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    rosary that is being held in her hand. The rosary is a sign of her religious life. Juana Inez de la Cruz was forced into the religious life of catholicism because the Spanish came. Next to her in the painting‚ there are books. These books signify her intellectual life and show that she was a very smart and educated women‚ even though she was self-taught. She also has an escudo de monger on. An escudo de monger is basically a nun’s badge that displays the Virgin Mary. It also informs people that

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    DE STIJL

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    Dutch for "The Style"‚ also known as neoplasticism‚ was a Dutch artistic movement founded in 1917. In a narrower sense‚ the term De Stijl is used to refer to a body of work from 1917 to 1931 founded in the Netherlands. De Stijl is also the name of a journal that was published by the Dutch painter‚ designer‚ writer‚ and critic Theo van Doesburg (1883–1931)‚ propagating the group’s theories. Next to van Doesburg‚ the group’s principal members were the painters Piet Mondrian (1872–1944)‚ Vilmos Huszár

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    Josie Mendez-Negrete’s novel‚ Las Hijas de Juan: Daughters Betrayed‚ is a very disturbing tale about brutal domestic abuse and incest.  Negrete’s novel is an autobiography regarding experiences of incest in a working-class Mexican American family.  It is Josie Mendez-Negrete’s story of how she‚ her siblings‚ and her mother survived years of violence and sexual abuse at the hands of her father.  “Las Hijas de Juan" is told chronologically‚ from the time Mendez-Negrete was a child until she was a young

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    Bartolomè de Las Casas‚ "Of the Island of Hispaniola" (1542) Identify and explain the metaphor that Las Casas uses to describe the Spaniards’ treatment of the people of Hispaniola. What does the use of this metaphor suggest about Las Casas’ attitude toward the Spaniards and the people of Hispaniola? Bartolome de Las Casas compares the native people to sheep‚ describing them as "...without malice or duplicity‚ most obedient‚ most faithful‚ the most humble‚ most patient‚ most peaceful and calm

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    Ryan Lorenc    Paper #1 02/18/13 Sor Juan Inés de la Cruz             Sor Juana Inés de la Cruz lived a life without fear regarding the social criticisms of her writing and she wrote to influence change regarding the educational stereotypes made by the men of her era. Sor Juana worked diligently to educate herself continuously throughout her life in order to reach a level of sophistication that no man could contest.             The educational life of Sor Juana started at the age of three in 1651

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    [pic] Estudio de caso: El lanzamiento de Porsche Cayenne Índice Introducción Antecedentes La gestión de Wendelin Wiedeking (hasta 1998) Lanzamiento de nuevos modelos El mercado de los SUV’s La diversificación en la actividad empresarial Diversificación en diferentes industrias (ejemplos) Tendencias en la industria automotriz Las tendencias en la época del caso Implicaciones para Porsche de entrar al mercado de los SUV’s

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    reciclado de neumaticos

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    Austral de Chile Facultad de Ciencias de la Ingeniería Escuela de Construcción Civil “RECICLAJE DE NEUMÁTICOS Y SU APLICACIÓN EN LA CONSTRUCCIÓN” Tesis para optar al Título de: Ingeniero Constructor. Profesor Patrocinante: Sr. Adolfo Montiel Mansilla Ingeniero Constructor. PAULINA ALEJANDRA DELARZE DÍAZ VALDIVIA – CHILE 2008 Aquel que quiera construir torres altas‚ deberá permanecer largo tiempo en los cimientos… AGRADECIMIENTOS A Dios: Gracias por darme la sabiduría

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    Essay: The inspiring life of Juana Ines de la Cruz Sor Juana Ines de la Cruz is not a typical women that lived during the 17th century in Mexico. There is much more beyond her beauty and authenticity. In her early years she was already considered to be a “child genius“1‚ taking into account her intelligence‚ and “polymath“ would also best describe her‚ since she wrote various poems‚ along with plays‚ also including her studies in music‚ philosophy and natural

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    “Complainte De La Butte”‚ the pop genre song composed by Jean Renoir and Georges Van Parys during the 1950’s contributes to the meaning of the overall film and the scene it is incorporated with. The lyrics within the song foreshadows future events as well as suggesting the plot. The tune initiates a melancholic‚ yet exciting atmosphere of the setting.The song begins with “En haut de la rue St-Vincent” translated to “at the top of St. Vincent Street”‚ referring to a street in Montmartre‚ the city

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    as the Virgin of Guadalupe‚ perhaps the most recognizable icon to emerge out of post-conquest Americas. La Virgen of Guadalupe has evolved throughout history as a cross-cultural and multi-generational icon of virginity‚ femininity‚ purity‚ and maternal love. Her presence can be seen everywhere‚ on clothing‚ jewelry‚ car windows‚ and even on coffins. This essay charts the evolution of La Virgen de Guadalupe in Chicano art‚ from religious icon to feminist mascot; I examine the forms in which contemporary

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