Philip Larkin demonstrates the use of “piquant mixture of lyricism and discontent” through his poetic explorations in Here and The Whitsun Weddings. Both pieces were published in 1964 as a collection of poems collectively titled ‘The Whitsun Weddings’. In the poem Here you see both lyricism (expression of emotion in an imaginative and beautiful way) and discontent (dissatisfaction‚ typically with the prevailing social or political situation) though in The Whitsun Weddings you tend to see more lyricism
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In Philip Larkin’s collection‚ ‘The Whitsun Weddings’ and Dannie Abse’s collection ‘Welsh Retrospective’‚ both poets create a sense of place as they write about their own environments. Larkin uses a more detached observation as he uses a third person viewpoint‚ seen in ‘Here’ and ‘The Whitsun Weddings’‚ where he shows the journey of life. This differs to Abse‚ who presents a personal connection with the place and in the poems ‘Last Visit to 198 Cathedral Road’ and ‘Return to Cardiff’; Abse uses these
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Larkin is a misogynist who hates marriage and children. Discuss how far you agree. I agree with this statement to some extend but not fully. I think Larkin can come across in these ways however to put a definite label on him would be an assumption. Also I think that by saying he hates children and marriage is too much of a strong statement and perhaps he personally never chose to do these particular things in life or couldn’t understand them. Larkin comes across as a misogynist from the way
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Philip Larkin was born in 1922 in Coventry‚ England. Like Thomas Hardy‚ he focused on intense personal emotion but strictly avoided sentimentality or self-pity. Deeply anti-social and a great lover (and published critic) of American jazz‚ Larkin never married and conducted an uneventful life as a librarian in the provincial city of Hull‚ where he died in 1985. This short poem touches on a favourite theme of Larkin’s - the distance between what we originally plan and what‚ in the end‚ we achieve
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‘Ambulances’ by Philip Larkin Philip Larkin’s ‘Ambulances’ is a poem that describes the literal journey of an ambulance that also takes on an increasingly sinister metaphorical value. The ambulance weaves through the busy afternoon streets‚ demanding the attention of passers-by while forcing the reader to acknowledge the ambulance’s symbolic significance as a reminder of our own mortality. By close examination of the ambulance and its literal movement it is possible to gain a greater understanding
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Analysis- SELFS THE MAN From the offset‚ we get the sense of a sarcastic‚ cynical and flippant character. “Oh‚ no one can deny / That Arnold is less selfish than I”. The colloquial “oh” gives a sense of how he brushes it off‚ and he seems to be boastful of his selfishness. Into the next few lines‚ he presents a stereotypical image of marriage as entrapment‚ “married a woman to stop her getting away” and the ironic aside‚ ‘Now she’s there all day” as though his “less selfish” friend didn’t know what
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of consumerism. Following the pattern of many other poems in this collection‚ ‘Here’ begins with physical ideas of ‘rich industrial images’‚ before becoming more abstract in the final stanza. By beginning the poem with the participle‚ ‘swerving’‚ Larkin immediately gives the reader a sense of the moment being suspended in the present‚ before an unpredictable‚ fast movement‚ which is not usually associated with travelling on a train. The word itself is sudden‚ describing an immediate action and repetition
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Ambulances • Days It is understatement to say that both Sylvia Plath and Philip Larkin have immense depth and subsidiary meanings to their poems‚ both writers expertly structure their poems and used varied techniques to convey their themes of death and instil their messages to their readers. Plath goes about it an autobiographical manner and parades death as a theatrical show leaving the audience in shock and awe however Larkin presents death in a rather trivial manner in comparison to Plath. He juxtaposes
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Arguably this poem is not simply a misogynistic view on woman however is in fact a satirical poem which mocks modernity through quantifying love as expressed in the use of the line ’gave a ten Guinea-ring’. Larkin was a well known hater of the modern world and to an extent the romanticised idea of ’love’ as seen in ’Self’s the man’ and ’Mr Bleaney’‚ so through the use of the conversationalist tone that the persona of the poem creates the reader is presented with the concept of this poem either expressing
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The poetry of Philip Larkin possesses a unique characteristic that has drawn the attention of many readers from 1945‚ when his first book was published‚ up until the modern day. His writing contains unique characteristics because he was not raised with the normal life that many writers today have and often write about. One of Larkin’s most prominent characteristic used was the idea of humor. The objective of this paper is to display factual evidence that Larkin was using humor as a way to further
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