where the reader can hear peace. It is only after reading chapter six that the reader on hindsight can compare the peacefulness in the first chapter to the tension in the last chapter‚ this creates tension as the reader is now well aware that one of Steinbeck’s narrative techniques is that the movement goes from harmony to discord. Steinbeck also uses pathetic fallacy‚ figurative and colloquial language to build the tension in the readers mind. The tension in chapter six rises when the reader finds
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Opened up a 100-Year-Old Mystery” Libby Copeland’s intention is to keep her audience on their toes and fascinated with every detail. Readers are gripped by the compelling‚ sentimental story‚ and stay because key elements are shown in a fascinating way. Through sentence structure‚ the appeal of Pathos‚ and word choice‚ Copeland composes an emotional story causing the readers to want more. The variety of sentence structure throughout the article keeps the writing interesting. Copeland uses adjectives to
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strategies to create a clear point. The most prominent rhetorical strategies used in the essay were Logos‚ to give specific facts and references‚ Linear syntax‚ to increase clarity and organization‚ and a strong diction to gain the validity of himself and his point from the readers. These devices ultimately help convey his view‚ which is a logical view of the reprehensible actions that companies use for marketing and that it is ethically wrong to do so. Schlosser uses an incredible amount of logos‚ nearly every sentence in the paragraphs two
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events in occurring order. To the modern reader‚ this choice of organization may seems a little strange‚ but William Faulkner wrote in this way with the purpose of creating suspense‚ mystery‚ and sympathy. William Faulkner‚ in A Rose for Emily‚ takes a small town scandal and turns it into a heightening story holding the reader’s attention till the last sentence. Taking the reader from the present to the past creates the essence of mystery‚ to the reader‚ by the cleaver use of hermeneutic codes
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“The best novels stand the test of time‚ providing the reader with an interesting story as well as conveying important themes and ideas” In John Marsden’s sequel to “Tomorrow When the War Began”‚ set in rural modern day Australia‚ comes his second novel of seven “The Dead of the Night”. John Marsden’s “TDOTN” has stood the test of time‚ by providing the readers with an interesting story as well as conveying important themes and ideas. The themes and ideas of “Death and Destruction”‚ “Relationships
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When a young reader interacts with peers and discusses a difficult situation that one has read in a fiction book‚ they show the empathy that the book developed into that teen reader. The young reader can then communicate suggestions or comfort to the struggling teen building a bond between them. This example displays how reading a fiction book can potentially
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We mean business! Windesheim Business School 1st year (Major 1/2) First year English module M1 (CEF: B1) Windesheim Business School Authors: Dinand Warringa‚ Marianne van Vlierden‚ Ellen Keates August 2014‚ revised 1. Introduction For you‚ personally‚ the question is whether or not your English meets the requirements demanded of a student in Higher Education. In terms of the Common European Framework of Reference (CEF) this means this module aims at reaching the B1 level of proficiency
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on a normal berry-picking trip. But t. This tone created forcesmakes the reader to s feel the weight behind the
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disadvantages to the story. An advantage of using this point of view is the reader sees what Isabel is thinking and feeling. “Madam will beat you bloody‚ he’s not your concern‚ it’s not your place. Go back‚ go back before it’s too late” (216) With this point of view‚ the reader is aware of what Isabel is thinking‚ something that would not be possible with another point of view. Knowing what the character is thinking gives the reader a better sense of presence‚ and in this case furthers the tension and
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firstly the communication between the reader and the story and secondly the communication between the characters in the text themselves. In better words this story firstly reveals the mind of the characters to the reader through the least amount of explicit expression of their states and secondly presents the interaction among the characters of the story through the fewest possible dialogues among them. The first stance in the unvoiced communication between the reader and the story is the revelation of
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