MaKenzie‚ Derek McMurray Introduction “There are”‚ said Lichtenberg‚ “two ways of prolonging life. The first consists in putting the maximum distance between the points of birth and death‚ and thereby extending the journey...The other way consists in walking more slowly‚ leaving the points where God desires them to be; this is the way of the philosophers‚ who have discovered that the best thing is to walk in a zigzag‚ botanizing

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    ESSAY 1 Le Corbusier and Mies van de Rohe were two architects influenced by the contemporary movements of their time period. Le Corbusier’s architectural ideology was derived from the multiple techniques and styles he had previously encountered through study. His early designs were expressive of the “youth style” which was introduced to him by his instructor‚ L’Eplattenier. New technologies‚ however‚ began to influence his philosophies. Le Corbusier saw potential in concrete building systems

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    Yurgelun-Todd‚ 1995; Pope‚ Gruber‚ Hudson‚ Huestis‚ &amp; Yurgelun-Todd‚ 2001; Solowij &amp; Battisti‚ 2008; Grant et al.‚ 2003; as cited by Nehal P. Vadhan‚ Wilfred G. van Gorp‚ and Frances R. Levin 2011; Solowij‚ 2002; Harvey‚ Sellman‚ Porter &amp; Frampton‚ 2007). However‚ there are debates among the critics as to how ‘long-term’ these effects are‚ who they are most likely to affect and the cause of the neuropsychological damage. One particularly influential study concerning the use of marijuana

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