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    The Heroism in Satan

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    Lingke Xiao Professor Pilinovsky FY Seminar Essay 1 2/23/2014 The Heroism in Satan Leading the rebellion and seducing Man to fall‚ Satan is presented as the notorious antagonist in John Milton’s Paradise Lost. In order to have full freedom and be the ruler of hell‚ Satan rebels against God the Father who created him‚ and he even persuades other angels to challenge God’s plan. Although Satan is evil‚ we see cues of heroism in him since he is the character who suffers from defeats‚ experiences

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    In Our Time

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    civilizing and apart of the “Lost Generation.” The Lost Generation is considered the generation of men who were involved in World War I and as a result of their war experiences it caused disruption within the human mind‚ causing cultural and emotional instability. The term civilized or civilizing is another term for maturing throughout life through experiences. But many of the young soldiers were thrown out in to the world‚ without maturing‚ which caused people of the “Lost Generation” to be‚ uneducated

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    War I was quite hard for people who were disillusioned. They suffered because of the lives lost and were unaware of what their goals were and what they could amount to. In Ernest Hemingway’s novel‚ The Sun Also Rises‚ the Lost Generations and their inability to cope with the changes around them is the focus of the novel. The epigraph to The Sun Also Rises contains a Gertrude Stein’s quote — “You are all a lost generation”. This proclamation is followed by a passage from the beginning of the Book of

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    Rabine‚ Leslie W. "No Lost Paradise: Social Gender and Symbolic Gender in the Writings of Maxine Hong Kingston." Signs 12.3 (1987): 471-92. The article‚ No Lost Paradise‚ gives a brief description about how gender determines one’s place in the family and society‚ and one’s place of power. Though neither sex possesses essential qualities‚ gender oppositions do play a vital role in organizing Kingston’s world. This article also depicts at the oral culture that they should have in their traditional

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    Ernest Hemingway

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    life was full of romance. He experienced many wars in his life. Because his works reflect the hurt that the war brings to human being and describe the loss of the beliefs of the generation after the World War I‚ he is regarded as the spokesman of the Lost Generation. Hemingway’s short story A Clean and Well-Lighted Place was written in his early time‚ and is one of classical works of Hemingway’s style as well. In this short story‚ he mostly used short and simple sentences. The theme of nothingness

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    Elizabeth's Lost In Music

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    Reference: McMahon‚ Elizabeth. Lost in Music [online]. Meanjin‚ Vol. 59‚ No. 2‚ 2000: 166-177. Ari’s description of the four sections of the city interlace demographic information with personal affect. Sex‚ drugs and alcohol will ease the strain on Ari’s groin‚ that will take away the burning compulsion and terror of his desire. But here at the novel’s space of endpoint and stasis he does not identify any independent capacity for pleasure. Ari exposes the under-belly of the city by charting trajectories

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    the Millennium‚ Satan is released from the bottomless pit. He is allowed to deceive lost people on the earth‚ form an army‚ and come against Jesus in a final battle. God reigns fire down upon the army. Satan is thrown into the lake of fire. As the Millennium comes to a close‚ the earth is mostly‚ if not completely‚ destroyed. It is during this time where John writes about the great white throne.

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    In Dubious Battle

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    John Steinbeck opens his novel‚ In Dubious Battle‚ with the following quote from Milton’s Paradise Lost (this is where the title of the novel comes from): Innumerable force of Spirits armed‚ That durst dislike his reign‚ and‚ me preferring‚ His utmost power with adverse power opposed In dubious battle on the plains of Heaven‚ And shook his throne. What though the field be lost? All is not lost--the unconquerable will‚ And study of revenge‚ immortal hate‚ And courage never to submit or yield:

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    Satanic Simile and Milton’s Redefinition of the Epic The epic similes in John Milton’s Paradise Lost serve a greater purpose than that of decorative speech‚ in that they find a niche in the sector of functional language where they are used to impart understanding of Milton’s greater theodicy. He precisely echoes the poetic text of epic writers such as Homer and Virgil‚ but with the identified intention of creating a work that superseded those traditional epic poems. Milton sought‚ as an author

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    Satan's False Reality

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    The great visionary Satan‚ gives a perfect example on how power is the ability to define reality. Satan’s power is so great because under the reality he perpetuates in “Paradise Lost”‚ even the all-powerful character God‚ can seem like a powerless baby. Satan indoctrinates Gods own creations and then easily uses them against God once they are under his reality. Satan uses his reality to harm God‚ something he could never do with physical power. This is a perfect example of Dr.Noble’s claim “power

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