Madonna and Child Just until now‚ some Latin American cultures are learning to be more accepting of open sexual inclinations. I argue that for Campo’s mother‚ her religious beliefs are stronger than her love for her son‚ although she still loves him. “She hears much better than she sees”. Religion is important for Cuban people‚ and for the church being gay is something wrong‚ it is bad‚ it is sinful. His mom hears bad comments that priest and religious persons make. How sinful is a gay in front of
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Accident Analysis and Prevention 32 (2000) 167 – 175 www.elsevier.com/locate/aap Neck injuries in car collisions — a review covering a possible injury mechanism and the development of a new rear-impact dummy Mats Y. Svensson a‚*‚ Ola Bostrom b‚ Johan Davidsson a‚ Hans-Arne Hansson c‚ ¨ b Yngve Haland ‚ Per Lovsund a‚ Anders Suneson d‚ Anette Saljo c ˚ ¨ ¨ ¨ Crash Safety Di6ision‚ Chalmers Uni6ersity of Technology‚ SE-412 96 Goteborg‚ Sweden ¨ b Autoli6‚ Research‚ SE-447 83 Vargarda‚ Sweden ˚
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Amy is a 34-year-old female here today complaining of neck pain. HPI The patient tells me her symptoms started in early August. She had been away on vacation. She was sleeping on an air mattress. One night realized that the air mattress was not fully inflated‚ but slept anyway and she awoke the next morning‚ she was having some neck pain. She said initially she attributed just to sleeping wrong. She had pain for a couple of days. She took a few days worth of Advil and felt better. She said
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she writes‚ "taught me how to pray." The cover playfully exploits Roman Catholic religious themes and reinscribes Madonna signifiers‚ most notably her navel‚ from her earlier work" (Harold Jaffe‚ Madonna and Other Spectacles (New York:PAJ Publications‚ 1988)‚7-12). In the music video ’Like A Prayer’‚ Madonna witnesses a double crime that is equated with a burning cross‚ Madonna falls into a dream. That this a dream is of utmost importance‚ for it signals that the character
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In this beautiful piece of artwork the artist put many art elements into it. The artist uses many lines to help him bring this painting alive. On the edges of the painting lines can be seen forming a pentagon. The platform the main figure is sitting in also has lines helping it look like a throne. There is also shapes in this painting one easy one would be the pentagon shape throne the lady sits n then there are squares‚ circles‚ triangles‚ rectangles‚ and few biomorphic shapes. The texture the viewer
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Raphael and the Alba Madonna Arts 230 University of Phoenix Rafaello Sanzio da Urbino was born in 1483 in Urbino‚ Italy. Throughout most of his early life he studied as an apprentice under Pietro Perugino‚ a high renaissance artist that studied alongside Leonardo da Vinci‚ in 1501 Raphael finished his apprenticeship and began to paint commissioned works
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have went from majesty to mystery with the construct of race as a science toward the end of the 18th century. With this construct of race it begins to dramatically undermine the pious interpretations of the objects and images surrounding the Black Madonna. A common theme used is that the Madonna’s became black unintentional‚ has greatly affected the depth into which the study of the Black Madonna’s has gone. Michael P. Duricy gives three categories in which the Madonna’s can be placed: 1) Dark brown
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The Madonna and Child (ca. 1290-1300‚ tempera and gold on wood) by Duccio Buoninsegna renders the Virgin Mary holding Christ in her left arm as her gaze strays away into the distance. Christ reaches up with his arm brushing aside the Virgin’s veil. Both figures’ heads are surrounded by halos surrounded by a gold background. The Virgin Mary wears a dark‚ rich blue robe lined with a gold rim while Christ is wearing a red robe. At the bottom of the painting is a parapet‚
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composition‚ but different in content. The first image is Leonardo’s Madonna and Child with St. Anne (168 x 112 cm) in the Louvre‚ created around 1508. This is an oil painting on wood support. The second is Michelangelo’s Holy Family‚ or Doni Tondo‚ (120 cm diameter) located in the Uffizi‚ and created in Florence circa 1504. This is a circular image in an elaborate frame‚ painted in oil and tempera on panel. Leonardo’s Madonna and Child with St. Anne was commissioned as an altarpiece for the Church
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IAN MITTON Compare and contrast two similarly themed (i.e. two Madonnas‚ two Crucifixion scenes etc.) Renaissance altarpieces (Italian and / or Northern). Focusing on the central panel‚ discuss the selected works in terms of subject matter‚ technique‚ composition‚ treatment of the figure and patronage. Use specific visual references to support your answer. The Christian altar contains the surface upon which the Eucharist is offered and presented to the congregation or gathering of worshipers.
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