August Strindberg’s play “The Ghost Sonata” represents an expressionistic approach to drama. Expressionist elements are obvious through Strindberg’s use of distortion of reality‚ “typing” of characters‚ and the use of musical pattern. In the lecture‚ we discussed that one of the elements of expressionistic drama was “extremism and distortion”‚ the lecture also mentioned how expressionistic drama can take the form of a dream to “capture inner feelings” of a character. Strindberg distorts external
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| | | | | | | |BACKGROUND VERIFICATION REPORT - SUPPLEMENTARY | | | | | | | |
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------------------------------------------------- DRAMA Origin of Greek tragedy and comedy Drama‚ in the western world‚ begins with ancient Greece‚ where the two major forms of drama ……….. tragedy and comedy ………..were an aspect of religious ritual. Greek tragedy is believed to have begun in the sixth century B.C. with Thespis who introduced the first actor on the stage. The first dramatic dialogue lies in the conversation of this actor with leader of the satiric chorus. The dramatic element
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^&&&&&&&&&&&&&&&&&& In today’s “tech” and competitive world‚ businesses are in transformation from manual inventory system to automated inventory system‚ including small businesses. Automated Inventory systems can reduce costs‚ retain the existing customers and gain profits. It can replace the time consuming manual process by providing more accurate data. Every business should have a proper inventory system in order to track whether the store is running out of the stock of an important item or there
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Elements of Drama 1. script: the written dialogue‚ description‚ and directions provided by the playwright. 2. plot: the events of a play or arrangement of action‚ as opposed to the theme. 3. exposition: the part of a play that introduces the theme‚ chief characters‚ and current circumstances. 4. rising action: a series of events following the initial incident and leading up to the dramatic climax. 5. climax: the point of greatest intensity in a series or progression of events in a play‚ often
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Half Term Drama Coursework First Set I thought that this drama workshop was worth two hours of skipping any lesson that would help me on my work. The mentor Ms.Noah provides us a lot of good drama skills that can be used in our drama plays further on. The topic that we focused on in the workshop was Eye and Hand coordination ‚ we played games such as “Follow the Hand” ‚ “Up and Down” and “Listen the Leader” to get us moving in and practicing on the topic that we are suppose to learn. Out of these
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Perceptions of Reality in The Matrix Student: Jyl Alampay Student Number: 250431312 Section: 002 Due Date: December 02/09 The question of ‘reality’ has always intrigued people throughout the world. It has been perceived as tangible and exact but at the same time intensely vulnerable. The frailties of ‘reality’ have been exposed by the many differing ways in which it can be perceived. These differences of perception can be attributed to factors such as age‚ sex‚ nationality‚ religion‚ and
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C) Titus D) Alexander E) Muhammad Points Earned: 1.0/1.0 Correct Answer(): A 7. In what written form does most of what we know about the ancient Hebrews come to us? A) epic poetry B) morality tales C) lyric poetry D) secular drama E) religious literature Points Earned: 1.0/1.0 Correct Answer(s): E 8. The Greek alphabet is adapted from the consonantal writing developed by which ancient people? A) Assyrians B) Babylonians C) Hebrews D) Phoenicians E) Sumerians
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Medieval Drama Jugglers‚ folk- plays‚ pageants: The beginning of the Middle Ages started by the fall of the Roman Empire. The corrupt Roman drama had come to an end‚ and the actors became some disreputable jugglers and inferior minstrels who wandered all over the country. The performances of these social outcasts were crude and immoral. However‚ they continued for centuries‚ because they were the only source for dramatic spectacle. Other sources of amusement too can be found in the country
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Characteristics of Elizabethan Drama From Elizabethan Drama. Janet Spens. London: Metheun & Co. Of the three types of plays recognized in the Shakespeare First Folio -- Comedies‚ Histories‚ and Tragedies -- the last has been the most discussed annd is clearest in outline. 1. Tragedy must end in some tremendous catastrophe involving in Elizabethan practice the death of the principal character. 2. The catastrophe must not be the result of mere accident‚ but must be brought about by some essential
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