Employers or Patrons- Instructor Marc’ Antonio Ingegneri; Vincenzo I of Gonzaga; Duke of Mantua; San Marco Cathedral in Venice. Means of making living: Monteverdi worked for the court of Mantua first as a singer and violist‚ then rose to the post of Maestro Di Cappella. He worked at the court of Vincenzo I of Gonzaga in Mantua as a vocalist and viol player and later as the court conductor in 1602. Between 1587 and 1605 he published five volumes of Madrigals; First opera was Orfeo; 1608 he completed
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Classical guitar player Ben Bolt was performing lead guitar in rock and roll bands at the age of twelve and started performing professionally at age 16 in Miami‚ Florida. Immediately after high school‚ Ben left his group to study traditional classical guitar compositions in Spain. At the age of nineteen he studied traditional classical guitar with Andres Segovia in Madrid. Andr?s Segovia‚ the father of the traditional classical guitar‚ said “Ben Bolt is an exceptional guitar player with beautiful
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loss‚ damage or theft. If such a case arises‚ the issuing office must be contacted immediately for further instructions. 8. It is essential that ALL (valid and expired) Laissez-Passers are returned to the issuing offices in New York‚ Geneva‚ or Vienna or to the respective Specialized Agency for cancellation prior to separation from the Organization. If requested‚ the Laissez‑Passer will be returned to the former staff member after cancellation. 9. The latest version of form TTS.2 is available
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Page 1 3 of 53 DOCUMENTS Copyright (c) 1997 The University of Baltimore Law Review University of Baltimore Law Review Summer‚ 1997 26 U. Balt. L. Rev. 1 LENGTH: 2902 words SYMPOSIUM: Developments in International Commercial Law: AN INTERNATIONAL RESTATEMENT: THE UNIDROIT PRINCIPLES OF INTERNATIONAL COMMERCIAL CONTRACTS NAME: E. Allan Farnsworth * BIO: * Alfred McCormack Professor of Law‚ Columbia University. B.S.‚ 1948‚ Michigan; M.A.‚ 1949‚ Yale; J.D.‚ 1952‚ Columbia University; LL.D.‚ 1988‚
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and revolutions‚ even after the Congress of Vienna‚ which sought to continue conservative ways. With the rise of nationalism in the 19th‚ it catalyzed many wars including World War One. At the beginning of the 19th century‚ the Congress of Vienna was a reaction to the French Revolution‚ in which they wanted to preserve the monarchies in Europe as well as conservative ways. Nationalistic ideas were surfacing across Europe however the Congress of Vienna did not prevent the nationalism uprisings of
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gave his first public concert at age seven. At 16 Beethoven traveled to Vienna to study when he wanted to take lessons with Mozart supposedly‚ but this did not materialize. Because due to the death of his mother‚ Mary Magdalene‚ he had to finish this trip again shortly. He returned to Bonn and took over the role of head of the family for his two younger brothers and alcoholic father Beethoven left Bonn in 1792 and moved to Vienna. There he would remain until his death. He also lived on the teaching
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The negotiation between John F. Kennedy and Nikita Khrushchev was one of most disastrous meeting‚ which happened during June 3-4‚ 1961‚ in Vienna‚ Austria. It started when Khrushchev congratulated Kennedy on the day of presidential election and stated the hope for better relations in Soviet-American co-operation.(178) Kennedy‚ then continued the similar niceties by sending the letter expressed the aspire to meet personally with Khrushchev in order to exchange the views in various items: Laos‚ disarmament
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1. What are the three basic sections of the form? The three basic forms are called: Exposition‚ development‚ and recapitulation. 2. What musical events occur in each section? The main thematic substance for the movement is the Exposition: one or two melodies commonly called theme one and theme two. They are frequently in opposing styles and in differing keys. Due to the different keys they are usually interwoven with a modulation section‚ and may be repeated. Stereotypically the exposition
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elements of pastiche. Not renowned as a composer of opera‚ Tchaikovsky had hit a bullseye with a previous Pushkin adaptation‚ Eugene Onegin in 1879. Admitting an irresistible attraction to operatic form in spite of his inability to master it‚ the maestro used the folk origins of Pushkin’s verse novel to present a series of interlinked scenes rather than a fully realized grand opera. The Queen of Spades followed in 1890‚ and was again a success (though others in between were not). More formally rigorous
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series of tours across Europe with them when Mozart was just six years old. In 1767 the family went to Vienna for five months‚ where Mozart wrote an opera buffa (comic opera) for the Emperor‚ La finta semplice (trans‚ the Pretend Simpleton); and a Singspiel (a German-language opera with some spoken dialogue)‚ Bastien und Bastienne (1769)‚ commissioned by Dr Franz Anton Mesmer. However‚ in Vienna‚ the Italian musicians at court‚ including the composer Antonio Salieri‚ made it difficult for him to produce
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