Indigenous Australians drew cave paintings as a religious symbol‚ and to feel the spirits in their sacred places. The practice of making artworks allowed tribes to pass on knowledge about their country and culture. The earliest forms of Indigenous art were paintings or engravings on boulders and on the walls of rock shelters and caves. There is evidence that Aborigines were painting on rock over 30 000 years ago. Aboriginal Australians drew about daily life‚ hunting and spirits. Images that are usually
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http://www.nga.gov/collection/gallery/dutch.shtm DUTCH AND FLEMISH PAINTING OF THE 16TH-17TH CENTURIES Religious and political turmoil in the 1500s split the Low Countries into two nations with differing social values and artistic tastes. Flanders remained Catholic and royalist; Flemish artists such as Rubens and Van Dyck glorified the Church and monarchy with grandiose themes‚ lively compositions‚ and vivid colors. The United Netherlands‚ however‚ became a republic populated mainly by Calvinists
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Gourab Basak Roll No. 515207 TPI Painting and Sculpture Introduction Indian painting has a very long tradition and history in Indian art. The earliest Indian paintings were the rock paintings of pre-historic times‚ the petroglyphs found in places like Bhimbetka ‚ some of them from before 5500 BC. And also an imperative part of Indian art culture is dominated by sculptures in India. Indian sculptures started from bronze
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There are four paintings that I want to show and analysis. Tow of them from ancient China‚ and the other two paintings from the Western imperial portraiture. Firstly‚ look at this painting. This painting is part of The Thirteen Emperors‚ which is collected in Museum of Fine Art Boston. This painting was created by the painter - Yan Liben around AD. 581 - 604. More specifically‚ the material of this painting is Classical Chinese Painting On Silk‚ from this short sentence‚ we can know this emperor
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In the Holocaust there were many paintings that had gone missing. Some were lost in the holocaust‚ and some were found. Many of these artifacts we know of because of the jews telling us about their stories about the artifacts. What the paintings meant to them‚ why they wanted them. This paper will tell you about 7 lost‚ stolen‚ or found art pieces. The lost art was usually burnt in buildings‚ when they were burned down by the Nazies. A Lot of the art was found in the chapels and the riches houses
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1. What are the subjects of the early cave paintings and for what reason‚ the archeologists believe they were painted? Use examples from your assigned readings. The subjects were animals. The meaning behind the painting of caves was thought to be because humans have a built in desire to decorate their surroundings. Scientist also believed that’s cave paintings were to help clan bonds‚ rites‚ even had ceremonies around the paintings because they thought it would increase fertility in animals which
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reason for this is they didn’t typically come up with the ideas for what they were painting in the tombs; they were told what to paint and painted it. Artists would have had free range on what to paint rather than being told what to paint exactly. Artisans are more the people who can actually paint someone’s idea who might not be able to design or paint the idea given. 2. One rationale reason for cave paintings in prehistoric times‚ that I have heard and agree with is that they painted these things
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Cave paintings have been a mystery to many people ever since their discovery‚ causing many different theories about why our ancestors went into the caves to create their art. An early theory was that it was just art for art’s sake. It was just something to pass the time and had no meaning. Others believe that the paintings were made by Shamans. The Shaman is the spiritual leader of the people and he would have went in the caves for spiritual guidance. Since our ancestors were hunters and gatherers
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In 1855‚ an artist by the name of Gustave Courbet submitted fourteen paintings to be shown at the Exposition Universelle. Three of the paintings submitted for exhibition were turned away for lack of space. Including two of his most famous paintings “Burial at Ornans” and “The Artist’s Studio”. Determined to showcase his works‚ courbet withdrew his eleven accepted submissions and erected The Pavilion of Realism (Pavillon du Réalisme)next door to the official International Exhibition (Exposition Universelle)
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REACTION PAPER: PAINTINGS As we enter the National Museum of the Philippines "Spoliarium" 1884‚ oil on canvas A National Cultural Treasure by Juan Luna surprise us upon entering the hall. The super- sized painting depicts dark hollow beneath the Roman arena referred as the Spoliarium where the bodies of slain gladiators are being dragged away for disposal. For Luna‚ the lifeless gladiators represent the Filipinos during the Spanish period. Across the Spoliarium is the stunning painting by Hildalgo
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