Discoveries can affect our vision of the world‚ do you agree? Discovery is when you find or explore different aspects of something you don’t often know about or a lot of. There are many types of different discoveries you can make such as physical‚ historical‚ emotional‚ random‚ personal and accidental discoveries. “Martin and The Hand Grenade” by John Foulcher‚ “Looking for Alibrandi” by Melina Marchetta and “Erin Brochovich” directed by Steven Soderberghall all endure the theme discovery in
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common types of shots‚ framing and picture composition. The list below briefly describes the most common shot types (click the images for more details). Notes: The exact terminology varies between production environments but the basic principles are the same. Shots are usually described in relation to a particular subject EWS (Extreme Wide Shot) The view is so far from the subject that he isn’t even visible. Often used as an establishing shot. Very Wide Shot VWS (Very Wide Shot) The subject
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How does Eisenstein use montage and shot composition to create a dramatic effect on film? Eisenstein’s strong use of montage editing and shot composition effectively builds drama and conflict in Battleship Potemkin and its “Odessa Steps” scene. His choice of framed image conveys emotion and‚ along with camera position‚ engages and appeals to the viewer. The montage editing technique that Eisenstein uses creates a sense of conflict that supports the conflict and tension of the narrative. The
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CAMERA SHOTS By: Wanangwe Josephine 23rd January 2015 Email: josephinewanangwe@gmail.com Moi University. INTRODUCTION Cinema is a visual medium and thus it should communicate or tell a story to its audience through the use of sound‚ lighting‚ editing‚ and the camera together to create an illusion of reality. These are the elements that a video editor uses to realize the filmmakers dream from script to screen. Shots are an important part of camerawork that are used to send messages to the audience
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Shot-by-shot Analysis of "Death’s Marathon" dir. D.W. Griffith. (1913) Shot 1(straight-on angle): • White text on black background written‚ " To find his friend before he losses all" (2 seconds). Cut to Shot 2 (medium long shot‚ slightly low angle): • Front of house‚ with stairs slightly to the right of shot and potted plant on either side of stairs. Friend (man) enters from right and walks up stairs (2 seconds). Cut to Shot 3 (medium shot‚ straight-on angle): • Interior of living
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Corner Shot Gun Corner Shot can change the nature of relevant operations by providing security forces with an effective tool to accurately pinpoint and engage a target‚ at minimal risk to their personal safety. Amos Golan‚ the inventor‚ one of Corner Shot ’s founders and a former Anti-Terror Unit Commander‚ said: "I believe that the Corner Shot weapon system can be extremely beneficial in the global war on terror. It protects soldiers ’ lives and increases their chances of survival‚ while drastically
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Victoria Chapa (vc6987) 2/12/13 RTF 317- Chayt Goodfellas Shot Analysis The shots presented in the clip of‚ Goodfellas help imply how tense and annoyed Henry Hill was in the scene during the double date. Even so‚ these emotions were implied through mise-en-scene and sound. Henry’s discomfort was visually displayed through his body language as he sat right next to Karen. The setting of the busy‚ sophisticated restaurant included dimmed lighting‚ romantic music and Tommy and Henry with their
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A bond became an obsession Among the nation “shot glasses” first derived from New York City in 1940 but in my household they became a phenomenon in 2008. In New York City they were first used as small glasses with thick walls filled with BBs and lead shots at the dinner table; as meat often still had shards from the bullets. However‚ as liquor became more popular throughout the nation‚ they converted into a device of alcohol consumption. Be it a classy jigger‚ a tacky collection in a home bar‚ or
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Tron: Legacy (2010) Shot 1 Sam Flynn‚ main character‚ is escorted into a room‚ after battling in the Tron arena Long Shot‚ characters make their way towards the camera Eye level camera angle None High and back dim lighting accenting the bright lights on the characters costumes Diegetic sound‚ Sam’s voice along with background noises Cut Shot 2 Sam’s escorts bring him to the center of the room and leave him standing alone Long Shot Low level camera angle None High lighting as
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Isolation a major issue in this film and Hallstrom has conveyed this idea constantly throughout the film. The introduction of the film has shot the village from bird’s eye view and these continuous overhead shots express the isolation and disconnection the village has from the rest of the country. The scenery of mountains and large landscapes of forestry and the long river depict a peacefulness and tranquillity and also at the same time creating a sense of vastness and distance this village has from
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