representation patriarchal or feminist? Will both or either feel pleasure in watching it? Can this film be considered a feminist film? At first glance‚ Death Proof is a patriarchal narrative‚ supported to a large extent by psychoanalytic evidence[3]. Laura Mulvey argues that mainstream Hollywood cinema is a representation of conventions as seen in the patriarchal culture‚ using mise-en-scène to represent cinematic ideologies and visual manipulation to create spectators’ pleasure[4]. Cinema’s pleasures
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Introduction The second wave feminism has brought about several new feminist film theories. Concepts such as the gaze and scopophilia were introduced in the analysis and study of films‚ notably from individuals such as Laura Mulvey‚ Gaylyn Studlar and Gilles Deluze. Laura Mulvey uses Freud’s psychoanalytic theories and concepts as “political weapons” to argue that cinematic spectatorship is influenced by patriarchal society (Mulvey‚ 746). Women in films are often used to depict in voyeuristic
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Laura I woke up on the couch with Sarah’s arm draped over my waist‚ carefully moving it‚ so as not to wake her‚ i got up off of the couch and surveyed the situation‚ tge Tv was still on displaying the menu of a movie‚ empty bags of lollies and chips were scattered on the floor in front of tge couch while two half full glasses sat on the coffee table‚ the bottle of wine sat open next to them. I picked up the glasses and took them into the kitchen where i got a garbage bag and went in to clean up what
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They were also written in the Roman alphabet in the principal languages and widely circulated. Francisco “Balagtas” Baltazar‚ generally considered the first major Filipino poet‚ wrote poems in Tagalog. His best-known work‚ Florante at Laura (Florante and Laura)‚ probably written between 1835 and 1842‚ is an epic poem that subversively criticizes Spanish tyranny. This poem inspired a generation of young Filipino writers of the new educated class‚ or ilustrados‚ who used their literary talents to
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of female masquerade to a film listed on the module schedule‚ assessing its disruption of the gaze in the film. Mary Ann Doane’s theory of the masquerade inherently usurps the binary in constructing the gaze in terms of being active and passive of Laura Mulvey’s theory of scopophilia and to-be-looked-at-ness in classical Hollywood narrative . Mulvey’s theory is pivotal around the assumption the gaze of the hypothetical audience is structured around a masculine view point as facilitated by the cinematic
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Like Water for Chocolate: The Important Role of Food Full of love‚ passion‚ family tradition and mouth-watering recipes‚ Laura Esquivel’s "Like Water for Chocolate" is seasoned with magical intensity that will leave your heart boiling. This book expresses the value of true Mexican family tradition and how a girl’s passion for cooking can affect the loved ones around her. Tita‚ a girl who is destined to a solitary life due to family customs‚ is brought into the world in what comes to be the
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Both Vertigo and Laura raise the idea of masculinity‚ and it’s place and role in society and character. The relationships in both films‚ particularly those between the male protagonists and women‚ highlight the differing ideas of masculinity. The character of Scottie in Vertigo highlights how relationship with women can greatly effect the idea of masculinity‚ whereas this is reversed in Laura‚ when the title character Laura shows how she greatly changes the concept of masculinity through three differing
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First film theorist Laura Mulvey she wrote Visual Pleasure and Narrative Cinema in 1975. She came up with the idea of the Male Gaze. The idea that the woman is passive and the male is active. So the woman is the image and the man is the bare of the look which very much indicates the man has the power of the woman. In vertigo this is evident within the first scene the Ernie’s Restaurant when Scottie goes to meet Madeline for the first time. Where they don’t actually meet‚ they don’t even make eye
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initial guise of children’s literature‚ Laura and Lizzie are presented as foils to each other within the poem. Both sisters are described as having “golden” hair and portraying themselves as the typical virtuous female of the time (Rossetti Line 184). Additionally‚ their lack of physical description also suggests the possibility of them being twin sisters. Which is why the important factor in distinguishing between the two relies on their personalities. Laura is a “curious” individual who is easily
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poem in alternating Tagalog and Spanish line. __________9. The Structure of this poem is octosyllabic quatrains the best example was “Ang Ibang Adarna”. __________10.This is rendered in dodesyllabic quatrains‚ the famous of this‚ is Florante at Laura by Francisco Baltazar. __________11. This is called Pananapatan o Panawagan‚ Gangharong o Pagharongharong in Bikol. __________12. Originally just the dramatization of the passion and death of Jesus Christ presented during Maunday Thursday and Good
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