King Lear: Option 1 In the opening passage of Act I‚ scene ii in William Shakespeare’s play “King Lear”‚ Edmund is giving his famous bastard soliloquy in which he is expressing his feelings towards his father‚ his brother‚ and his situation. This excerpt portrays Edmund as an antagonist who is discussing the problem of legitimacy versus illegitimacy and how this problem relates to natural family relations. Shakespeare uses meek literary techniques‚ such as diction and syntax‚ to further characterize
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References: Cook‚ G. (1989). Discourse. New York: Oxford University Press. Fasold‚ R. et al. (2006). An Introduction to Language and Linguistics. Cambridge: Cambridge University Press. McCarthy‚ M. (1991). Discourse Analysis for Language Teachers. Cambridge: Cambridge University Press. Radfold‚ A. et al. (2008). Linguistics: An Introduction. (2nd ed). Cambridge University Press
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Othello and King Lear: A comparison If Shakespeare was alive today it is certain that there would be a lot written about him. We would read reviews of his new plays in newspapers‚ articles about his poetry in the literary papers‚ and gossip about his love life and his taste in clothes splashed across the glossy magazines. His views about everything under the sun‚ from the government to kitchen furniture‚ would probably appear regularly in the colour supplements. His face would be familiar
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Entry on conversation analysis This entry attempts to analyze a conversation between a teacher and two students in the classroom. The key issue will be discussed is turn-taking‚ especially overlap and interruption when speakers take turns. The following episode was chosen from a textbook which is now used for discourse analysis. The conversation was produced by a lecture and two students in a university tutorial. The lecturer asked student Kylie and Tadashi about certain topics which
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selfishness of the young. At last they care nothing but their own convenience (Leggart) and the aged Lear are meant to be a troublesome old nuisance in their account. The destruction of core human bond‚ family‚ foretells the destruction of humankind itself. Apart from the break of parent-child relationship‚ Shakespeare also launches second blow on humanity‚ which is the misconception of love. Lear asks "which of you shall we say does love us most?" With the word "most" he exposed his fatal weakness
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Discourse analysis Discourse analysis (DA)‚ or discourse studies‚ is a general term for a number of approaches to analyzing written‚ vocal‚ or sign language use or any significant semiotic event. The objects of discourse analysis — discourse‚ writing‚ conversation‚ communicative event‚ etc. — are variously defined in terms of coherent sequences of sentences‚ propositions‚ speech acts or turns-at-talk. Contrary to much of traditional linguistics‚ discourse analysts not only study language use ’beyond
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[kingdom] in chaos (Bartelby.com). In Shakespeare’s tragic play‚ King Lear‚ the audience witnesses to the devastation of a great kingdom. Disorder engulfs the land once Lear transfers his power to his daughters‚ but as the great American writer‚ A.C. Bradley said‚ "The ultimate power in the tragic world is a moral order" (Shakespearean Tragedy). By examining the concept of order versus disorder in the setting‚ plot‚ and the character King Lear‚ Bradley’s idea of moral order is clearly demonstrated by the
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KING LEAR ACT I Act I‚ sc. i: quote: “Fairest Cordelia‚ that art most rich‚ being poor; Most choice‚ forsaken; and most loved‚ despised!” speaker: King of France to Cordelia analysis: King Lear has disowned his youngest daughter because she did not express in words how much she loved him. When Burgundy and the King of France come to claim her as their love‚ Lear tells the she is worthless‚ and ask if they still would want her‚ Burgundy doesn’t but the King of France does. Act
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In ’King Lear’‚ the Fool is a character of dramatic importance in the play. The Fool helps the reader‚ and in Shakespeare’s time would help the audience‚ to understand what lies beneath the surface of certain actions or verses. He equally strives to make Lear ’see’. The Fool may be a very intriguing character and very often a complicated one but his role is necessary in ’King Lear’. The Fool plays three major roles; one of these roles is that of an ’inner-conscience’ of Lear. The Fool provides basic
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heave My heart into my mouth. I love your majesty According to my bond; no more nor less. Speaker: Cordelia is speaking to her father‚ King Lear. Analysis: King Lear is demanding that Cordelia and the rest of his daughters to tell him how much they love him for him to split up the kingdom for them. The other two daughters‚ Goneril and Regan‚ reply to The King the way he wants them too. Cordelia decides to reply more honestly she tells him that she does love him‚ and that she loves him more than
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