Contents Introduction…………………………………………………………………………...3 I. The theoretical aspect of concept………………………………………………….6 1.1. Concept as the basic term of the cognitive linguistics…………………………...6 1.2. The notion of theatre…………………………………………………………….17 II.THEATRE concept in the semantic space of W.S.Maugham’s “Theatre”…………………………………………………………………………….20 2.1. Theatre as it is viewed by W.S.Maugham………………………………………20 2.2. Theatre as people for W.S.Maugham’s…………………………………………23 2.3. The place of tropes in W.S.Maugham’s
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Thelma and Louise (1991) The story includes the journey of two best friends who find comfort in each from their dreary and mundane domesticated lives. The need for escape and freedom is introduced right from the beginning when Thelma has to ask her husband to go away for the week. The desire for pleasure and escapism overwhelms them when they are away from the domestic sphere. They feel as if something is missing and want to have time by themselves to really figure out what that is. Thelma
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he is the centre of the world because he is a manager of a carpet. company. He sees his wife as a lower order of life‚ to be tolerated so long as she keeps her household duties straight. Just like a servant who doesn’t have any rights or freedom. Louise waits tables in a coffee shop and her boyfriend is a musician who is never going to be ready to settle down. They live under high patriarchal domination. They see themselves very ordinary and want to go fishing alone. But that means that they are
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C. Garrett Dutton Rebecca Sharpe English 1102 2/17/2013 Louise Mallard vs. Eveline Calm‚ careful‚ and trapped‚ three adjectives that could describe the two women in these short stories. “Eveline’ by James Joyce is the story of a woman who struggles with the idea of leaving her family and going off to live with her future husband Frank. She says‚ “Then she would be married -- she‚ Eveline. People would treat her with respect then.” Throughout the short story Eveline goes through changes
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Louise Glück: Vita Nova Surely spring has been returned to me‚ this time not as a lover but a messenger of death‚ yet it is still spring‚ it is still meant tenderly. (Last stanza of “Vita Nova’’) This first poem “Vita Nova‚” in her book introduces the theme: loss‚ and hopelessness‚ “with the pathos of suffering” as Tony Hoagland’s complex depictions of Glück’s poetics indicate. Even in the appearance of spring‚ there is no happiness; it comes as a “messenger of death.” In “Unwritten Law‚” we
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"The Red Convertible" by Louise Erdrich In "The Red Convertible‚" by Louise Erdrich‚ the red convertible symbolizes the brothers relationship at different stages through the story. In the story Erdrich uses specific actions of the brothers to show change in their relationship‚ which corresponds with the red convertible. Erdrich uses scenes involving the red convertible to show different stages of the brothers relationships. The story begins with a road trip representing the boys closeness‚ then
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“Fleur” Literary Analysis “Fleur” by Louise Erdrich was written to encompass a cursed Chippewa woman‚ Fleur Pillager‚ as she struggles against the oppressing binds of men‚ race‚ and society. Since a young age‚ she was considered dangerous because of the thought that the lake monster of Lake Turcot‚ Misshepeshu‚ wanted the girl for himself. Ever since‚ she’s been out casted not only for her “curse”‚ but for her ethnicity and her gender. This story is very much like “A Worn Path” by Eudora Welty
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Chapter 1‚ Nanapush Summary Nanapush talks about the conditions of his Native American tribe in North Dakota. He is considered an elder although he is only fifty years old. Nanapush is talking to someone he calls Granddaughter about how he saves her mother‚ Fleur Pillager. Fleur recuperates and bonds with Nanapush over their dead families. When the weather permits‚ Fleur and Nanapush bury the dead Pillagers. Nanapush makes the clan markers‚ which is the symbol of a bear. Back at Nanapush’s place
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Cited: luck‚ Louise. Terminal Resemblance. Making Literature Matter. Scipione. 3rd EditionBoston‚ MA: Bedford/St. Martins‚ 2006. pg 318-319.
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Louise Bourgeois was born in Paris on December 25‚ 1911 and was the second of three children. Her mother restored tapestries‚ brought back by her father during trips which unfortunately kept him away from his family. Louise had a painful youth. As a young child Bourgeois‚ claimed that her father would criticize the sexuality of children in a cruel manner. She was angry with her father because he would tease and make fun of her often‚ and who at one point called her a mistake. The treatment received
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