ACT 2 SCENE 3 SUMMARY Romeo goes to Friar Lawrance’s cell to talk. Friar Lawrence was collecting herbs and talking about how herbs and plants have the potential to be healing and medicinal‚ but if they’re misused‚ they can be deadly poison. He looks at Romeo and notices that loverboy hasn’t ‘’been in bed tonight’’ and assumes taht he was with Rosaline. He also notices that Romeo is cheerful. Romeo tells about his love to Juliet and want Friar Lawrence to marry them. Friar decides to help Romeo
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Act 4 Scene 7 Lines 162-194 Summary : * Gertrude enters with tragic news : Ophelia‚ mad with grief‚ has drowned in the nearby stream. * Laertes flees the room in agony‚ followed by Claudius who is afraid that Laertes’s calmed rage will be renewed with the news of Ophelia’s death. Ophelia: L.166-168 Willow ≡ traditional symbol of forsaken love. Garland of willow ≡ lover makes when his/her beloved has left him/her. L.169-171 Daisy ≡ dissembling (disintegrating) Nettles sting‚ “long
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Macbeth Scene AnalysisAct 5 Scene 11)Plot SummaryIn this scene the gentlewoman who accompanies Lady Macbeth while she sleeps has previously reported to a doctor of her sightings of Lady Macbeths deranged sleepwalking not long after Macbeth left to prepare for battle. Here both of them keep watch to see if any of Lady Macbeths sleepwalking occurs again. It starts off with the doctor and gentlewoman discussing Lady Macbeths condition. During Lady Macbeths sleepwalk she had previously‚ she confessed
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that Hamlet has been fooling us‚ as all of his wise choices seem to come after some unusual circumstances and not solely from his intellect. Hamlet starts off with a terse statement indicating that he was given “all occasions” (32) and yet did not act upon it‚ which is marked by his “dull revenge” (33). Rather than to slowly ease his way to his point‚ he chooses to start out strongly‚ in turn‚ revealing how quick he must have came to this realization. It suggests that it must have always been at
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MACBETH Act 1 Sc. I/The Witches/Character study of Macbeth • Charles lamb while speaking about the witches describes them as ‘…creatures to whom man or woman plotting some dire mischief might resort for occasional consultation. ….From the moment that their eyes first met Macbeth he is spellbound. That meeting sways his destiny. He can never break the fascination. These witches can hurt the body (refer to the Sailors of the “tiger’
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much from Act 2 Scene 2 to Scene 3‚ but we placed a bed for Scene 2 in order to show the fact that it was in the Macbeths’ bedroom. Scene 3 was bare‚ as it had to be a large enough place for the thanes and Lady Macbeth to confer – we imagined that forming a half circle would suffice. Too much props would have ruined the solemn mood of Scene 3‚ right after Duncan’s murder. We also controlled the lighting to make it sufficiently dark‚ in order to add to the dark atmosphere in Scenes 2 and 3. I played
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see this in Macbeth in Scene 1 of Act 2. As Macbeth thinks about the three witches prophecy‚ he begins to urge for it to become true. Thinking of the himself becoming king was so strong that it pushed Macbeth to murder King Duncan. In Act 2 Scene 1 it says‚ “...the bell invites me. Hear it not‚ Duncan; for it is a knell that summons thee to heaven or to hell.” In this scene we can see Macbeth actually acting upon his deepest and darkest urges. It was the promise of power that drove Macbeth to kill King
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Act One; Three witches stand around their cauldron plotting trouble. When Macbeth and Banquo come across the witches’ paths on their way home from the battlefield‚ they are given a prophecy that tells them of their future. Soon after‚ the first prophecy comes true when Macbeth is given the title Thane of Cawdor. When Duncan (The King) stays at Macbeth’s house for the night before his return home‚ Macbeth tells his wife‚ Lady Macbeth‚ of the prophecy’s‚ who then comes up with a plan to kill Duncan
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Shoshana Ginsbury Act Four Scene One: Explore the significance of this extract in relation to the tragedy of the play as a whole This extract is from Act Four‚ Scene One of William Shakespeare’s tragic play‚ Othello. In terms of the five-act tragic structure‚ it is part of the fourth act- the ‘falling action’‚ during which the conflict of the play unravels‚ and the direction of the ending is made clear. In this extract‚ an arguable turning point is reached when Othello slaps Desdemona‚ and his hatred
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De Schotse Koning “All hail‚ Macbeth‚ that shalt be king hereafter‚”( I. 3. 53). Macbeth‚ infamously known as ‘that Scottish play’‚ was written by Shakespeare in 1606. It was not only a contemporary adaptation of the Prince‚ by Machiavelli‚ but the play also served to strengthen James I claim to the throne. In Macbeth‚ our hero of the same name has an unquenchable thirst for power that leads him to his downfall. The audience is privy to Macbeth’s mental evolution as they witness his transition
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