Shakespeare. Ed. Stephen Greenblatt et. al. London: W.W. Norton & Company. 872-939 Secondary Literature Hartman‚ Charles O. (1980/1996). Free Verse: An Essay on Prosody. Princeton: Northwestern University Press. Hobsbaum‚ Philip (1996). Metre‚ Rhythm and Verse Form. London: Routledge. Nünning Vera and Ansgar (2009). An Introduction to the Study of English and American Literature. Stuttgart: Klett Lerntraining Gmbh. Webliography Jamieson‚ Lee. „Introducing Prose“. About.com –Part of the New York
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are two syllables. No less than one focused on syllable in the primary portion of the line starts with an indistinguishable sound from—that is‚ uses similar sounding words with—a focused on syllable in the second mid of the line. (Vowels beginning words all consider having a similar sound. To be specific an ejection of breath. Different impacts are refined by using similar sounding words diverse focused on syllables. For instance‚ using similar sounding words in the initial three syllables of the
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Surprised by Joy is about Wordworth’s acceptance of his grief. The poem progresses from a lack of clear metrical structure to a rhythm with clarity. This change embodies Wordworth’s progression from cognitive dissonance to resolute cohesion of his emotions and thoughts. The poets internal battle with opposing emotions of joy and grief are entrenched The personification of the wind at the beginning of the poem Surprised by Joy is about Wordworth’s acceptance of his eternal grief. Surprised
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and often solo part is answered by a second and often ensemble part * Rhythm Four Basic Qualities of Musical Sound * Duration: how long or short * Intensity: how loud or soft * Pitch: how fast or slow the sound vibrates; how high or low * Timbre: distinctive “color” of the sound; ex. Sax vs. Violin The combination of these four musical elements are what help to organize the music. Duration -> Rhythm (mixture or long and short notes) Intensity -> Dynamics (pp p mp mf f ff)
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Symptom Stuttering Cluttering What gets stuck Word‚ sound‚ syllable Message Know what want to say? Yes No (or less clear; know but they get derailed in mazes) Awareness Typically yes Yes and No Rate differences Can be a secondary strategy (i.e. person who stutters may speak quickly to avoid stuttering)‚ but is not central to stuttering itself Yes; mandatory for a diagnosis of cluttering (note that rate has to be rapid OR irregular‚ but does not have
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From death to life thou mightst him yet recover. Well‚ what are the parts of this poem? Words in lines. Specifically‚ words in lines which usually add up to ten syllables each. Words put together so that they make a rhythm as we say them‚ a sort of di-da di-da di-da di-da di-da rhythm‚ with emphasis usually on the “da” syllable‚ like this: And I
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diphthong is a phoneme consisting of two ("di" means two) vowel sounds that are "connected" or "linked" to each other. The diphthong starts out with one vowel sound and "glides" into the other vowel sound. These "vocalic glides" are always within one syllable. The monophthongs have a quite stable tongue position. The monophthongs can be either long or short. Some examples of monophthongs: /i:/‚ /ɪ/‚ /e/‚ /æ/‚ /Ʌ/‚ /ə/‚ /ɑ:/ Some examples of diphthongs: /ɪə/‚ /ʊə/‚ /ɔɪ/‚ /aɪ/‚ /eɪ/‚ /aʊ/
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Music from all over the world presents a range of musical theories. Some of these are documented in writing whilst others are transmitted orally. Discuss and give examples with reference to both Western and non-Western music. Music Theory can be understood as chiefly the study of the structure of music. With the idea of both written and oral notation‚ it may be understood through recognized systems of indication‚ and used as systems of memorizing and transmitting the theories themselves. Western
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“To Lucasta‚ Going to the Wars” is written in ballad meter‚ alternating between eight syllable and 6 syllable lines with an ABAB rhyme scheme. The poem‚ for the most part‚ follows the ballad meter and does not stray off of its form‚ making the poem flow with a steady‚ comfortable rhythm. Ballad metered poems are commonly used for romantic poems‚ which “To Lucasta‚ Going to the Wars” can be easily viewed as. The poem acts as a letter‚
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’Simon Lee‚ The Old Huntsman‚ With an incident in which he was concerned’ is a poem by William Wordsworth. Written in 1798 (Anthology p420)‚ ’Simon Lee’ was one of the poems included by Wordsworth in his Lyrical Ballads. The purpose or meaning of this poem is debatable‚ but in his own Preface to the Lyrical Ballads‚ Wordsworth says that he wishes to ’follow the fluxes and refluxes of the mind when agitated by the great and simple affections of our nature’ in the case of Simon Lee‚ ’by placing my
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