Step by wicked step‚ my boots sank further and further into the thick‚ red-tinged land as if the devil himself were dragging my body straight into the depths of hell. The rhythmic squelching stabbed through my rubber soles‚ radiating pain throughout my soul as it seared everything in its path. Squelch‚ squelch‚ squish. My tempo was interrupted by those cursed boots refusing to budge from the stubborn terrain. As if taunting me‚ the earth unhooked my feet from the damned soil and I found myself catapulted
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Three days‚ six hours and twenty-two minutes have passed. White walls seem to drag and crawl their way around me in padded squares. Shadows flickered on the walls moving waveringly around me. The room remains immersed in darkness‚ (drowning) but I can still hear the screaming man. He has been here for six days‚ four hours and fifteen minutes and doesn’t seem to be leaving anytime soon. I don’t know his name‚ nor do I know why the shrinks let him in here with me‚ but all he does is sit there and
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All I see is the glaring‚ white lights as I am walking out on stage. I look down and see the black stage floor. There is a black and metallic silver mic center stage sitting in front of I can hear people yelling out and screaming. I can now see the people’s faces ‚but they don’t seem ecstatic. They look like they are disappointed. Disappointed in what? Have I played yet? Have I done anything yet? Everything becomes a blur as I pick up my guitar and start to play. The people start to boo they want
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The indirect interior monologue we get next is essential. There is something seriously affecting Henry— his faith is being tested— and what he once found comforting is now not. He is worried and this worry is mentioned twice in one paragraph. Henry also admits his sadness. Now compare this segment to the exchange between him and his wife. He does not tell her of this sadness‚ his worry or his confusion. He clearly thinks about her own lack of faith‚ but does not ask her about that either. Instead
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The similarities between Joyce’s Ulysses and Homer’s Odyssey are unmistakable even from Joyce’s choice of title as Ulysses is the Latin derivative of Odysseus the hero portrayed in Homer’s Odyssey. Adding to the comparisons between the two are the numerous characters portrayed throughout Joyce’s novel as they are a direct modernised parallel to those depicted in Homer’s poem. Joyce’s character Leopold Bloom is a mirror image to Homer’s Odysseus as is Odysseus’s son Telemachus interpreted through
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Once again Hillenbrand uses her stylistic imagery. Here‚ like many other times‚ she tries to appeal to emotions by describing how physically pathetic Louie has become. However‚ Louie’s interior monologue makes a statement that narration can not quite capture. The analogy comparing his current state to that of a “dead body breathing” provides insight to Louie’s mindset after capture. While he recognizes that he miraculously alive through his personification of a dead body‚ his state is far from acceptable
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Maestro - Internal Monologue Eduard Keller Intervention at page 71 Weeping like a baby‚ I walk away from the frustrating‚ sweet music that hides such devastating and infuriating emotions. Like a bright red rose that smells of redolent‚ aromatic fragrance satisfying the nose‚ yet with thorns that impair when tempted. How insulting! How could they play Wagner? Although I knew that the orchestra would of course play Wagner‚ it seems that every time‚ I hope for something better; to keep my mind
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Shakespeare’s Macbeth is an amazing theatrical tragedy. It complains very unique parts as monologue of Macbeth when his wife died. Here we can find many interesting moments when we worried about the protagonist‚ his fatal flaw‚ at the same line we see antagonist who leaded Macbeth to crime‚ very dramatic denouement. The text leads us to think about virtue and make our own conclusion and feelings. The first main part of each creation‚ especially for tragedy‚ is plot. Personally‚ I found for myself
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Macbeth Monologue MACBETH: Is this a dagger which I see before me‚ The handle toward my hand? Come‚ let me clutch thee! I have thee not‚ and yet I see thee still. Art thou not‚ fatal vision‚ sensible To feeling as to sight? or art thou but A dagger of the mind‚ a false creation Proceeding from the heat-oppressèd brain? I see thee yet‚ in form as palpable As this which now I draw. Thou marshall’st me the way that I was going‚ And such an instrument I was to use. Mine eyes are made the
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Henry‚ a neurosurgeon who has no love for literature‚ nonetheless describes parts of the brain (which he would know by heart) with figurative language he claims to not understand. The use of free indirect discourse‚ therefore‚ resembles interior monologue and shows that the narration is frequently solipsistic in nature (Gauthier 9). This solipsistic nature reveals the challenge which anyone faces who seeks to step outside of their own world to get to know the other. Although‚ Perowne is unable to
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