Anslem Kiefer’s ‘Interior’ is an 1981 oil‚ acrylic‚ paper‚ straw‚ wood chippings and shellac on canvas work‚ showing a cavernous hall‚ based on the Mosaic Room in the New Reich Chancellery. The painting captures the Nazi architecture‚ focusing on the rigid grid sky light and the repetition of vertical lines along the walls‚ the neo-classical style reflecting the Nazi ideals of authority‚ discipline‚ order and permanence. While this is clear in the painting‚ and the architecture alone gives a very
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about a man that has questioned life and death even long before our time. This troubled man is named Hamlet. In this essay you will see why this young man has such deep and sad thoughts about death‚ an explanation on his famous soliloquy‚ and his monologue to another character. Hamlet is that has faced many struggles internally and externally. To start off his problems‚ Hamlet’s father has died and his mother has married his uncle soon after death. You see his grief in one of his soliloquies when he
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Lennie’s Monologue: It’s them sycamores I remember. An’ the river‚ runnin’ deep and green‚ tinkling jus’ like the way Aunt Clara’s house keys used to when she was out on the porch about to unlock the front door. I’d hide my mouse in my pocket whene’er I heard them jinglin’ keys‚ because Aunt Clara ne’er liked ’em rodents hangin’ around her house. I was a smart boy‚ I really was. I see the clearing an’ I know I’ve found it‚ I’ve found the safe spot. George’ll come get me here before the
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detail the loneliness and suffering of Penelope’s years away from Ulysses. The techniques used were really basic; I used lots of adjectives‚ and tried to use imagery words to give the reader the image of Penelope reaching out to her true love. Monologue: For so Long I have suffered inside these forlorn walls All happiness has been drained from the inside I am nothing… Too many days have gone by without a letter Travelling the seas to unknown lands Ulysses‚ my love‚ come back to me! Can’t
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The book‚ “Adventures in the Unknown Interior of America” was translated and edited by Cyclone Covey in 1961. It is a semiofficial report (more like a personal diary) written by Alvar Nuñez Cabeza de Vaca to the King of Spain regarding the Narváez expedition. The original report by Cabeza de Vaca was titled‚ La Relación (1542) along with supplemental material called the Joint Report was used to describe the epic events that happened on the expedition. Cabeza de Vaca was born in 1490 in the town
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Salve 7A! Today I will be doing a monologue for a gladiator! My heart pounds like a drum as thousands of romans scream in delight as I slay yet another gladiator in these accursed games. It is not my wish to participate in this horrid ring of blood‚ pain and death‚ but I must‚ for I am Priscus‚ a Celt‚ born and raised on the outskirts of Cisalpini‚ and captured by roman soldiers in 55 B.C whilst protecting my country. I worked in a pit‚ mining stone for Rome’s grand new city. One day a man came to
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Adventures in the Unknown Interior of America is a tale of epic proportions worthy of The Odyssey. The only difference being that this tale is true. Written by Álvar Núñez Cabeza de Vaca‚ Adventures in the Unknown Interior of America details the events of Cabeza de Vaca’s eight-year trip from Spain to the New World. It becomes quite clear though his journey that Cabeza de Vaca changes into a completely different man than he was when he set out from Spain in the name of the king‚ and God. Cabeza
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Monologue of Tybalt the Capulet I am Tybalt‚ a Capulet and cousin of Juliet. I am known as short-tempered‚ impulsive‚ and a vengeful person‚ I draw my sword anytime I can. However I am loyal beyond words and honour the family rivalry between the Capulets and the Montagues with great heart. I will never betray the Capulets. On the day of Capulets’ party Romeo showed up. I recognised Romeo through his disguise at the Capulets’ ball. I can’t remember that we invited him to our party. Why is Romeo
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AN EVERYDAY MONOLOGUE This is an essay‚ and I don’t feel like spilling any of my secrets. Because that’s what I just did. Then you know I backspaced the entire thing. The End. But its too short‚ eh? Oh I can do so much better than this. I could tell you all the things‚ all the things in the world! But I’m a little neurotic you see. And paranoid. I can make weird twisted connections in which how anyone could figure out my true identity just by having that one bit of information I put out. For
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Cited: Fuss‚ Diana. "Interior Chambers: The Emily Dickinson Homestead." Differences: A Journal of Feminist Cultural Studies Fall (1998): n. pag. Literature Resource Center. Web. 1 July 2012.
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