Are Seltz’s new Japanese museums ‘counter-museums’ by Patterson’s definition? Patterson and Seltz introduce new museums differing in subject matter‚ context and methodology‚ but sharing analogous goals. The Jim Crow Museum of Racist Memorabilia (JCM) in the United States is touted by Patterson as a ‘counter-museum’ that ‘seek[s] to engage visitors as active participants in dynamic‚ continuing memorial processes’ (66)‚ and one that ‘seeks to use products of intolerance to teach understanding’ (68)
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of news about Museum of Modern Art (MoMA) drew my attention. It said that this nonprofit museum suffered decreasing investment and donation since the worldwide financial crisis in 2008; indeed‚ it lost about 18% money. It is no doubt that the great power of financial crisis damages the development of nonprofit museums‚ which rely on the endowments and donations from the individuals‚ institutions‚ government‚ etc. There may be some negative expectation on the future of nonprofit museums because of the
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In this essay‚ I will argue that ethnographic museums privilege viewing‚ at the expense of other senses. I will further argue that by privileging the visual‚ ethnographic museums become problematic in two ways- firstly‚ by not accurately representing the cultures they are supposed to be exhibiting‚ and secondly‚ by limiting the experience of museum-goers who may be visually impaired or otherwise unable to visit museums that are purely mono-sensorial. After outlining and discussing the problems associated
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The Kennedy Museum of Art is the university museum at Ohio University in Athens‚ Ohio. The Museum is known for their Southwest Native American Collection that comprises extensively on weavings‚ jewelry‚ and silverwork from the cultures of the Diné (Navajo)‚ Zuni‚ and Hopi peoples‚ respectably. Additionally‚ the collections include a renowned print and photo collection‚ 20th century American art‚ and a notable African art collection. Together the staff executes exhibitions to be used as pedagogical
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In the Folk Museum The concept of belonging The Museum A museum is a place of past. A folk museum celebrates the lives and lifestyle of a bygone era. This particular ‘folk museum’ is displaying the culture and life of the early Australians. The persona feels disconnected from the experience – the almost deathly scene betrays his‚ and others‚ lack of interest. Through the use of imagery‚ the poet sets a cold‚ stale‚ dark and a silent place and this highlights the persona’s feeling of not belonging
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exactly forty-four years before I was born‚ makes me connect with it even more. Finally‚ after 9 years of looking up facts and watching documentaries‚ I visited the Holocaust Memorial Museum in Farmington Hills‚ Michigan. According to the Wall Street Journal‚ this museum in particular “may be the most provocative museum of them all” (“What They’re Saying‚” par. 1). Just driving past the building makes a strong statement due to the museum’s exterior wall which resembles the barbed wire fences from a
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Richard Cándida Smith Department of History University of Michigan Ann Arbor‚ MI 48109 The Other Side of Meaning: George Kubler on the Object as Historical Source forthcoming in Intellectual History Newsletter‚ vol. 23‚ 2001 The objects that men and women have made provide the most enduring trace of human activity extending back tens of thousands of years in every part of the globe. In a handful of locations‚ as in Europe or East Asia‚ traditions of collecting and connoisseurship
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I had the pleasure of visiting The Miami Art Museum and was very impressed by what I encountered and viewed. I have never found interest in art until I got to see the museum. Throughout my exploration at the Miami Art Museum I was able to view a wide selection of art. In this venture‚ I viewed the most beautiful artwork I had ever seen‚ observed interesting non European/North American art‚ was alarmed by the most disturbing works ‚ explored a breath taking exhibition‚ and actually found work that
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Museum I’m going to tell about one of the oldest museum in Kazakhstan. West Kazakhstan Regional History Museum was founded in 1832. In his organization were directly involved well-known scholars of the time Karelin and Berg. Now the museum is located in the historical and architectural building built in 1879 in the eastern style of Russian-Kazakh school. The museum has its own branches: House-Museum of Hero of the Soviet Union Mametova‚ House Museum of E. Pugacheva‚ The House-Museum
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they experience is lack luster. The Sutliff museum is full of timeless treasures‚ offering a wonderful insight to 19th century history and the underground railroad. Unfortunately‚ the current promotional material does not do the museum justice. It appears out date and doesn’t grab the attention of an audience. I’d like to rebrand the promotional material for The Sutliff Museum so that it reflects an updated‚ fresh design that draws people to the museum. My intent is to design two brochures‚ an information
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