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    playwright‚ William Shakespeare’s‚ King Lear relays the story of a tragic hero and his family while paralleling it to the sub-plot within the tragedy. The story of these two reflecting groups of characters displays the obliteration of once potent characters’ power‚ and the inversion of social order. King Lear‚ the father of Goneril‚ Regan and Cordelia experiences a digressing journey comparable to that of Gloucester‚ the father of Edmund‚ his illegitimate son‚ and Edgar. Both Lear and Gloucester make a reprehensible

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    King Lear: Irrationality leads to suffering. In William Shakespeare’s King Lear protagonists like King Lear and Gloucester commit irrational acts that will bring suffering to other characters as well. Their irrationality stems from their belief that their actions are above their emotional distress. Their illogical decisions however are clouded by other protagonists’ false emotional devotion. King Lear’s irrationality is the outward behavior of a king who believes his power is unlimited. However

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    by far the most critical component of society in the King Lear universe. Mercy is only valid on individual basis‚ when the assailant actually learns from their mistakes. If we think that by forgiving constantly that the perpetrator will stop committing crimes‚ then we are sadly mistaken. Criminals in Shakespeare’s King Lear must be punished justifiably‚ for their evil behavior. Only justice and great power can attempt to restore the order of King Lear’s kingdom ruined by the dictatorship of Goneril

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    King Lear tells of an old‚ senile ruler who‚ having given up his title‚ divides his land between his two villainous daughters‚ and his third daughter is exiled. Parallel to Lears situation is the sub-plot of Gloucester‚ whose bastard son betrays him and his legitimate son Edgar. Shakespeare undoubtedly intended for the characters of Gloucester and King Lear to mirror each other‚ and by comparing them and their outcomes me can see how closely related they truly are. Both King Lear and Gloucester

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    Redemption in King Lear Yujun Liu School of Foreign Languages‚ Qingdao University of Science and Technology Box 502‚ 69 Songling Road‚ Qingdao 266061‚ China E-mail: lyjlotus@126.com Financed by Qingdao University of Science and Technology. Project number: 08XA05 Abstract Holy Bible is the classic of Christian‚ having a deep and far-reaching influence on the thought and the everyday life of western people. The elements in Holy Bible were shown everywhere in Shakespeare’s tragedy: King Lear. This article

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    Response King Lear- 2011 Production- Lyceum Theatre As the lights of the theatre dimmed and the stage was lit up‚ a roar of applause broke out over the audience. The stage production of Shakespeare’s King Lear has been long awaited by many critics and Ian McKellan’s performance does not disappoint. The opening scenes reflect the opposite of what was due to come further in the play‚ coming from warm‚ homely and loving acting on stage to pure cruelty and terror. When Lear viciously banishes

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    Act of King Lear uses the motifs of nature and the unnatural‚ sanity and madness‚ and “nothing” to reinforce the downward movement in Lear’s perception of his own identity. For example‚ at the beginning of the play‚ Lear expresses his awe at the serenity of a beautiful world: “With plenteous rivers‚ and wide wide-skirted meads…” (I‚ i‚ 66). As the plot moves forward‚ the motif of the unnatural becomes present and indicates the negative trend of Lear’s own identity. Specifically‚ when Lear becomes

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    The King The play King Lear and the movie King Lear both shared many similarities. They both told the story about the aging King of Britain and his fall from glory. The movie I watched was named King Lear and was directed by Trevor Nunn. The person who played King Lear was Ian McKellen. In both of these stories Lear was the King of Britain and both the movie and the play start off with him getting ready to retire and pass down his kingdom. King Lear was a powerful king and also

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    Shakespeare’s King Lear definitely falls under the genre of tragedy. Throughout the play there are multiple unfortunate‚ and frankly unnecessary‚ events. However‚ through all the unpleasantness‚ a positive light in the form of comedy shines through. Comic relief is often used in works of fiction that have very strong‚ negative themes as a sense of comfort in an otherwise displeasing plot‚ and was also included in the play to keep the audience entertained. In the case of the Stratford Festival’s production

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    Advanced English Power: “King Lear” & “The Pursuit of Happiness” He who controls others may be powerful‚ but he who has mastered himself is mightier still. Good afternoon/morning ladies and gentlemen. Power is a debatable concept‚ constituting questions such as what actually defines true power‚ authoritative power vs. personal power and why individuals seek power. These ideas are explored in Shakespeare’s play King Lear and Gabriele Muccino’s film The Pursuit of Happyness through their language

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