Hannah Ostrow Professor Janoff Perspectives in American Literature October 21‚ 2012 Midterm Question #1 Emily Dickinson writes her poetry with startling different perspective‚ bold metaphors and similes‚ and deceptive simplicity. In each of her poems you can recognize her unmistakable personal voice. Her poems also often can be related to the human condition. You can especially see this in Emily Dickinson’s two poems “Much Madness is divinest Sense” and “”Hope” is the Thing with Feathers.”
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Bibliography: Benitez‚ Conrado. History of the Philippines. Boston. 1929. Brooks‚ Cleanth and Robert Penn Warren. Understanding Poetry. New York: Holt‚ Rinehard and Winston‚ 1996. Christopher‚ Milbourne. Search for the Soul‚ Thomas Y. Crowell Publishers‚ 1979 Fernando‚ Francisco Demetrio S.J.‚ Gilda and Fernando Zialcita. The Soul Book. GCF Books. Panay Avenue‚ Quezon City‚ 1991
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Re-draft ). Compare the ways in which Heaney and Hughes describe their storms. “Storm on the Island” starts in a very dramatic way by setting the scene of the poem on a lonely‚ deserted island. Firstly‚ Seamus Heaney describes the surroundings in a way‚ to make the readers assume that the storm is set on a very bare waste land with a handful of residents on it that preparing for a storm that turns out to be more severe than they expected. Seamus Heaney then goes on to putting the readers of
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Anna University Syllabus for All Branches ‚ All Semester : Downloaded from www.AnnaUnivEdu.Org Follow Us on : http://facebook.com/annaunivedu.info Applicable for all colleges affiliated to anna university. SEMESTER VI (Applicable to the students admitted from the Academic year 2008–2009 onwards) CODE NO. THEORY CS2351 CS2352 CS2353 CS2354 COURSE TITLE L T P C Artificial Intelligence Principles of Compiler Design Object Oriented Analysis and Design Advanced Computer Architecture
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Articles/Feature stories/feature articles/features A feature writer should be fond of accuracy‚ love brevity and be devoted to clarity. He should be a topic-explorer and have the craft of kindling interest in insipid ‘ideas’. A good public pulse reader‚ a charming discoverer of life in words and a possessor of effective writing skills to spin magic in the content is what all is required from a good writer who is actually‚ in this case‚ a presenter of useful knowledge. Good feature writing
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Teacher’s Guide for Worksheet One The structural and linguistic features of the types of writing introduced in Worksheet One are defined and summarized as follows. This is just a guide to some typical and common features and is not meant to be an exhaustive list. Features may also vary in different communicative contexts. I. Informal Letter A letter is ‘a missive communication in writing‚ addressed to a person or body of persons; an epistle’ (From Oxford English Dictionary OED online. URL:
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The Language of Poetry This accessible satellite textbook in the Routledge INTERTEXT series is unique in offering students hands-on practical experience of textual analysis focused on poetry. Written in a clear‚ user-friendly style by an experienced writer and practising teacher‚ it links practical activities with examples of texts. These are followed by commentaries and suggestions for research. It can be used individually or in conjunction with the series core textbook‚ Working with Texts:
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Poetry can evoke strong feelings in readers. Select three poems we’ve read and examine the literary techniques the poets used to evoke a reader’s emotional response (note: not your emotional response.) How do the poets’ various techniques connect to their readers’ feelings? Because a writer wants to evoke strong feelings into their writings‚ they use a variety of techniques from wording to the sense of the feeling the reader feels. In the poem‚ “Harlem‚” by Langston Hughes‚ he uses the descriptive
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Seamus Heaney vividly conveys his feelings about the death of this brother at the first stanza by foreshadowing the death he was about to face. He says - “Counting bells knelling classes to close” describing the ringing of the bell. I noticed that Heaney uses the word ‘knelling’ instead of ringing.This almost creates a tone and mood of suspense as the word is usually used to describe church bells knelling for a funeral mass. Another reason why he used bells as an example is to indicate the end of
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Reflecting on the Past and Future Poetry is a way to express a deeper truth and to move people or make them feel emotion. This is true in “The Road Not Taken” by Robert Frost and “Combing” by Gladys Cardiff. In “The Road Not Taken” the speaker is at a fork in the road and must choose a path. They are both worn down about the same and he tells himself he could always come back for the other. The deeper meaning is the speaker has a dilemma and must make a decision. In “Combing” a mother is
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