"Malvolio a victim" Essays and Research Papers

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    although Feste is the only professional fool in the play‚ many others are also subject to foolery. He then goes on to discuss the importance of Feste as a figure of comedic truth in the play and his relationships with the other characters such as: Malvolio who is seen as his antagonist‚ Maria who is described as his companion and Sir Toby Belch like Feste has a tendency to encourage mischief. The writer’s intention in the piece was to evaluate the idea of there being more than one fool in Shakespeare’s

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    of Malvolio by Sir Toby Belch‚ Maria‚ Feste‚ and Aguecheek‚ is justly famous as one of Shakespeare’s funniest experiments in New Comedy‚ that is‚ in a style of comedy which is basically quite different from the pastoral romantic style of the main plot. The basis for the sub-plot is one of the oldest and most popular subjects for New Comedy - the unmasking of the hypocrite‚ a satiric exposure of apparent virtue so as to humiliate the hypocrite and make him ridiculous. The duping of Malvolio is

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    distinct opinions on love. Malvolio‚ Olivia and Viola are three main characters that have completely different perspectives on love but‚ have one thing in common: providing laughter to readers. Malvolio is a targeted character that provides amusement and causes readers to dislike him. He oozes self-love and that has become the root of his misery. After he pretentiously comments on Olivia associating herself with a fool‚ she retorts by saying‚ “O‚ you are sick of self-love‚ Malvolio‚ and taste with a distemper’d

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    Twelfth Night‚ Act IV‚ Scene II 2. Feste‚ the Fool‚ disguises himself as Sir Topas‚ a priest‚ and visits Malvolio in his imprisonment‚ under direction of Maria and Sir Toby. Malvolio is relieved to hear the voice of the priest and believes the priest might release him from his prison. Malvolio makes the claim that he is not insane and is wrongly imprisoned in darkness. Feste tells Malvolio that he is in a well-lit room and that the darkness is simply ignorance. Sir Toby becomes afraid that if

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    The “dark side of life” that William Shakespeare exposes in his play‚ Twelfth Night‚ is the danger in the individual’s willingness to abandon the intrinsic self as a means to better realize a goal. The characters Viola‚ Feste‚ and Malvolio‚ in assuming new persona’s‚ engage in a metaphysical betrayal in which they deny the reality of their nature. Viola’s choice to serve Duke Orsino as a page in hopes of finding her brother is by no means unethical‚ and her efforts are ultimately successful‚ but

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    especially through Olivia and Malvolio‚ how different people react to being in love and how their behavior and relationships change. Olivia‚ the beautiful and elegant countess‚ changes from a cunning and smart women to one who is obsessed with her crush‚ and her behavior and relations to others dramatically change. After meeting and falling for Cesario‚ who is actually a girl named Viola disguised as a boy‚ Olivia makes her servant go after him with a ring‚

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    holiday‚ Malvolio‚ a smaller character‚ plays a large part in strengthening the theme found throughout the story of how love can reveal a persons true personality as well. At the beginning of the play‚ when we are first introduced to Malvolio‚ we see that Malvolio is not an average servant. “My masters‚ are you mad? or what are you? Have ye no wit‚ manners‚ nor honesty‚ but to gabble like tinkers at this time of night? …Is there no respect of place‚ persons‚ nor time in you?” 788-794 Malvolio boasts

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    Katrina Chen Professor Sun Shakespeare Paper One 2 May 2013 Malvolio‚ the Party Pooper in Twelfth Night In Shakespeare’s comedy‚ Twelfth Night‚ we can see the romance among several couples. For instance‚ Viola with Orsino‚ Olivia with Sebastian and Maria with Sir Toby Belch‚ they are all ended up with a joyful relationship with each other. It is a convention that endings of the comedies are always combined with happy elements. Even if not falling in love with anyone else‚ the clown

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    a deliberate evasion. Furthermore‚ another main concept of misunderstanding is through Malvolio becoming the unconscious victim of the irrational spirit of holiday that he so strongly despises. The festivities‚ believed to have evolved from the Roman festival Saturnalia‚ held in honour of the god Saturn‚ are revealed in the similarity with which all characters overturn societal rules which distresses Malvolio. His anxiety is enjoyed all the more due to double meanings and how he is egotistically

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    of the Malvolio ‘prank‚’ before finally combining them in the chaotic conclusion that is Act V. Despite this‚ the two plots are generally separate‚ the main plot consisting of the love triangle that is Olivia‚ Orsino‚ and Viola; the sub-plot being the revelry and adventures of Sir Toby‚ Sir Andrew and Maria. To make the double plot system work‚ Shakespeare employs the use of two characters that flit between the two storylines‚ linking them and furthering the plots. One of these in Malvolio‚ the other

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