"Kingship and tyranny" Essays and Research Papers

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    Macbeth

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    brought out the true meaning of good and bad by using murder‚ the need of protection‚ and the desire of power. Shakespeare uses Macbeth to represent the difference between a kingship and a tyranny. In the play‚ Macbeth‚ the central character evolves from a hero into a tyrant‚ which displays the variance of a kingship and a tyranny. In the beginning of the play Macbeth is portrayed as a hero for his brave actions on the battlefield and by showing his respect toward the Thane of Cawdor. Macbeth’s heroic

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    Macbeth and King

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    There is a strong theme or order in Macbeth and if an offence against the king has been committed then it as seen as an offence against god. The king was the representative of moral and social welfare of his subjects. There are four main examples of Kingship in Macbeth. Firstly there is Duncan‚ who became king by divine right and is full of the king becoming graces which were cited by his son‚ Malcolm in Act 4 ‘as justice‚ verity‚ temperance‚ stableness‚ bounty‚ perseverance‚ mercy‚ lowliness’. Duncan

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    This four-page undergraduate essay explains‚ compares‚ and contrasts the theories and discussions of Plato and Aristotle regarding the best political association. Quotes from Politics and the Republic are used to support the author’s thesis. Plato and Aristotle: An Analysis Determining the best form of political association was important to the ancient Greek philosophers Plato and Aristotle‚ and each of them expressed his opinion in important works such as the Republic and Politics

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    Shakespeare’s tragedy Macbeth contains an ellaborate exproation of the theme of kingship. The main character’s evil plan aims at overthrowing the current ruler and assuming power over Scotland. Based on this the playwright profoundly analyses which qualities are the most important in a king and the divine right of kings. Before carrying out his plot Macbeth weighed up all the reasons why he wanted to proceed with it and all the arguments against his terrible murder plan. One such argument is that

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    understand this scene‚ the audience must be aware from the start that Malcolm is lying when he suggests that he possesses no virtues‚ no nobility‚ no honor‚ and no qualities of kingship. Macduff’s response to this suggestion is at first cautious. His speech beginning with the words "Boundless intemperance in nature is a tyranny . . . " has a diplomatic tone. Macduff argues‚ probably against his better judgment‚

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    foundation that complies with the tragedy genre of the play‚ makes him more important than other secondary characters in terms of understanding the play. Macbeth’s hamartia (his ambition) is seen as the driving force of his indecent path towards obtaining kingship‚ which disrupts the natural order and eventually stirs up chaos. In addition‚ Shakespeare has focused much on Macbeth’s character development‚ leading us to a conclusion that he has intended Macbeth to be an integral character. Macbeth is set in

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    those. The ideal regimes aim for the common good while their counterparts aim for the good a specific part of the regime. The true regimes are limited to kingship‚ aristocracy‚ and polity. The best regime of these regimes is kingship‚ or monarchy‚ which is ruled by the single person most fit to rule. The corrupted form of monarchy becomes tyranny. The next regime‚ aristocracy‚ is ruled by a few who possess a certain degree of wealth. And once aristocracy is corrupted it becomes an oligarchy

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    the World” that the Romans were so well off during their time because of the perfect government they created by combining a kingship‚ an aristocracy‚ and a democracy. He argues that‚ separately‚ the three governments all had certain strengths‚ but all sooner or later fell. Polybius states that separately “regular” governments sooner or later fall either to disorder or tyranny. In an effort the avoid a cycle the Greeks faced of greatness followed by a rapid decline‚ the Romans sought to create a perfect

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    Zeus is the almighty. He is the "God of the sky‚" hurler of "thunder and lightning" for justice and morality in the universe. Aeschylus’ play‚ Prometheus Bound is a direct attack against Zeus’ actions‚ his tyranny‚ and his punishment for Prometheus‚ a fellow God. Aeschylus constructs this argument in his play through the use of secondary characters‚ their opinions‚ and their interactions with Prometheus as he is punished ultimately‚ for his great love of mankind. Love and hate‚ good and evil‚ justice

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    these governments were not enough on their own‚ which is why government in Greek poleis was constantly changing between the three. To solve this problem‚ Rome’s constitution combined the best of the three forms of government‚ discarding the flaws. “[Kingship‚ aristocracy‚ and democracy] all shared in the control of the Roman state‚” and this is reflected in the constitution of Rome (Polybius 329). This is specifically shown in the organization of the ruling bodies; the positions of consul are derived

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