Leni Riefenstahl‚ was a famous film director of the time and a devoted propagandist supporting the Nazis. She was amazing in working the angles. Hitler was shown to the public first as one of them‚ an ordinary person‚ and then as a god. In this specific scene‚ the German population is introduced as a whole united community to put in contrast the failures of World War I and this was thanks to their obedience and loyalty to Hitler. The purpose of all the media creating a media cult on Hitler was to
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Outline the key events in the life of Leni Riefenstahl Leni Riefenstahl was born on the 22nd August 1902 in Berlin and in her young life grew a developed skill in classical dancing which led to many of her experiences throughout her life. Riefenstahl’s dancing career began in 1921 and continued until 1925‚ it was in this time that the expressionist movement was booming in Berlin and Riefenstahl became a central figure of this movement. She persuaded the leading theatre manager and producer‚ Max
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Describe the life of the personality you have studied. (10 Marks) From the very beginning‚ Leni Riefenstahl was a strong willed‚ determined and dedicated person. Her life was very complicated and interesting and can be described through many key events. These key events include her childhood‚ de-nazification and her various careers as a dancer‚ actress‚ film director/maker and photographer. Leni Riefenstahl was born in Berlin‚ 1902‚ in a strict family. She became very close with her mother Bertha
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significant events in the life of the personality you have studied. 10 marks (Length: 250-300 words) Three significant events in the life of Leni Riefenstahl have been her knee injury‚ her first film “The Blue Light” and finally‚ her film “Triumph of the Will” which have had an undeniable impact on her life. A very influential event in the life of Riefenstahl was her knee injury which occurred during her dancing career. This facilitated her interest in acting‚ and later film. Her participation in
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advantage. This is evident with Leni Riefenstahl as from the earliest accounts of her career it is clear that she was prepared to use others to benefit herself‚ although while at other times such advancements were not within her control. Historian Steven Bach argues in his book‚ ‘The Life and work of Leni Riefenstahl’ that Riefenstahl was obsessed with her career and moulding her image. He believes she knew more about Nazism than she would have liked people to believe. Riefenstahl was so driven to be worldly
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along by events. Some individuals use events to advantage. How accurate is this statement in relation to the personality you have studied? “Leni Riefenstahl exploits events and other people to serve her own egotistical‚ obsessive and selfish ambition.” Leni Riefenstahl was born on the 22nd of August 1902 in Berlin. Her full name was Helene Amalie Bertha Riefenstahl. She accomplished a lot during her 101 years of living. She had successful careers as a dancer‚ actress‚ director‚ producer‚ editor‚ photographer
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personality you have studied? Leni Riefenstahl’s association with the Nazi party proves damaging to her reputation as all those associated (no matter to what extent or there motivations for doing do) with the regime have been intensely vilified. This proffers evidence to the fact history is indeed favorable to those who prevail as triumphant and defame the losing side. Riefenstahl’s post-war career has been an attempt to distance herself from the losing Nazi regime. This can be seen through her
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Leni Riefenstahl Outline the main features of the personal background and the historical context of Leni Riefenstahl. Leni Riefenstahl was a female German film maker whose confidence‚ good looks‚ and willingness to speak her mind demanded respect. She was born in Berlin on the 22nd of August 1902. Her parents were Alfred and Bertha Eda‚ and she had a younger brother of 3 years named Heinz. Her father owned a very successful heating and ventilation company. Leni’s father always pushed Leni towards
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The aim of this essay is to present an artwork‚ in the field of visual and performing arts‚ and to analyse it using Thompson’s aspects and their characteristics. The formal elements of the artwork will be discussed and identified. I will examine how they are organised and structured and I will include the relationship between them‚ but first I will begin with a historical background of the artist as well as the context of the artwork. The intentional aspect shall be the last thing to be discussed
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December 2008 Art as Propaganda in Nazi Germany Having been an artist himself‚ Hitler understood the potential power of imagery in moving the masses. “We shall discover and encourage the artists who are able to impress upon the State of the German people the cultural stamp of the Germanic race . . . in their origin and in the picture which they present‚ they are the expressions of the soul and the ideals of the community” (Hitler‚ Party Day speech‚ 1935‚ qtd. Nazi Approved Art). It is true that
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