Why would a composer use the musical style of the Romantic period for a scientific‚ futuristic film that features weird western style characters? The score to the Star Wars movie broke all the traditional rules to writing music for sci-fi films. The Star Wars Main Title‚ introduces the idea of using the Romantic style instead of modernistic music for films. This choice reflects the composer’s influences from that musical period and features key musical elements that are easily remembered by audiences
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Assignment 3: Research Your Favorite Instrument On The Web A. Task The purpose of this assignment is to develop critical thinking in your approach to researching your instrument of choice on the web. You may choose from any of the instruments mentioned in the course. For this assignment you are asked to SUMMARIZE or CRITIQUE the various features of each of the ten web sites NOT to simply copy and paste information directly from each site into your submission. Please don’t just list a lot of
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performance was done by Supanee Sonchaiwanich who played the cello and Usa Napawan at the piano. The concert starts off with Supanee’s gentle and lilting strum of the cello. The two players led the audience to hear the subtle‚ sublime interplay of the cello and the piano. The deftly woven orchestrations by the composer were clearly picked out and played beautifully by the duo. Usa Napawan’s bold strokes at the piano brought brash‚ captivating statements to the piece and held the audience’s attention all
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Grease (1978) music: Leonard Bernstein I think the effectiveness of a musical film in comparison to a film score in a non-musical largely depends on the target audience of the film‚ genre of film‚ and plot of the film. In musical films like Grease‚ Chicago‚ Les Miserables‚ West Side Story‚ and Mama Mia‚ the musical and choreographed aspects of film work with the plot in an effective manner. I feel like [romantic] comedies (eg. Mama Mia and Grease) and dramas (eg. Les Miserables and Chicago) are
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Wright Humanities 523 Professor Caldwell 28 November 2005 Performance Review of The John Proulx Trio at LACMA By Jeffery L. Wright The John Proulx Trio performed on Friday‚ November 25‚ 2005 at The Los Angeles County Museum of Art (LACMA). Musically speaking‚ John Proulx stands out as one of the most consistent and significant artist in jazz today. Leading a tight‚ well-rehearsed trio through a mix of originals and well-known pieces from modern Jazz repertoire‚ pianist/vocalist/composer
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Music 378 Jazz Performance 4/25/14 Brad Mehldau Trio On April 17th‚ I was able to attend the Brad Mahldau Trio in the Loeb Playhouse‚ with two friends of whom I am in a band with. I was excited to see what this new experience could do to inspire us in a different way. Although I have seen guest speakers numerous times at Loeb Playhouse‚ this was my first musical show at this venue and I was extremely impressed. Brad Mahldau Trio is a trio outing with pianist Brad Mahldau‚ bassist Larry Grenadier
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Japanese American violinist born on October 25‚ 1971 in Osaka‚ Japan. Her mother‚ Setsu Gotō found out about Midori’s love for music at the age of two when Midori was singing a piece by Bach that she had heard few days ago. She had started taking piano lessons first but quit within three months. Then on her third birthday‚ her grandmother gave her a 1/16 size violin‚ then her mother decided to teach her the violin. Midori gave her first public performance at the age of six‚ playing a piece from the 24
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Herbert and Janet (née Fox) Sondheim‚ worked in New York’s garment industry; his father was a dress manufacturer and his mother was a designer. They divorced in 1942 and Sondheim moved to Doylestown‚ Pennsylvania‚ with his mother. He began studying piano and organ at a young age‚ and he was already practicing songwriting as a student at the George School In Pennsylvania‚ Sondheim became friends with the son of Broadway lyricist and producer Oscar Hammerstein II‚ who gave the young Sondheim advice and
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Schubert: Serenade lyrics He who believeth in Ja shall not be condemned But he that believeth not is condemned already Only because he has not believed In the name of the only begotten son‚ my Lord For he so feared the world he left his only begotten son To shed his blood show that pain is love But I wont cry ’cause I live to die Wit my mind on my money and my guns to the sky For he so feared the world he left his only begotten son To shed his blood‚ show that pain is love But I wont
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An Introduction Oboe and Bassoon By Marie A Rogers 300005290 Woodwind Techniques 1 1010-1100 Mr. Robinson The oboe is a soprano-range double reed instrument with a length of 62cm. Its wooden tube is distinguished by a conical bore that expands into a flaring bell. The modern oboe’s range extends from the B flat below middle C (b3 flat) to about 3 octaves higher (A6). The oboe has a very narrow conical bore. It is played with a double reed consisting of two thin blades of cane tied together
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