decisions that influence their futures‚ and even made choices that are still influencing us today. Columbus decided to sail the ocean blue‚ Germany decided to send the Zimmerman telegram‚ and Donald Trump decided to run for president. About 422 years ago‚ William Shakespeare decided to sit down and write The Tragedy of Romeo and Juliet. The tale of Romeo and Juliet is one of a whirlwind romance and quite a few choices made on a whim. These choices are what ultimately bring about the story’s tragic end
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NATURE OF LOVE (1 Corinthians 13:1-13) 1Co 13:1 If I speak in the tongues[1] of men and of angels‚ but have not love‚ I am only a resounding gong or a clanging cymbal. 1Co 13:2 If I have the gift of prophecy and can fathom all mysteries and all knowledge‚ and if I have a faith that can move mountains‚ but have not love‚ I am nothing. 1Co 13:3 If I give all I possess to the poor and surrender my body to the flames‚[2] but have not love‚ I gain nothing. 1Co 13:4 Love is patient‚ love is kind
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As stated in Shakespeare’s A Midsummer Night’s Dream‚ “the course of love never did run smooth.” The majority have experienced hardships within relationships and are aware that‚ in many cases‚ it is these individualistic quirks that form the adhesives to a healthy and strong long-lasting love. The word ‘love’ itself could be seen as merely an umbrella term‚ which houses much unconventionality on many levels. However‚ something with such intense depth and hazard has many potential outcomes‚ and not
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Men should become aware of the characteristics in each and every women that can lead them to finding a woman that wants to commit. The smallest of details‚ from where and how they met‚ the way she walks and talks‚ the clothes she wears‚ the career choice she ’s made‚ or the car she drives can offer valuable‚ meaningful clues to whether or not a woman will ever settle down with anyone. There are two main types of women in the world‚ the committer and the non-committer. The committer is serious about
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In choosing not to work through these‚ we seal our fate—we live our destiny. In choosing‚ however‚ to face and complete the projects‚ we open doors—not only for ourselves‚ but for others who will follow. Some of this work is universal—learning to love‚ for example; finding our Source‚ and therefore our connectedness to all things; taking responsibility for ourselves and our perception and experience of the world around us...these are the first steps‚ and ongoing‚ for all who wish to find happiness
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school would help our children more responsible on taking priority of what they need to wear‚ when they go to school. When I started attending school from Kinder garden to Elementary School in the Philippines‚ we always have to wear a uniform. I love wearing uniform‚ it really makes me feel am really in school‚ if my uniform is not complete for me to wear for school‚ I would just stay home‚ because there’s time our school is very strict when it comes to wearing a proper uniform. I always make
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Kar Wai does. It might be the nostalgic feeling of a 60’s Hong Kong I never lived in‚ or even how he explores isolation‚ urbanity and absence as recurring themes in his movies. Perhaps‚ it all goes back to the first time I watched In the Mood for Love. At the time I didn’t knew anything about his work so I was completely caught off my guard. And you know‚ the first time you watch a Wong Kar Wai film you feel as you just watched a moving painting‚ fragments of a personal dream‚ someone’s lost memory
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E. Cummings’s poem “somewhere i have never traveled‚gladly beyond”‚ the reader sees a speaker fully in love with another. This love is described throughout as being an unknowable power over him. Beyond being an unknowable power‚ this love is an irresistible force on the speaker. Through the extensive use of nature imagery and layered similes throughout the poem‚ the speaker makes out the love he has to be something unwilling‚ an obligation to the beloved‚ one which she does not even know she creates
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"I’M IN LOVE WITH YOU" As I look into the future as far as I can see‚ I can see nothing except you being with me. You are in all of my dreams whether I’m awake or asleep‚ My love for you is not going anywhere Because it’s way to deep.Poiseidon’s waters roil and roar All up and down the craggy coast; Their winedark waves have brought the host Of foreign men all drunk for glory‚ For the sake of one man’s vanity They traveled to your alien shore To write with blood and bone a story Of the
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Compare and contrast the following sources: 1 Ovid‚ Metamorphoses 13.898 – 14.74 (sections entitled ‘Glaucus and Scylla I’ and ‘Glaucus and Scylla II’‚ pp.541–5 and 548–51 of the set book). 2 Holkham Ms 324 f.137 v. Scylla rejects Glaucus‚ Circe ’s love potion deforms Scylla‚ from ‘Metamorphoses 14’ by Ovid‚ 1479 (vellum). The illumination from the Holkham Hall manuscript (bridgemaneducation.com.) is a retelling of the myth of Glaucus and Scylla from Ovid’s Metamorphoses (Ovid‚ Metamorphoses
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