La Llorona La Llorona is a legend that began around the 1550s. It has been told to children by older ones for hundreds of years. Her real name is Maria. There are some who believe it to be true‚ but whether they believe or nor not it still remains in memories of many people. There are different stories about the La Llorona; here is someone that believes it’s true. La Llororna as told by Stephanie Cassias is said to be a southwestern folktale. The legend is said to be about as young Native American
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Become Fashionista is the main key word of La Sape. La Sape is a social movement occurs in Congo who devote their income to purchasing fine clothing and accessories‚ assuring they innovate the morale of their neighborhoods by being an example of couture and courtesy to others. Congo is well known as poverty country and interminable with civil conflicts. This is not the way cease La Sape “dream” to express their lavish apparel. The story of La Sape began when French colonization entered to Congo
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As a conquistador under the command of Hernán Cortes‚ Bernal Diaz witnessed some of Latin America’s most interesting and least chronicled history. He was fortunate enough to be one of a select few Europeans to experience the Aztec empire at its height and to visit Tenochtitlan prior to its downfall. In an era where personal accounts of the historical occurrences are almost nonexistent‚ Bernal Diaz’s The True History of the Conquest of New Spain provides virtually the only window into this period
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CASO EMPRESAS LA POLAR VALORACIÓN DE EMPRESA Profesores: Carlos Maquieira. Marcelo González Ayudante: Guisella Gallardo Grupo: Héctor Bravo Gonzalo Ferrada Felipe Vargas Leonardo Venegas Larry Vidal 13 DE MAYO DE 2010 Antecedentes 1.- Empresas La Polar Empresa La Polar nace como una sastrería en la ciudad de Santiago de Chile en el sector de Estación Central en el año 1920. Treinta años después cambia la propiedad‚ ampliando el giro hacia la venta de varios productos
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1. La música cubana La música cubana tiene dos grandes influencias: los ritmos traídos a la Isla especialmente por los colonizadores españoles y por los negros esclavos procedentes de África. También‚ en menor medida‚ hay una cierta influencia asiática‚ con la inclusión de la corneta china‚ un hecho que comenzó a finales del siglo XIX con la llegada de los primeros inmigrantes chinos a la isla. Según el origen de sus influencias‚ podríamos diferenciar entre la música euro-cubana y la afro-cubana
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La Malinche When I first read about La Malinche I did not know who or what she was and as I started to read I learned that she was first a slave. She became a slave for Cortes. She was offered to him as a slave by the Cacique of Tabasco‚ along with 19 other young women. Cortes discovered that he could not communicate with the Indians. That night he was recommended to him that one of the women given to him in Tabasco spoke Spanish. When he found out that could speak Spanish. At that point in
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Las Meninas When looking at Las Meninas‚ your first glance is at the little girl in the center of the painting‚ she is the only most lighted object in the painting which shows her importance to Spain as she is the future queen. The next thing that catches the viewer ’s eye is the painter‚ Velazquez himself‚ who takes up the whole left side of the painting. He is painting something on a large canvas‚ we just don ’t know what‚ and that is what he wants us to wonder‚ "What are he painting and what
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s is true that La Oroya is the most polluted towns in South America? If so what happens to the people who are living there? - Anonymous Yes‚ La Oroya‚ Peru is the most polluted places in the world. Workers‚ who lived in La Oroya‚ built the factories nearby the Peruvian Andes for lead‚ coal and oil. The operations with the lead smelter running in the town has caused the air covered with toxic. It is most likely effected by children‚ women and other family has been affected by lead poisoning. What
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VISIÓN HISTÓRICA EN LA INDUSTRIA DEL AUTOMÓVIL ALUMNO: Antonio Pina Gil Tabla de contenidos 1. Introducción 3 2. La era de la producción artesana 7 3. El "fordismo" 12 3.1. Del taller a la cadena de montaje 12 3.2. Las consecuencias en la mano de obra 14 3.3. La "mano visible" del "fordismo": la integración vertical 17 3.4. La innovación tecnológica: nuevas herramientas 18 3.5. El producto estandarizado 20 3.6. Los límites del "fordismo": Rouge 21 4. La madurez de la producción en masa
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part of ICAO concerning the legal status of any country‚ territory‚ city or area or of its authorities‚ or concerning the delimitation of its frontiers or boundaries. Les appellations employées dans cette publication et la présentation des données qui y figurent n’impliquent de la part de l’OACI aucune prise de
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