............................................................... 2 1.4 Chaos Theory.................................................................................................................................. 2 1.5 Mathematical Abstraction ......................................................................................................... 3 1.5.1 The BDS Statistic..............................................................................................................
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means of material things so considered to some knowledge of immaterial things." (Aquinas 87) The problem that arises is how we come up with universal definitions with sensing only particular cases. Aquinas says that we learn through abstraction. Through abstraction‚ we first take in all information through all our senses. Then we put together all the information gathers through senses into one image of an object subconsciously. Now we have an image in our minds which is called a phantasm. Afterwards
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The DiCarlo Escalation Ladder http://www.vindicarlo.com DiCarlo Escalation Ladder The DiCarlo Escalation Ladder is a step-by step formula‚ followed by a number of laws which govern it’s use for maximum effect. It is designed to provide a smooth escalation‚ containing no significant jumps that may cause a woman to object. At the same time‚ the DEL contains no extraneous steps which are non-essential to the seduction process. This results in a FAST escalation sequence which is compatible
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that Erick Hawkins wanted to give the viewers abstractions in order to see the spirituals. There wasn’t a clear‚ linear story line to follow. I noticed that as the piece went on‚ I had to embrace those abstractions in order to get a meaning for myself. I recognized a Metanarrative throughout the dance for myself. There was always something that I could relate to‚ yet it wasn’t something that I could put my finger on. In addition to the stories abstraction‚ the music had its own abstract sounds. Louis
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decides to buy her a Lego set which was quite complex and came with war painted mini figures‚ horses‚ a canoe‚ a rocky cliff‚ and much more. When he started playing with Legos in the late 1960s‚ it was abstraction driven but when he bought that Indian Lego set for his daughter in the late 90s‚ abstraction was
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essentials of arts are line‚ shape‚ texture‚ light‚ value‚ color‚ and space. The Subject of Arts Ways of Representing the Subject 1- REALISM – the attempt to portray the subject as it is. Realists try to be as objective as possible. 2- ABSTRACTION – the attempt of the artist to show only his idea or his feeling; not as objective as the realist. 3- SYMBOLISM – the use of a visible sign of an idea to convey to the viewers‚ readers or audiences the message of his work. 4- FAUVISM –
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The name of "Cercle et Carré" proposed by Seuphor was not immediately accepted as a suggestion for the program the geometric abstraction with which all the members of this group did not agree. For Seuphor‚ the circle and the square were "the simplest emblem of the totality of things. The rational world and the sensory world‚ the earth and the sky of ancient Chinese symbolism‚ rectilinear geometry and curvilinear geometry‚ man and woman‚ Mondrian and Arp." However‚ the attractive design of the logo
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2. Describe the deficiency or deficiencies that you wish could be fixed. 3. Describe the key features and functions 4. Use abstraction to describe the benefits that you gain from this product or service (not the features or functions) 5. Describe the functions (not features) that you wish the product or service could have‚ and then use abstraction to translate these functions into benefits. 6. Use any resources available to you to “scan the periphery”‚ meaning that I want you
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INTRODUCTION: Meeting a person for the first time‚ can either be a positive or negative experience and the way someone interacts with this person can also show both positive and negative behaviours. So the question is‚ how can mental models about a person’s world‚ both aid them and also limit their perceptions when meeting a person for the first time. Through exploring how and why these perceptions can be assisted and limited‚ we can start to question the reasoning behind our mental models.
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|Franz Kline‚ Painting | | |Number 2‚ 1954‚ The | | |Museum of Modern Art | Action Painting is a kind of gestural abstraction. It is actually about splashing and dribbling on the canvas instead of carefully painting on it |[pic] | |An example of Figurativism | |The Creation of Adam
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