"Lysistrata comedy" Essays and Research Papers

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    The comedy of the Importance of Being Earnest uses spoken language to convey comical actions rather than physical actions. The Importance of Being Ernest is a drama because of its origins as a play‚ but also a contextual comedy as the characters follow the general format of falling in love with each other and ending with the idea of marriage. However‚ the play is also very satirical‚ making light of the aristocratic classes‚ exaggerating the upper-class morals and the frivolity of the characters

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    A: Number 1 Dramatic irony is used to create comedy in this play. Write an essay explaining the effectiveness of this literary device in the first Act of "Twelfth Night". Twelfth Night In the play "Twelfth Night" by William Shakespeare the playwright uses much dramatic irony. Dramatic irony occurs when the audience knows something in the play that the characters themselves do not know‚ but act out. It is very effective in creating humor and comedy. Here are some examples of dramatic irony: Towards

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    CHARECTERISTIC FEATURES OF ROMANTIC COMEDIES BY SHAKESPEARE WITH SPECIAL REFERENCE TO THE PLAY A MIDSUMMER NIGHTS DREAM. HARMONY OF DIFFERENT ELEMENTS:Shakespears’ romantic comedies vividly display true comic scenes with every humor and predominant hilariousness. They are rich with subtlety‚ humour and romance. There is a wonderful harmony of plot and character. His large hearted sympathy and tolerance bring about a soothing influence and congenial atmosphere in comedies. Everything fits well and every

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    Medea and Lysistrata are two women who both feel that women in general are ill-fated. They individually attempt to rectify their own misfortunes by seeking their own form of justice. Lysistrata felt that men were only prolonging the war with their pigheadedness. Medea‚ however‚ feels that she has been played dishonorably by Jason‚ causing Medea to wreak vengeance upon Jason in any way she can and anyone within reach is fair game. Both women individually plot and scheme to achieve their desired results

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    Lysistrata Gender Roles

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    Recently I had the opportunity to attend to a Greek comedy called the lysistrata at Whatcom Community College. The show really connected to similar themes in our curicculum of IDS 161. In the opening scene of Lysistrata‚ it enacts the stereotypical and traditional characterization of women in Greece and also distances Lysistrata from this clichéd‚ housewife character. Lysistrata is not only angered because the women won’t prioritize war and the peace of their country‚ but she is ashamed that the

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    The Dramatic Appeal of Human Props in Greek Drama In both The Medea and Lysistrata‚ powerful women wage wars against the male-dominated status quo‚ harnessing minor characters as pawns to achieve their desired ends. Like all dramatic props‚ these manipulated characters do not have motivations or character arcs‚ nor do they single-handedly propel the action of either play. They serve as symbols rather than people‚ vehicles which Euripides’ and Aristophanes’ female protagonists

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    for them. It was unheard of for women to be out in the streets like this period much less at night. The women of Athens formed together to plot against the men to bring them home from the war. As the women were gathering to plan against the men‚ Lysistrata said‚ “I’m on fire right down to the bone. I’m positively ashamed to be a woman—a member of a sex which can’t even live up to male slanders! To hear our husbands talk‚ we’re sly: deceitful‚ always plotting‚ monsters of intrigue...”(728) this quote

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    Chioma Mogbo Lysistrata — Formal Essay Assignment “I don’t intentionally go: ’Ooh‚ what is provocative‚’ and try to do that. I just do stuff‚ and people go: ’Ooh‚ that’s provocative.’ Maybe because sometimes I’m super-ignorant — and sometimes they’re super-ignorant.” This quote by Mathangi "Maya" Arulpragasam conveys the same reaction that the reader feels as one reads Lysistrata. Lysistrata comes with many sexual innuendos. It also goes particularly beyond innuendo where numerous male characters

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    Is Sex Comedy or Tragedy? Directing Desire and Female Auteurship in the Cinema of Catherine Breillat Author(s): Katherine Ince Source: The Journal of Aesthetics and Art Criticism‚ Vol. 64‚ No. 1‚ Special Issue: Thinking through Cinema: Film as Philosophy (Winter‚ 2006)‚ pp. 157-164 Published by: Wiley on behalf of The American Society for Aesthetics Stable URL: http://www.jstor.org/stable/3700500 . Accessed: 01/11/2013 13:03 Your use of the JSTOR archive indicates your acceptance of the Terms

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    The Relevancy of Great Books in Today’s Society: Lysistrata and Beowulf One characteristic that sets a Great Book apart from others is its ability to stand the test of time Aristophanes’s Lysistrata and the old English poem Beowulf have both managed to prove this to be true. In Lysistrata‚ the main character channels the modern woman in many ways. Like the modern woman‚ Lysistrata exuded confidence‚ courage and leadership. Confidence‚ by having the audacity to organize a sex strike in a time when

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