“With These Words I Can Sell You Anything” is an article written by William Lutz‚ explaining the tactics of marketers to sell their products. It is an excerpt from his book Doublespeak‚ published in 1990. William Lutz has been called “the George Orwell of the 1990s”‚ and indeed many of his books are titled in direct reference to Orwell’s works. Lutz claims in his article that there’s a big conspiracy where the people trying to sell us things are giving us ineffective products disguised as something
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STUDY GUIDE WILLIAM LUTZ With These Words I Can Sell You Anything William Lutz explains that "New and Improved‚" are the most frequently used words in advertising‚ according to author the product is commonly not new or improved‚ but changed insignificantly to legally use the term. Consumers must be aware of marketing strategies used to lure unsuspecting consumers into purchasing a product. Author William Lutz states how we‚ the consumer‚ are misled by sneaky advertising tactics. He introduces
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In “With These Words I Can Sell You Anything”‚ William Lutz describes how advertisers trick people into buying their products by using weasel words‚ which are words that “appear to be making a claim for a product when in fact they are making no claim at all” (49). He suggests to examine these words carefully and see how hollow they actually are. He then goes on by providing numerous examples of weasel words such as “help” and “virtually”. Lastly‚ He suggests consumers to ask themselves for the denotation
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Natalie Crusan 4-23-2013 White Ag Econ 410 Natalie Crusan 4-23-2013 White Ag Econ 410 “How To Sell Anything to Anybody” By Joe Girard “Salesmen are made‚ not born. If I did it‚ you can do it. I guarantee it “ says Mr. Joe Girard . On January 1st 1978‚ Joe Girard quit selling cars. During his fifteen years of selling Cars (1963 – 1977) he sold 13001 cars at retail. Most of his time is now spent in writing books and
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Summary In the essay “The World of Doublespeak‚” William Lutz reveals the facts and dangers of doublespeak language which is used in all over the world. He begins with several examples of doublespeak and then‚ explains how to spot doublespeak. Lutz describes that doublespeak is "language that conceals or prevents thought; rather than extending thought‚ doublespeak limits it” (419).Doublespeak is language deliberately constructed to cover its actual meaning and it makes the bad seem good and the
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International Journal of Contemporary Hospitality Management Menu design: can menus sell John T. Bowen Anne J. Morris Article information: To cite this document: John T. Bowen Anne J. Morris‚ (1995)‚"Menu design: can menus sell"‚ International Journal of Contemporary Hospitality Management‚ Vol. 7 Iss 4 pp. 4 - 9 Permanent link to this document: http://dx.doi.org/10.1108/09596119510091699 Downloaded on: 24 November 2014‚ At: 00:21 (PT) References: this document contains references to 16 other documents
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Can anything be art? Are there limits to what is acceptable? Who decides? Can anything be art? Are there limits to what is acceptable and who decides? These three questions are probably the most argued and discussed questions artists‚ collectors and art historians are faced with on a day to day basses. The evidence of humans trying to create art has been present since millions of years. Archeologists have found traces of attempts of art in african caves which are up to 2.4 million years old.
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1. What principle does Lutz use for creating his four kinds of doublespeak-that is‚what mainly distinguishes the groups? Lutz’s principle of classification is the intention of doublespeakers.Those who use euphemisms are trying to “mislead or deceive” with inoffensive words. Those who use jargon seek to give their words “an air of profundity‚ authority‚ and prestige” .Those who use gobbledygook or bureaucratese are bent on “overwhelming the audience with words” . And those who use inflated language
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Misleading terminology is often employed in advertisements to dupe the consumer into buying products that they would not otherwise. By using ambiguous and meaningless words‚ such as‚ “help” or “acts fast‚” advertisements overstate the merit of a product. Such words do not give much valuable information about the product nor do they state how effective the product is compared to other similar ones. This is certainly problematic because the company is hiding the entirety of their product and the viewer
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If I could be anything that I wanted – person‚ object‚ or concept; real‚ or not real – what would I choose to be? Nobly‚ I could become the cure for cancer; selfishly‚ I could be a celebrity; obnoxiously cliché‚ I could wish to have a happy ending. However tempting these options may be‚ my choice is not found in any one of them: I only desire to be noticed‚ half-way‚ by you. Regular‚ ordinary‚ seemingly insignificant; I want to be part of your routine. I could be the alarm clock pulling you from
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