and Antigone fit Aristotle’s definition of a tragic hero? Aristotle defined a tragic hero as: - "The intermediate sort of person‚ one whop is not pre-eminently virtuous and just‚ one who incurs misfortune not as a result of vice and depravity‚ but by some error of judgement while enjoying great reputation and prosperity" and Creon and Antigone are the characters that could fit this definition best. Aristotle first of all suggests that a tragic hero must be someone of high stature and status
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profile of the Classical Greek tragic hero‚ basing it on what he considered the best tragedy ever written‚ Sophocle’s Oedipus Rex. He felt that a tragedy should comprise of the hero’s goodness and superiority‚ a tragic flaw in which the hero makes fatal errors in judgement which eventually lead to his downfall‚ a tragic realisation in which the main character understand how he has unwittingly helped to bring about his own destruction and the absence of freewill in the tragic hero’s life. <br> <br>Oedipus
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Tragedy involves the downfall of a hero as a result of his tragic flaw. How true is this? It is not simply the existence of a tragic flaw that is the sole causation of the demise of the hero and other significant characters but rather the interplay between the negative externalities and the hero’s actions as a result of his tragic flaws which does so. In Shakespeare’s Elizabethan tragedy Othello‚ Othello’s hamartia arises from a magnified sense of jealousy‚ hubris and misplaced trust brought
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Pace University English 120 October 29‚ 2009 Tragic Hero/Narcissist The tragic heroes and narcissists in the short story “A Good Man is Hard to Find” by Flannery O’Connor are the Grandmother and the Misfit. However‚ the focus is on the Grandmother and how she is in the grandiosity phase of being a tragic hero. There are personality characteristics associated with this phase‚ some of which the Grandmother has. She feels entitlement to get and do what she wants. In the story she takes her
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“To what extent is Iago presented by Shakespeare as a tragic villain without any redeeming features?” From the very outset of “Othello” we are made aware that Iago is the villain of the play. In fact Iago is not only one of the most well-recognised villains‚ he is also the one character who is given the most dialogue out of all of Shakespeare’s work. One of the many reasons why the character of Iago is still appreciated and celebrated could possibly be because of the way that he was the embodiment
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themes. Kurtz is one such example in Joseph Conrad ’s Heart of Darkness. The mystery in this novel is mainly about a character named Kurtz whom Marlow desires to meet and speak with. Kurtz‚ like many others‚ changes due to overexposure in the African jungle. But even after Marlow meets with Kurtz‚ Kurtz is still a mystery to Marlow and to Conrad ’s readers. To Marlow‚ Kurtz became widely known as the man with many faces like adding an entire new identity over his body. In the novel‚ Kurtz can be
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is also quite divergent and through use of dramatic devices‚ diction‚ contrast‚ and imagery Sophocles accentuates the similarities in character yet a clash in values Antigone and Creon‚ thus potentially creating two tragic heroes. In order to assess whether or not both are tragic characters‚ initially it’s imperative to analyze their conflictive values. Creons character attaches importance to the state and his own law rather than anything else‚ whereas Antigones appears to put family first and
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has many other generic features which Miller has incorporated into his modern version. The character of Alfieri is used in the traditional chorus role‚ and Eddie is often likened to a tragic hero‚ the main character who contributes to their own downfall through a flawed personality‚ typically described as their "tragic flaw". The traditional Greek tragedies would have been performed in amphitheatres‚ in which the audience would look down on the actors. Not only is this similar to the way Alfieri looks
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To what extent does Williams present desire as a tragic flaw in scene six of ‘A Streetcar Named Desire’ In A Streetcar Named Desire Blanche’s flaws that lead to her downfall are abundant. If we are to view Blanche Dubois as a tragic heroine‚ then it is in scene six that her tragic flaws are especially evident‚ and in particular desire. They are so prevalent here as it is arguably the beginning of Blanche’s demise and as in Shakespearean tragedy; it is in the centre of the play that we see
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‘Hamlet’ is a revenge tragedy and therefore has a traditional tragic hero and tragic villain. Hamlet follows the typical features of a tragic hero as he is a revenger with a tragic flaw leading to his death. However‚ it can be seen that Claudius is not a typical villain‚ as he does appear to have some redeeming features. Literary critic F.C. Hunt stated that ‘Claudius is painted by Shakespeare as bold‚ keen-sighted and resourceful’. Although all of these features are redeeming and there are many
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