Interviews‚ Essays‚ Notes. London: The Johns Hopkins UP. Mitchell‚ A. (2008). ‘Rainer Werner Fassbinder‚ The Subject of Film’ in Phillips‚ J. Cinematic Thinking‚ Philosophical Approaches to the New Cinema‚ pp. 128-145. Stanford‚ California: Stanford UP. Mulvey‚ L. (1989). Visual and other pleasures. Basingstoke: Macmillan. Filmography: Feat Eats The Soul. Dir. Rainer Werner Fassbinder. The Rainer Werner Fassbinder Foundation. 2006.
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about her life. Laura‚ Amanda’s daughter‚ finds herself in a private world in which she lives is populated by glass animals—objects that‚ like her inner life‚ are incredibly fanciful and dangerously delicate. Unlike his sister‚ Tom is capable of functioning in the real world‚ as we see in his holding down a job and talking to strangers. But‚ in the end‚ he has no more motivation than Laura does
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Whenever Amanda feels the need to escape the reality of the present she beings to reminisce on her past life. For instance in scene I of the play when they are eating dinner Amanda tells Laura to resume her seat because she wants her to stay fresh and pretty for the gentlemen callers (TGM.1.1.5-14). When Laura explains to her mother (Amanda) that she is not excepting anyone; Amanda tells her sometimes they come unexpected and start to recall a Sunday afternoon from her younger days (TGM.1.1.5-16)
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All right! What about Laura? AMANDA. We have to be making some plans and provisions for her… TOM. I guess she’s the type that people call home girls. AMANDA. There’s no such type‚ and if there is‚ it’s a pity! That is unless the home is hers‚ with a husband.”
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more specifically her unicorn‚ to personify her. He uses the glass unicorn to portray three aspects of Laura‚ her separation from society‚ her delve into normalcy‚ and her rejection of the Jim and his normal life. This paper will analyze these three points‚ and discuss how they develop Laura’s character. The glass unicorn represents Laura’s uniqueness‚ or rather‚ her separation from society. Laura is a very shy‚ lonely‚ and detached from the outside world. She had no friends except Jim during high
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young girl named Laura who was dramatically changed when a passing of a man happened. Laura was in charge of a garden party then suddenly her neighbor Mr. Scott died. Laura has never experienced anything like this in her life. Mr. Scott left behind a wife and 5 children. Laura felt so bad about what had happened she wanted to cancel the party. Each year her family planned a large garden party. Every year her mother was in charged of the party. But this year her mother told Laura she would be
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Gender stratification is one big problem in our modern society because not only it plants a stigma about how women should act or live but limits her choices and opportunities. Mulvey and Killen (2008) states‚ “Extensive evidence demonstrates that gender stereotypes guide children’s preferences for activities‚ occupations‚ and career goals (Liben & Bigler‚ 2002; Ruble‚ Martin‚ & Berenbaum‚2006)‚ even though young children often view adherence to gender norms to be a matter of personal choice (Conry-Murray
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unified film filled with raw emotion and meaning. del Toro’s use of mise-en-scene has reaches its peak in the film at a particular scene where the main character Laura‚ is searching inside a furnace in the shed of her home for her son (see Appendix A). For months on end Laura has been searching for her adopted son Simone who is sick with HIV. Laura fears his disappearance was linked to a former worker at the orphanage Benigna or the ghost of her disfigured son Tomas. This scene offers an effective window
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different sort of version than what many individuals may be used to and comfortable with. Motherhood in Carmilla twists woman’s natural role into an unnatural parallel based on the motif of breastfeeding‚ how Carmilla is a motherly figure towards Laura‚ in addition to Carmilla’s own need for a maternal figure. The breastfeeding motif within Carmilla‚ is displayed as a method of feeding similar to regular breastfeeding.
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beautiful mansion on the coast‚ and Laura does not have to work if she so chooses. Every day Laura is tortured and ridiculed and criticized by her husband. Her husband‚ Martin Burns‚ is obsessed about keeping the household in perfect condition. If one towel is out of line‚ one can out of order in the cupboard‚ or if dinner is slightly late‚ Laura receives a severe beating. The only way for Laura to escape from her tyrannical husband is by staging her own death. Laura takes her husband and neighbor
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