In the poem “Toads” by Philip Larkin‚ a man who never makes himself known begins to talk about two toads. Although not being literal‚ the man uses toads as a metaphor for objects within his life which hold him back from feeling purely accomplished. The first toad that he speaks of is the influence and pressures which society forces on individuals to work. The second toad is one which he finds within his subconscious which prompts him to work and never quit‚ despite how bad he wants to. The man soon
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Explore the ways in which Larkin in ‘Mr Bleaney’ and ‘Home is so sad’ and Abse in ‘Leaving Cardiff’ depict a sense of belonging. In the poem ‘Mr Bleaney’ Larkin uses ordinary and mundane objects‚ for example the ‘bed‚ upright chair‚ sixty-watt bulb’ are typical everyday objects yet at the same time could be suggesting how they and Mr Bleaney are not so very different and thus go hand in hand with one another. Also Larkin depicts a semantic field of confinement when we are told of the ‘one hired
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‘HERE’ PHILIP LARKIN CRITICAL ANALYSIS ‘Here’ is a sprawling‚ moving and often majestic poem that takes the reader on a strikingly visual journey through the countryside and the town‚ before finally ending up on the coast. Larkin uses long‚ flowing sentences which add a sense of continual movement; these sentences are full of rich imagery and description which fully immerse the reader in the poem. The poem is titled ‘Here’‚ yet in the first three stanzas the poem takes in various locations and
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Self’s the man Oh‚ no one can deny That Arnold is less selfish than I. He married a woman to stop her getting away Now she’s there all day‚ And the money he gets for wasting his life on work She takes as her perk To pay for the kiddies’ clobber and the drier And the electric fire‚ And when he finishes supper Planning to have a read at the evening paper It’s Put a screw in this wall - He has no time at all‚ With the nippers to wheel round the houses And the hall to paint in his
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Philip Larkin – The Trees Commentary by Merve Hilal Taş The Trees by Philip Larkin is a 3 stanza poem observing the rebirth of trees. The trees are used as a metaphor for life in general symbolizing our hopes that we try to achieve to be reborn before eventually dying. There’s also a message within the poem implying that even though we as humans observe the trees to be reborn‚ they actually grow older. This poem shows that growing old and changing is inevitable. It also has a rhyming scheme of
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Love Songs in Age and Wild Oats‚ Philip Larkin uses various literary techniques‚ such as imagery‚ structure and symbolism to convey certain aspects of love and the passing of time. These aspects are illuminated by Dannie Abse in Down the M4. Love Songs in Age pictures a woman‚ perhaps Larkin’s mother‚ who has kept the musical scores of songs she used to play‚ perhaps on the piano‚ and rediscovers them after many years‚ when she is a widow. In the poem‚ Larkin uses lexical choice to explore how the
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Both Larkin and Abse write about death in a way which suggests to the reader that it’s an overriding concern in their life. Although this is more explicitly expressed through Larkin’s poems‚ the fact it is a dominant theme in Abse’s ’Welsh Retrospective’ is evidence in itself that such fear existed in his mind. Both poets go on to explore the effect of death draining life of its worth. Larkin seems to relate to death more universally‚ as perhaps the only common feature he shared with the people
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Revisited’‚ it is seen as something that keeps him occupied and helps him though life. ‘Toads Revisited’ was written after Larkin became a firmly established chief librarian of the Hull Library and he had no further to go because he had already reached the top position. His attitude to work had undergone subtle changes from eight years ago to Toads Revisited. In this poem‚ Larkin has managed to escape from the monotony of his desk‚ perhaps during lunch or break. He takes a walk around the park where
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Larkin Poem Commentaries Here My feelings for ‘Here’ have much to do with the recent video prepared for the Larkin25 anniversary‚ which should be seen in conjunction with what I have to say here. Sir Tom Courtenay’s reading together with the images of Hull and its surrounding areas‚ leave me with the sense that while this is not just a hymn to Hull‚ although it is certainly that – and written when Larkin had first come the city – it is a place which is constantly surprising the poet by the interplay
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Philip Larkin - Wild OatsThe poem Wild Oats was written by a famous poet named Philip Larkin. The poem consists of three‚ eight line stanzas with each stanza describing a distinct period in his life. Philip Larkin used little sound effects and a minimal amount of rhyming to construct his poem. Rhyme‚ when it appears‚ is at the end of alternate lines such as‚ doubt and out‚ or snaps and perhaps. There is also no sign of alliteration‚ simile or use of a steady meter. The title Wild Oats was taken
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