Reyes Art Matters October 26‚ 2009 Formal Analysis: Judith Cutting Off the Head of Holofernes As I was walking across the 17th century art section at Walters Art Museum‚ hanging behind the big rectangular pillar in the middle of the hallway‚ an oil painting on panel by Trophime Bigot draws my attention. The high contrasting tones of colors and values and the artist capability to make the grotesque painting appealing interest me. Judith Cutting Off the Head of Holofernes (Figure 1)‚
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The story of Gideon is a great example that God can use anyone for his glory. Gideon lived around the year 1160 B.C. and was also the fifth judge of Israel‚ right after Deborah. The name Gideon means "destroyer" or "he that breaks". He was also called Jerubbaal by others‚ which means "he that defends Baal". The story of Gideon in Judges six truly demonstrates God’s power‚ strength‚ and righteousness. Around this time the Israelites had fallen back into sin and idolatry after the previous judge
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Frank Lloyd Wright and Adolf Loos had their own views on ornamentation‚ which could be quite similar and different in some ways. In Adolf Loos’ essay on “Ornament and Crime”‚ he had a strong and critical stand against ornamentation. He argued that ornamentation was redundant and useless‚ as it no longer expressed our culture. It became “a phenomenon either of backwardness or degeneration”. Wright also related ornamentation to our culture and appreciation. He thought that ornament “is primarily
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Frank Lloyd Wright Frank Lloyd Wright was a very successful architect‚ writer‚ interior designer and educator born on the 8th of June 1867 and died on the 9th of April 1959. He designed more than 1000 structures and completed 500 works. Style Wright’s creations took his concern with organic architecture down to the smallest details. To all his work‚ he included so much detail‚ same on the external and interior design. He was one of the first architects to design and supply custom-made‚ purpose-built
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As stress and mental issues relating to stress grow more prevalent as a result of war‚ post-war‚ and other traumatic experiences‚ more than one generation of people are being affected (Shulevitz 1). As Judith Shulevitz explains in her article‚ The Science of Suffering‚ “The children of the traumatized have always carried their parents’ suffering under their skin” (3). In fact‚ she further conveys to the modern audience through interviews with trauma victims and survivors her purpose to spread information
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migrant problem‚ yet owners and companies find a way to capitalize on the situation. Wright‚ Levy and Citrin bring to light two theories of judgements that may explain support for illegal and legal immigrants or the lack there of. Wright‚ Levy and Citrin explain how “attribute based” judgements and “categorical” judgements are used to determine whether there is support for illegal and legal migrants or not. Wright‚ Levy and Citrin believe the issue is not whether someone comes over illegally or legally
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Once upon a time‚ there was a butterfly who was so sad and lonely that he did not want to live anymore. As he stood‚ very depressed‚ on the sea-shore‚ thinking about the uselessness of his life‚ he heard a soft‚ clear voice beside him. "Good morning. Who are you?" The voice asked. "I’m a butterfly‚ but who are you? A speaking stone? I don’t believe it!" The voice replied. "I’m not a stone. I’m a shell‚ an oyster! I’m a living being just like you are." "Would you like to be my friend
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Singer‚ performer‚ actress. Born Madonna Louise Veronica Ciccone in Bay City‚ Michigan‚ on August 16‚ 1958‚ to parents Silvio "Tony" Ciccone and Madonna Fortin. Tony‚ the son of Italian immigrants‚ was the first of his family to go to college‚ where he earned a degree in engineering. Madonna’s mother‚ an x-ray technician and former dancer‚ was of French Canadian descent. After their marriage in 1955‚ the couple moved to Pontiac‚ Michigan‚ to be close to Tony’s job as a defense engineer. Madonna was
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Written Assignment: Short Essay (30% of overall grade for History and Contextual Studies I) Assignment brief Critically evaluate a visual artwork of your choice‚ with reference to its history and context. Your essay should include: 1. An analysis of the work’s physical‚ visual and aesthetic characteristics‚ imagery and symbolism (where appropriate) 2. A brief background to the artist/maker 3. An argument about how the work relates to a wider history/histories of art and the time and
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References: Benforado‚ A. (2010). The geography of criminal law. Cardzo Law Review‚ 31(3)‚ 823-904. Wright‚ M.C. (1959). The sociological imagination - chapter one- the promise. 1-7.
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