my peers‚ my family etc. surrounded me and constantly guided the decisions I made. Although influenced by many outside forces‚ I still held on to my morals and values that my parents had always taught me while growing up. The book‚ The Complete Persepolis‚ written by Marjane Satrapi‚ is about Satrapi’s difficulties of her childhood in Iran during the Islamic Revolution‚ the teenage years in Vienna‚ and her return back to Iran. The book shows the difficulties and joys of growing up in a completely
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In the short story‚ 2 B R 0 2 B‚ I was able to recognize the multiple examples of literary elements found within the piece. While reading the short story‚ the first literary element that stood out to me was imagery. Within the beginning‚ Vonnegut immediately sends the image of living in a ‘perfect world’ to the reader’s mind. “Everything was perfectly swell. There were no prisons‚ no slums‚ no insane asylums‚ no cripples‚ no pov-erty‚ no war. All diseases were conquered. So was old age”‚ writes Vonnegut
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Transition on Faith‚ Gender‚ and Doubt of the Innocent The “Persepolis” by Marjane Satrapi is an important aspect to understand faith and doubt and the roles gender has in place. The author discussed the transitions of an innocent‚ curious child along side with faith‚ gender‚ doubt and ways it shapes a child’s belief in adulthood. Therefore‚ this paper will focus on the aspect of “Gender‚ Faith‚ Rebellion‚ and Doubt‚ alongside with Mary Daly and Saba Mahmood articles. Gender bias has always been
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In the graphic novel Persepolis by Marjane Satrapi‚ the author uses words as well as illustrations in order to deliver the story of a young Iranian girl raised by a modern family in a traditionalist country. Satrapi composes her illustrations to reflect the current emotion or state of her character in order to accentuate certain events. She often uses splash frames and incorporates Persian flourishes into her artwork. Some character issues that are expressed through panel composition are Marjane’s
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Persepolis runs deeper than the historic background or Iranian culture Marjane Satrapi experienced throughout her childhood. Satrapi’s story exploits the idea of feminism and empowerment of women‚ while also touching on the topics of family‚ religion‚ drugs and alcohol‚ all ways of life that are experienced all too well by the average person. Although many people you ask on the street might say they have not had to endure to warfare‚ perhaps you have met someone who has served for your country‚ or
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someone else’s story. The pacing of the book was also atrocious‚ seeing as the time and setting of the book flip flopped between each chapter. This created an overall feeling of confusion and dissatisfaction. Despite having some interesting and unique elements‚ I would not recommend this book to be read. Maybe if the stories were rearranged then I might be able to recommend it‚ but as the story is now I can’t recommend
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Elements / Characters Crisostomo Ibarra - Also known as Juan Crisostomo Ibarra y Magsilan‚ a Filipino who studied in Europe for 7 years. The love interest of Maria Clara. Son of Don Rafael Ibarra. Elias - Ibarra’s mysterious friend and a fugitive. Kapitan Tiyago - Also known as Don Santiago de los Santos the known father of Maria Clara. Padre Damaso - Also known as Damaso Verdolagas‚ a Franciscan Friar and Maria Clara’s biological father. Padre Salvi - Also known as Bernardo Salvi. Maria Clara’s
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What if an entire nation revolted against its government‚ only to be faced with a new government that is even worse than the one overthrown? This is exactly what happened in Persepolis: The Story Of A Childhood by Marjane Satrapi. Persepolis: the Story of a Childhood is a story of a young girl’s life in Iran during the Islamic Revolution. After many organized and fatal protests The Shah is finally overthrown and a new Islamic Regime takes control and just like that the peoples’ lives were turned
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Satrapi’s early experiences have helped to form the unique perspective acknowledged throughout Persepolis. Throughout the novel‚ Satrapi uses graphic images to allow the readers to visualize the various dramatic events that the young Satrapi (once) witnessed. Satrapi’s informal diction and simple graphics force the readers to perceive Persepolis from the same childlike perspective she had. However‚ special attention is pulled towards Satrapi’s use of black and white graphics as a symbol of internal
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As the graphic novel has become a more respected medium of literary work‚ artists/authors have found a more effective yet subtle method of communication: instead of explicitly stating feelings‚ they can be portrayed through illustration which will be absorbed both consciously and subconsciously by readers‚ further developing an understanding and connection to the content matter. In the graphic memoir Persepolis‚ author and artist Marjane Satrapi reinforces her turbulent emotional states over the
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