Solon Bowden 2/9/08 - Paul K. The Maltese Falcon Comparison Samuel Spade of The Maltese Falcon novel by Dashiell Hammett is quite different from Samuel Spade of “The Maltese Falcon” motion picture. The book was written a good decade before that version of the movie was produced and in a much more casual time period. The novel focuses on making Sam out to be a more complex character than the movie does. He is not just “the good guy” as he is portrayed more so in the movie. The time period may
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Howell Film 2700 12 November 2012 Word Count: 1411 Film Noir to Neo-Noir: A Shift in Cultural Tides Film noir of the 1940s captivated audiences through its distinct form of storytelling. Strongly influenced by German Expressionism‚ these films have a definitive look and style that still resonates with modern audiences today. Like other classical Hollywood genres‚ film noir sought to bring to light tensions felt within society‚ namely those that affected men following World War II. Neo-noir films
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In the 1941 film The Maltese Falcon the character Brigid O’Shaughnessy functions as a typical Femme Fatale. She possesses qualities of the classic Femme Fatale such as the ability to manipulate the males around her for self-gain. Brigid O’Shaughnessy is a very attractive woman and she knows it‚ she uses her beauty and sexuality to get men to do what she wants treating them like puppets on a string. In the film‚ Brigid plays the innocent damsel in distress card to mask her true intentions which usually
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Film Noir‚ meaning “black film’ in French‚ was the trending style and genre in American culture between the 1940s and the 1950s. It is a combination of European cynicism and the American landscape. Film Noir has its origins from German Expressionism and French Poetic Realism. Nino Frank‚ who was a French film critic‚ was the first to introduce this black and white genre to Hollywood in 1946. Many of the directors who introduced Film Noir where refugees from Nazi‚ Germany. From that moment in time
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Film noir is generally associated with a ‘dark’ type of film in the era following WWII. Film’s that are categorized in this genre are marked by a style that generally contains certain distinguishing elements – dark rooms with Venetian blinds‚ dark alleys‚ rain-slicked streets‚ dark offices and low key lighting. The plot usually deals with the dark aspects of humanity-greed‚ murder‚ deceit and paranoia. There are also distinguishing characters‚ the main character a detective or an investigator usually
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add sharp black and white cinematography‚ and you’ve got Film Noir. Film Noir can be defined as film that conveys moral natures and real-life situations‚ usually dealing with crime‚ seductive women‚ and guilt‚ through dark lighting and shadows. Film Noir encompasses detectives‚ femme fatales‚ love‚ beautiful cinematography‚ and snappy dialogue. A famous film involving a detective is The Big Heat. Dave Bannion is the detective in the film‚ and he is a tough cop who uses any means needed to uncover
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Before World War II‚ the quintessential film contained bright‚ happy‚ and optimistic tones. However‚ when the United States entered the battlefield‚ motion pictures became less optimistic. As Americans discovered the circumstances of the war‚ the filmmakers of the time felt hopeless as well. Ultimately‚ movies became hard boiled‚ unheroic‚ and unromantic. This movement is known as film noir (or black film) because the movies of this era contain a dark mood and tone. It would continue to thrive until
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Media genres are a reflection of society. Film noir is a movie that conveys a mood of pessimism‚ fatalism‚ menace and cynical characters. French critics used it to describe American thriller or detective films in the 1940s. The term literally means ‘Black Film’ and features extremely negative themes. Fedora hats‚ trench coats and nighttime make up some of the distinguishing features of film noir. Film Noir of this era is associated with low-key black and white visual styles that have roots in
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embellishment that feels pleasant to possess. It is fundamental to humanity‚ without it‚ humanity will be void. Such are inspirations that authors have used to develop novels such as The Lord of Scoundrel and The Maltese Falcon. The vital role that love plays in life as is showcased in The Maltese Fa lcon and The Lord of scoundrels. Ultimately‚ love can be double-edged‚ it can be a weakness
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3270‚ BMWA Prof. Taylor The Maltese Falcon is the classic hardboiled private-eyed movie that is a great example of prototypical film noir. The main character Sam Spade is undeniably a tough and smart guy whose actions are provoked by a stunning femme fatale Brigid O’Shaughnessy. While everyone in the story eagers to find a priceless artifact‚ the black statuette of a Maltese Falcon‚ and is driven by their greed‚ Spade acts as he is to fulfill his own personal
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