Film noir is a genre based on moods of fate‚ evil‚ and undesirable outcomes. In the film The Big Sleep exemplifies film noir from the visual using the black and dark atmosphere. The genre film noir has a dark downbeat sort of feel to the theme. Film noir is very dramatic and in the movie when a character dies the movie has the orchestra play a dark‚ gloomy‚ grim type of music. The lighting in film noir is also used in the movie. During the car rides the lightening is clear showing what audience should
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has all the elements of a film noir: the presence of a beautiful but dangerous woman‚ otherwise known as the femme fatale‚ a gritty urban setting‚ compositional tension (highly contrasting light and dark colors or oblique camera angles)‚ and themes of moral ambiguity and alienation. Chinatown‚ however‚ is different. Polanski shot Chinatown with color film‚ and though his colors do appear especially vivid‚ color film precludes the contrast intensity that black and white film offers. In addition‚ Evelyn
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for his film before adapting it into the novella of the same name. Because of this rather peculiar order‚ the similarities between the two are very strong‚ something that is not always the case with books and their film adaptations. Though there a few stylistic differences between the novella and the film‚ the two mediums of storytelling both remain quite true to the central storyline. The noir genre was an essential piece to the story of The Third Man‚ and both the novella and the film were able
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Double indemnity was made just after the war‚ during a period of time where men felt insecure‚ as women had become more powerful and independent. This is represented in the film by a negative portrayal of Phyllis. A common type of woman featuring in noir films is the femme fatale‚ which challenges the most traditional role of the woman and the nuclear family. She refuses to play the role of devoted wife and loving mother that society prescribes for women. She finds marriage to be confining‚ loveless
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elements and put them into his film? Why does he make use of these figures from classical mythology in order to tell a story set in the modern world? The lady From Shanghai movie is a film noir. The movie is a commercial Hollywood film and at the same time an “art film”. One of the aspects of the “art film” is symbolism. Welles forced us into it is symbolic subtext in order to understand it is logic. He updated classical Greek elements and put them into his film. I think the reason why Welles
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The Gaze (John urry) - is an understanding how the tourist behaves by the regulation of the culture. Thus‚ rather than being ’out of place’ a person may be regulated by the gaze of others so they may embody the culture of difference. However‚ this does not always apply. A tour group of the same culture may find more comfort in the ’sameness’ of their fellow travellers. False Front (Boorstin) - Objective authenticity of toured objects treat authenticity as a property inhering in toured objects one
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LA Confidential and Film Noir One of the most influential film movements in the 1940’s was a genre that is known today as film noir. Film noir was a recognizable style of filmmaking‚ which was created in response to the rising cost of typical Hollywood movies (Buss 67). Film noir movies were often low budget films; they used on location shoots‚ small casts‚ and black and white film. The use of black and white film stock not only lowered production costs‚ but also displayed a out of place
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The Hays Code in Film Noir The Motion Picture Production Code‚ commonly known as the Hays Code‚ was adopted in March 1930‚ though it was not truly enforced until four years later in 1934. This set of rules had tremendously influenced the way Hollywood movies were made for a number of years. This code was based on the ethics and norms if that time. There were three main principals of the Hays Code. The first was no picture shall be produced that will lower the moral standard of those who see it
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The Key Conventions Of Film Noir In L.A Confidential L.A Confidential (Curtis Hanson‚ 1997) is a neo-noir film about a shooting at an all night diner and the three Las Angeles policeman who investigate in their own unique ways. It is based on the book by James Ellroy and after a very well adapted screenplay‚ won nine academy awards. It starred actors with big names like Russell Crowe‚ Guy Pearce and Danny Devito‚ which made it a very high earning film. The Narrative or storyline is much
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LCC-3254 | The Third Man: | Historical Realities of Film Noir | | Mykhail Chambers | 12/11/2010 | | Throughout history‚ time has shown the world that its various art forms are influenced by the current events of the era. The world of cinema is no exception to this statement‚ for some of history’s greatest films have been inspired by the happenings of man. Whether it is political struggle‚ social strife‚ a cultural movement‚ or cultural unrest‚ cinema has found ways to manipulate
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