Film noir‚ French for “black film‚” is a style of film that is mostly used in American crime dramas‚ especially those that give emphasis to pessimistic attitudes and sexual motivation. The term film noir originated in 1946 by French Film Critic‚ Nino Frank.1 Many films in the film noir style have been inspired by detective stories‚ also known as “hard-boiled‚” written by American Novelists such as Raymond Chandler and Dashiell Hammett. Noir’s consisted of sharp contrasts of light and dark‚ dramatic
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Film Noir has been around for many years since the 1940’s and the 1950’s‚ during the war in America (Ricci 1). After those years they created films that were considered to be film noir‚ but they were named Neo-Noir. Neo-Noir films are post 1970 films‚ the thing that makes Neo Noir different from Film Noir is that Neo Noir films used modern technology that was unknown to Film noir films (“Difference between Noir and Neo Noir‚ 2016). There are many conventions a film has to have to be considered Film
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Film Noir is a reflection of‚ and reaction to‚ the world within which it was created. With the majority of the films shot from mid-40s through to late 50s‚ Film Noir is a lens into the fears and values of that time and society. With the world coming to terms with the horror of what human did to human in World War II‚ the genre also had to deal with how the world at home had changed. We can see in the basic conventions of the genre these fears and realisations. Corrupt society‚ flawed men riddled
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THE MALE GAZE THEORY AS PORTRAYED IN AMERICAN PIE I. Introduction The position of women in the society at present has changed gradually in the last few centuries. The role of women‚ as dictated by the society‚ is perceived by how they’re presented. Since the last three centuries‚ women have always been viewed as just housewives and objects of perversion. Media is one of the factors why women are perceived as secondary to men. This is why media has a major influence
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Contrastingly‚ the idea of the ‘eternal feminine’ suggests that men and women have different essence at the core. In Vertigo and film noir in general male and female relationships often appear as a decoy sustained by a fear of death. ‘Woman‚ for man‚ is death’ (Cixious). As an illustration‚ the mis-en-scene of Vertigo could be seen as linking the character of Madeline/Judy to death with the flowers and the church yard. Nevertheless‚ with the presence of the mirror shot in which we see Madeline twice
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2 Since the development of television and film‚ society has utilized the art form‚ specifically the plots of crime films‚ as a mechanism that draws on widespread attitudes toward crime‚ victims‚ law‚ and punishment prevalent at the time of the films making. The capacity to understand film history allows one to see more effectively underlying assumptions regarding the nature of crime in America as well as international society as a whole. The Silent Film Era (1897-1927) often reflected empathy for
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The 1945 film Leave Her to Heaven directed by John M. Stahl is a perfect example of a classic noir film. There are an exceptional amount of reasons why Leave Her to Heaven is categorized as a noir film. In noir‚ we see shadows‚ neon lights‚ mirrors‚ white clothing‚ femme fatales‚ murder‚ seduction‚ lies‚ guilt‚ dark locations‚ suspicion‚ crime‚ sometimes the exception of technicolor‚ and many more elements that without a doubt create a phenomenal noir film. Leave Her to Heaven is one of the few noir
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The Growth‚ Influence and Evolution of Film Noir Film noir‚ when directly translated‚ means “black film” or “black cinema”. Often titled as one of the strongest influences of the French new wave movement‚ noir has been given much more longevity than its predecessors and descendents‚ still maintaining a strong presence over many films‚ especially detective stories. Although many refer to it as a genre‚ it evades that definition; many films follow the noir style and conventions‚ but they vary widely
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October 8‚ 2012 The Denotation of Film Noir When one thinks of what film noir is‚ their mind should automatically flash to Double Indemnity. This ingenious film directed by Billy Wilder exploits all of the true characteristics of film noir. All of the main attributes to film noir are seen first in Double Indemnity which was not only the pioneer to this genre‚ but is still considered one of the greatest movies of all time. It was a risky move to put out this movie when it was
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"Chinatown" as Film Noir Films that are classified as being in the film noir genre all share some basic characteristics. There is generally a voice-over throughout the film in order to guide the audience’s perceptions. These movies also involve a crime and a detective who is trying to figure out the truth in the situation. This detective usually encounters a femme fatale who seduces him. However‚ the most distinctive feature of the film noir genre is the abundance of darkness. Roman Polanski’s
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