The Ayodhya dispute (Hindi: अयोध्या विवाद‚ Urdu: ایودھیا وِواد) is a political‚ historical and socio-religious debate in India‚ centred on a plot of land in the city of Ayodhya‚ Faizabad district‚ Uttar Pradesh. The main issues revolve around access to a site traditionally regarded as the birthplace of the Hindu God Rama‚ the history and location of the Babri Mosque at the site‚ and whether a previous Hindu temple was demolished or modified to create the mosque. The Babri Mosque was destroyed by
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Kerala Introduction Better known as God’s Own Country‚ Kerala is a heavenly portrait splashed with myriad of enchanting hues. Situated in the southern tip of India‚ Kerala is caressed by the Arabian Sea in the western coast of India. It is a green Venice‚ but unlike Venice‚ where man has created most of the glory‚ in Kerala nature rules. This beautiful coastal state of India is the country’s ambassador to the world of travel and tourism. From the lagoons & backwaters that meander through the
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Malayalam cinema Malayalam cinema is the Indian film industry based in kerala‚ India‚ dedicated to the production of motion pictures in the Malayalamlanguage. At first (beginning in the 1920s)‚ the Malayalam film industry was based in Trivandrum. Although the film industry started to develop and flourish only by the late-1940s. Later‚ the industry shifted to Chennai (formerly Madras)‚ which then was the capital of the South Indian film industry. By the end of 1980s‚ the Malayalam film industry
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The Gurkhas “Bravest of the the Brave ‚most generous of generous ‚ never had a country more faithful friends than you.Sir Ralph Turner MC‚3rd Queen Alexander’s Own Gurkha Rifles .1931 Better dead than a live coward . Gurkha prove. The name “Gurkha ” comes from the hill town of the gorkha from which the Nepalese kingdom had expanded. If there was a minute’s silence for every gurkha causalty from world war || alone ‚we would have to keep quiet for two weeks.”Gurkha welfare trust. Former chief
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00 Years O ndian Cine 100 Years Of D. G. Phalke Films PIFF 2013 Raja Harischandra 1913-DVD-15-Silent-India Direction: D.G. Phalke Cast: D.D.Dabke‚ Salunke‚ Babaraya Phalke Screenplay: D.G. Phalke Cinematography: D.G. Phalke Production: Phalke Films The narrative is drawn from the Indian epic Mahabharata where the King sacrifices his kingdom to uphold his ideals of truth. The king accidentally blunders into the religious ceremonies being performed by Sage Vishwamitra and incurs the
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then-prime minister of Hyderabad and the uncle and brother-in-law of H.H. The Nizam VI‚ Nawab Mir Mahboob Ali Khan Bahadur.[2] Falak-numa means "Like the Sky" or "Mirror of the Sky" in Urdu. * | ------------------------------------------------- Design [edit] An English architect designed this palace. The foundation for the construction was laid by H.E. Sir Vicar Ul Umra Bahadur on March 3‚ 1884. He was the great grandson of Khuddus‚ a famous scientist who was a best friend of Sir Charles Darwin
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the former Soviet Union.The cinema as a medium gained popularity in the country as many as 1‚000 films in various languages of India were produced annually. They are classified into many divisions according to their language known a Bollywood – Hindi Films Kollywood - Tamil films Tollywood - Telegu Film Mollywood - Malayalam films Sandlewood – Kannada films Bollywood is a powerful medium that provides useful and entertaining information on history‚ civilization‚ variety of
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KENDRIYA VIDYALAYA NO. 2 SAGAR WELCOME SPEECH BY SH. P. K . CHANDRAN‚ PRINCIPAL ON THE OCCASION OF THE ANNUAL DAY CELEBRATION 28.04.2010 GOOD EVENING LADIES AND GENTLE MEN‚ It is of immense pleasure to stand before you on this auspicious occasion of the ANNUAL DAY of KV 2 Sagar with the high lights of events and achievements for the year 2009-10 in the august presence of our esteemed guests‚ well wishers‚ students and my colleagues. I am extremely thankful to each and every one who
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This Term Paper has been submitted by Ms. Vishakha Gupta ID No: 212035 On Sociological Study of Slut Walk (Sociology-II) During the Winter 2013 Meera Kosambi starts her book ‘Crossing Thresholds’1 by stating that “the conventional and still popular notion of the ‘woman’s sphere’ carries with it the tenacious metaphor of the threshold‚ an image of restrictive‚ restricted‚ and dangerous periphery.” Whenever women strive to cross this threshold‚ men come up and try to suppress these women
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QUETTA SECTION S. No. |Life Member |Name of Advocate / Member Supreme Court of Pakistan |Office Address |Date of Enrolment Supreme Court of Pakistan / Supreme Court Bar Assocn |Office Telephone Numbers |Residence Address |Residence Telephone Numbers | | |L/M |Aamir Abbas Hasan Raja‚ S/o Raja Hasan Akhtar. |No. 6‚ 1st Floor‚ Bushra Arcade‚ Model Town‚ Near P‚T‚V‚ Station Quetta |13-09-2008 22-09-2008 |2833335 Fax 2833377 0321-8003333 |House No. 9‚ Quetta Club Road‚ Quetta Cantt. |2837134
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