Mozart: Piano Concerto No. 23 in A Major In my introduction to music class we were assigned to listen and evaluate a particular piece of music in order to reflect on our unique individuality. For my project I chose Wolfgang Amadeus Mozart 1756-1791 and his work of the piano concerto No. 23 in A Major specifically the second movement that was created in 1786. In addition to listening‚ the piece must be broken down and organized into themes or motives. By the end of the project we should be able
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me feel happy and excited. Like ragtime is is known today‚ the tune is all solo piano‚ no vocals. The tune is upbeat and fast‚ and you can hear a lot of moving up and down the scale. This tune follows ragtime form without an introduction‚ that’s not always present in ragtime. Also‚ there is repetitive sixteen bars and a trio section. The first and second strain can be heard right as the song begins and 0:30‚ with a trio strain
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in any way) the composition is VERY intimate with ornamentations; the melody is fragmented and improvised‚ very emotional with embellishments everywhere Alberti Bass: A style of bass accompaniment used in piano sonatas (a style of arpeggiation‚ keeps the pieces moving) (used in Mozart’s piano sonatas!!) Opera Buffa: Comical opera‚ always in Italian‚ strictly sung Intermezzo: A type of opera buffa (which has 2 acts) intermeshing with the 3 acts of the opera seria. It will go as follows: Act 1
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continued the success and gave her first concert at eighteen. From then on‚ constant music from Chaminade was being published and gaining popularity. Out of all of her fantastic works‚ I fell in love with Piano Trio No.1 in G minor‚ op.11. The piece has such an amazing musical flow with the piano being the star. It took me a while to choose a specific movement and after careful listening‚ I decided on III. Presto leggiero. I compared the movements to movie genres and I‚II‚IV could all be played in
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Buddy Rich From Wikipedia‚ the free encyclopedia Buddy Rich | | Background information | Birth name | Bernard Rich | Also known as | Traps the Drum Wonder (as a boy) and "B" (as an adult) | Born | September 30‚ 1917(1917-09-30) | Origin | Brooklyn‚ New York | Died | April 2‚ 1987 (aged 69) | Genre(s) | Jazz‚ Big band | Occupation(s) | Musician‚ songwriter‚ bandleader | Instrument(s) | drums and percussion | Years active | 1919–1987 | | | | | Bernard "Buddy" Rich
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in 1921‚ where he began to play the piano at age four and took classical lessons at age 12 (Ruhlmann par. 4). When he was 15‚ Cole dropped out of high school in order to pursue a career as a jazz pianist (Ruhlmann par. 4). In 1937‚ Cole formed the King Cole Trio and began doing live performances and occasional recordings for small labels as well as some radio work. After releasing successful singles such as “That Ain’t Right” and “All for You‚” the King Cole Trio was signed by Capitol Records in 1942
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Composer/Composition Fanny Mendelssohn Hensel Trio in D minor‚ op. 11‚ III Lied. Allegretto Listening 1‚ March 5 (7:00 pm)‚ laptop‚ without score‚ Würzburger Klaviertrio Upon my first listening I noticed that the piano part had more to it than I would’ve originally thought. The piano was not simply playing an accompaniment for the strings‚ but had its own distinct voice. When the violin came in for the first time it seemed to be echoing the piano part. As the piece went on I could hear that there
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b. 11 overtures c. Incidental music to plays d. 1 violin concerto e. 5 piano concertos f. 16 string quartets g. 9 piano trios h. 10 vioin sonatas i. 5 cello sonatas j.
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arts of the time. Wolfgang Amadeus Mozart‚ Joseph Haydn and young Ludwig van Beethoven inspired the changes in musical style that distinguished the Classical era from the Baroque. The orchestra and chamber groups such as the string quintet and the piano became consistent with the organization of the musical forms of sonata allegro. In the middle of the 18th century‚ Europe began to move toward a new style in architecture‚ literature‚ and the arts‚ generally known as Classicism. The new style was
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and Maria bridge that gulf briefly‚ despite the misgivings of his friend Riff (Russ Tamblyn‚ in the best performance of the film) and her friend Anita (Rita Moreno). The inescapably tragic story plays out through Stephen Sondheim’s clever lyrics; Leonard Bernstein’s classic‚ eminently hummable score; and Jerome Robbins’s fabulous choreography‚ all of which could be seen as a forerunner to rap in acknowledging that there is a culture of the streets‚ in seeing lyricism in the way kids jump on a basketball
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