Livent. Inc Overview In the year 1979 Drabinsky and Myron Gottlieb decided to enter the show business world. These two young entrepreneurs were able to convince a well-known Toronto businessman to invest one million in “cinema complex”. Over the next several years Drabinsky and Gottlieb were successfully able to expand their company‚ while they convinced to gather up large sums for the development of multiscreen theaters complexes throughout Canada and the United states. By 1980 Cineplex Odeon
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Ethics Case: Livent – When Maria…When? Summary Livent‚ a successful live entertainment company‚ known for performances of Phantom of the Opera‚ Ragtime‚ and Sunset Boulevard‚ was sold in 1998
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Livent‚ Inc. is a company that is very involved in the entertainment business‚ mainly in live theatrical productions. When dealing with a company in the entertainment industry‚ there are many risks that can be involved in auditing situations. A big risk that can be common is working with the higher officers of the company who are not strongly educated in the financial field. They are only familiar with the entertainment part of it and do not pay attention to a lot of the finances. It is common for
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MAA350 ETHICS AND FINANCIAL SERVICES Trimester 2‚ 2013 ASSIGNMENT: LIVENT‚ INC.: An Instructional Case PART A Question A1 Outline the frauds identified in the case and explain the inconsistencies with proper accounting treatment. Relate your answer to broad accounting concepts and accounting standards where relevant. (8 marks; approximately 800 words) Answer: Livent Inc. is a theatre production corporation registered in Toronto‚ Canada. Therefore‚ all
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LIVENT‚ INC.: An Instructional Case Michael C. Knapp Professor University of Oklahoma Price College of Business 307 W. Brooks Norman‚ Oklahoma 73019 Office phone: 405-325-5784 mknapp@ou.edu Carol A. Knapp Visiting Associate Professor University of Oklahoma Price College of Business 307 W. Brooks Norman‚ Oklahoma 73019 ABSTRACT: Like many financial frauds‚ the Livent‚ Inc. fraud was masterminded by a few individuals‚ primarily Garth Drabinsky‚ a Broadway “impresario” who had received
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Question 1 1. Suppose the natural rate of unemployment is 5 percent. If the actual unemployment rate is 7 percent‚ then the cyclical unemployment rate is 2 percent. is -2 percent. is 12 percent. cannot be determined given the information. 5 points Question 2 1. Cyclical unemployment is positive when the inflation rate is positive. the economy is at the peak of a business expansion. the natural rate of unemployment exceeds the actual rate. the actual unemployment rate exceeds
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Questions 1. Identify common inherent risk factors that companies involved in the entertainment industry pose for their independent auditors. List and briefly describe specific audit procedures that would not be used on “typical” audit engagements but would be required for audits of companies involved in live theatrical productions‚ such as Livent. 2. Compare and contrast the responsibilities of an audit partner of a major accounting firm with those of a large public company’s CFO. Which work
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Part Two Critically evaluate the extent to which the study of Alternative Perspectives of Management‚ which largely draws on Critical Theory‚ be of relevance for practice? Support your answer using selected case study material presented in seminars‚ and/or other real-life examples some of which can be taken from journal articles. Critical perspective vs. Functionalist view The first being that structural functionalism focuses on the factors in society that allow it to interact cohesively. Instead
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2-2: Chapter Questions Action Items Q/ 01 Why study operations management? Answer All businesses want to hire bright people who can make the best decisions for the business as a whole‚ not the best marketing‚ finance‚ or operations decisions. They want employees who can see the big picture of how these functional areas interact. You will severely limit your career if you take a narrow functional perspective. Every decision is cross-functional in nature2. You will be working with operations and
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of opera? - 2. What famous literary works became the basis for Romantic operas? Chapter 35‚ p. 299 1. How did the traditional system of tonality break down in the early twentieth century and what replaced it? 2. How did composers change their approach to the orchestra in early twentieth-century music? How did they approach form? Chapter 36‚ p. 312 1. What elements made Stravinsky’s Rite of Spring shocking to its first audiences? Is it still shocking today? Chapter 39‚ p. 339 2. What qualities
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