<http://camilleas.blogspot.com/2011/04/film-analysis-legally-blonde.html>. Freeland‚ Cynthia. "Feminist Film Theory." _Encyclopedia of Asythetics_. Oxford University Press‚ 1996. Web. 14 Mar 2012. <http://www.uh.edu/~cfreelan/courses/femfilm.html>. Mulvey‚ Laura. " Afterthoughts on ’Visual Pleasure and Narrative Cinema ’ inspired by _Duel in the Sun_ " [1981]. In _Feminism and Film Theory_. 69-79. Originally published in _Framework_ 15/16/17 (1981): 12-15. Johnston‚ Claire. " Women ’s Cinema as Counter-Cinema"
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A Critical Analysis of Feminist Theories Concerning the Representation of Women in Advertising. There are many forms of feminisms which often contradict each other and focus their efforts on issues which reflect their local concerns (Skeggs‚ 2004). Zoonen (1994) states that there are at least two notable themes which reoccur within feminist media theory‚ these are stereotypes and gender socialisation‚ and ideology. These issues will be addressed with reference to several feminist theories to determine
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An exploration of postmodernism through textual analysis of Arrested Development. This essay will consider the postmodernism within the television programme Arrested Development through postmodern theories‚ postmodernist techiniques and textual analysis. Through historical context‚ genre conventions‚ intertextuality and continuity; the essay will investigate the use of pastiche in modern satire. As popular situation comedies fulfil the generic conventions of using multiple cameras‚ linear narratives
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Sexuality”‚ (University of Minnestoa Press‚ 1991) Freud‚ “The Ego and I.D.”‚ 2nd edition ( John Storey‚ 1997) Solie Ruth A.‚ “Musicology and Difference: Gender and Sexuality in Music Scholarship”‚ (The University Press Group Ltd‚ United States‚ 1995) Mulvey‚ “Male Gaze”‚ (Routledge‚1998) Citron‚ Marcia J‚ “Gender and the Musical Canon”‚ (Cambridge University Press‚ 2000) ----------------------- [1] McClary‚ Susan‚ “Feminine Endings: Music‚ Gender and Sexuality”‚ (University of Minnestoa Press‚ 1991)
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Universität Mannheim Anglistisches Seminar Lehrstuhl Anglistik II 4. 11. 2012 Mistressing Fear: Gothic‚ Gender and Feminism in Angela Carter’s The Magic Toyshop and Margaret Mahy’s The Changeover M.A.-Arbeit FSS 2012 Betreuerin: Erstgutachterin: Zweitgutachter: Dr. Stella Butter Prof. Dr. Sarah Heinz Dr. Stefan Glomb Hannah Brosch Table of Contents 1. Introduction 1 2. Theory 2 2.1 Eighteenth-Century Gothic‚ Gender and Feminism 2 2.2 Gothic in the Nineteenth and Twentieth Centuries
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Outline and assess feminist views of media representations of gender [50] Feminism is a theory that is united in opposing patriarchy‚ which means a system of male power and rule that implies the subordination of women; but the various strands within feminism offer different overviews on gender inequality in media representations. For example‚ liberal feminists tend to be more optimistic about the possibility of change in media representations of gender; whereas radical feminists see little change
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Bella Spooner Representation of Women in Horror Films. Since the inventions of television and film‚ media influences have become extremely important in modern society with people constantly being inundated by images and messages that come from film‚ television‚ magazines‚ internet and advertising. Researchers and theorists such as Carol J. Clover and Jean Kilborne believe that the fact that people are going to be affected by the media is absolutely unavoidable. Films can act as guides to
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Team Reflection: Principles and Strategies HRM/531 Team Reflection: Principles and Strategies In this week’s assignment Team C will discuss the principles and strategies of a small‚ medium‚ and large business in regard to each business operating in compliant with state and country laws. Whether a business is or simply expanding to a new state or country it is essential for each company to comply with the rules and regulations of the company’s state and country
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and format that shapes how we understand films. The speactator looks at what camera sees or “demonstrates” them. In this case‚ there is a construction and reproduction of reality. Cinema always re-constructs gender and sexual identity. According to Mulvey camera works for men. Male character looks‚ “female character is looked at.” Actually male gaze is a sexual gaze. Women are objects of desire. Spectators are put into a masculine subject position. (Althusser‚1971) How does cinema alter the position
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devices to the beginnings of professional sports. Ernest May described in his book War‚ Boom‚ and Bust‚ this period in those words: "the fast changing pace‚ the new thoughts‚ and the emphasis on good times‚ sex‚ and wild-living made the 20s roar". Laura Mulvey‚ in The Flapper Phenomenon‚ wrote: "It was during what we might call the Flapper period‚ or the Jazz Age or the Roaring Twenties that American popular culture began to capture the imagination of the world. . . . [America] was inventing its own
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