"Leonard bernstein piano trio" Essays and Research Papers

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    Classical Concert Review

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    musicians. This particular concert was featured the Lysander Trio. This trio consists of Itamar Zorman on the violin‚ Liza Stepanova on the piano‚ and Michael Katz on the cello. These classically trained musicians blew me away with their performance. They started the night with Intermezzo from Goyescas which was written by Enrique Cassado. As beautiful as it was‚ the violin and cello took over this performance‚ which left me craving for more piano. They then continued with a set of pieces titled Around

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    Musicians

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    Thelonious Monk‚ Lennie Tristano‚ Coleman Hawkins‚ Tony Scott‚ and George Russell. He eventually settled in a regular as part of Bill Evans’ trio along with bassist Scott LaFaro. He played along with Evans’ trio from 1959-1964‚ where he first became prominence. He also appeared on his classics Sunday at the Village Vanguard and Waltz for Debby. After his years with Evans’ trio‚ he left to join forces with Paul Bley and began a long association and relationship with Keith Jarrett in 1966. From there he appeared

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    Romantic Period

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    rhythm and words. * Introduction of the program of music in which events or scenes are portrayed by the instruments. * The size of the orchestra is bigger than the classical type The Art Song * A musical composition for solo voice and piano * The accompaniment in the art song serves as the voice as the interpretative partner and it plays as an integral part in the composition Two Forms of Art Song 1. Strophic Form - a song form which uses the same music for stanza of the poem

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    defined musical phrases with two or more contrasting themes. 7. How do classic composers handle dynamic changes? It was dramatic‚ and they did not let themselves be held back by terraced dynamics. 8. How is the piano different from the harpsichord? When was the piano invented? When did the piano become more popular than the harpsichord? 9. Was the basso continuo still used in classical music? It was gradually abandoned. 10. What was the size of a classical orchestra? What instruments were usually

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    Question #1 History of music from 1650 to 1800 can be described by three major periods‚ the middle Baroque‚ the late Baroque / early Classical‚ and Classical eras. The middle Baroque can be described as a time of developing and standardizing musical forms‚ styles‚ and conventions‚ and then obeying those conventions in the creation of new music. The second era found the undoing of these conventions in two important areas‚ prompting the end of the Baroque and beginning of the Classical era. The final

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    all students from La Conservatoire de Musique de Montreal. The compositions presented were three pieces by Johannes Brahms: Sonata in F major for ‘Cello and Piano‚ Op. 99‚ Sonata in F minor for Clarinet and Piano‚ Op. 120 No. 1‚ and Trio in A minor for Clarinet‚ ‘Cello and Piano‚ Op. 114. The performance of Sonata in F major for ‘Cello and Piano‚ Op. 99 Allegro Vivace was truly an amazing experience and was my favorite piece of the concert. The piece started out fortissimo: violent and frantic. Within

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    Concert Report

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    featured Michele Zukovsky (clarinet)‚ Daniel Rothmuller (慶ello)‚ and Joanne Pearce Martin (piano) as they performed an all-Brahms program. The musicians presented three pieces by Johannes Brahms: Sonata in F major for 慍ello and Piano‚ Op. 99‚ Sonata in F minor for Clarinet and Piano‚ Op. 120 No. 1‚ and Trio in A minor for Clarinet‚ 慍ello and Piano‚ Op. 114. The performance of Sonata in F major for 慍ello and Piano‚ Op. 99 Allegro vivace was truly an amazing experience and was my favorite piece of the

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    Haydn

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    Quartet”.  While  spending  most  of  his  career  as  a  court  musician  for  a  wealthy  family‚   he  also  made  important  contributions  to  the  development  of  “piano  trio”  and   evolution  of  “  sonata  form”.  In  his  77  years‚  he  became  one  of  the  most  celebrated   composers  in  Europe.       In  this  paper‚  the  main

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    pianist alone as a solo‚ Mr. Robert Levin. The program’s title was Wolfgang Amadeus Mozart‚ Chaconne from Idomeneo. The first piece was Concerto No. 24 in C minor for Piano and Orchestra‚ K. 491‚ Allegro‚ Larghetto‚ and Allegretto. The second piece was Symphony No. 36 in C major‚ K.425‚ "Linz"‚ Adagio-Allegro spiritoso‚ Andante‚ Menuetto-Trio‚ and Presto. This concert was unique in that the focus seemed to be as much on the instruments as in the music itself. As the pianist and conductor expressed the

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    Jazz Report

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    I attended the University Symphony Orchestra’s "An Evening of Handel‚ Schubert‚ and Haydn" on Thursday‚ September 30‚ 2003 in the Daniel Recital Hall. The hall was much more crowded than I expected. At the beginning of the concert‚ the orchestra was seated on the stage; the men wore tuxedos‚ and the women wore black dresses or pants. The concertmaster came out to tune the orchestra‚ and then the conductor made his entrance and gave a brief description of the piece that was about to be played. George

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