I am Mirror: A Historical Critique Claribel Alegrίa in Nicaragua in 1924 and a year later her family was exiled to El Salvador because of her father’s support of Nicaraguan guerrilla leader Augusto César Sandino‚ Alegría ’s family was forced into exile by Anastasio Somoza‚ a Nicaraguan politician who later became commander-in-chief of the Nicaraguan army and eventually the nation ’s president. Her poem I am Mirror was translated in 1978. And is the topic for this critique. In 1978 Alegrίa would
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Jake Gleason Travelogue Essay History 116 Mirat ul Memalik (The Mirror of Countries) Mirat ul Memalik (The Mirror of Countries) is a Travelogue which was written in 1552 AD and completed upon return home to Turkey in 1556 AD by Admiral Sidi Ali Reis. This written account takes us across the world to India and back to Turkey. This account tells us the terrible sights that this courageous man encountered and the great sights and cities that this decorated Admiral encountered on his journey around
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states that the Greeks probably did not use a burning mirror which is often believed to have been used to defend themselves from attacks by the Roman navy about 2‚200 years ago and provides three reasons of support. The professor‚ however‚ explains that the reasons are not compelling and refutes each of the author’s reasons. First‚ the reading says that the ancient Greeks did not have technologies sophisticated enough to make a burning mirror‚ which is supposedly a large sheet of copper having a
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The sight of its own reflection in a mirror will stimulate a ritualized series of responses toward the intruder. The purpose of this experiment is to describe the ritualized agonistic display of a male Siamese fighting fish after by stimulated by its own reflection in a mirror. If two fish are placed in the same aquarium together there is typically a ritualistic display until one of the fish becomes subordinate. We conducted an experiment by placing a mirror to the Male Siamese Fighting Fish‚ creating
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Film as Mirror in Hitchcock’s Vertigo Alfred Hitchcock’s Vertigo is a master’s class in subtle and effective filmmaking - its noirish tale of obsession and loss is considered one of his best works. This is due in no small part to the directors’ use of the various elements of film as a mirror. Hitchcock intends to create a sense of repetition and a cyclical nature to the life of the characters in the film; following Scottie (James Stewart) through his descent and ascent into madness deals significantly
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From Francesca Woodman and the Mirror Stage In Douglas Crimp’s article the Photographic Activity of Postmodernism there are several terms that have been brought up over and over again. Presence is one of them‚ “presence that is only through the absence that we know to be the condition of representation.” It reminds me of one of my favorite photographers --- Francesca Woodman. She once said that “I allow you to see what you couldn’t see --- the inner force of one’s body.” She recreates
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almost fulfilled her motivation for life. The “Meaning of Life” as Frankl sees it is that it can only be defined by the own person. Nobody can have the same meaning to their life‚ every human is different. “ For the meaning of life differs from man to man‚ from day to day and from hour to hour. What matters‚ therefore‚ is not the meaning of life in general but rather the specific meaning of a person’s
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In Carol Armstrong’s “Counter‚ Mirror‚ Maid: Some Infra-Thin Notes on A Bar at the Folies-Bergère‚” she addresses the debate over the setting (at Folies-Bergère) and the significance of the foreground and the background in Manet’s painting A Bar at the Folies-Bergère. She believes the still life at the foreground embodies commodity and the mirrors’ reflection in the background displays a fabricated reality. Moreover‚ Armstrong argues the barmaid is a bridge between the two realms that is both male
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The Tempest "Claiming Caliban" Caliban in "The Tempest" was the son of Sycorax‚ and his character is a symbolic representation of indigenous or "savage" people. His character represents the stereotypes of indigenous or uncivilized people and a direct contradiction of his more "civilized" counterparts‚ most specifically Prospero who is seen as his conqueror or master‚ and how he is below that of Prospero and therefore the indigenous people of the Americas were below that of the European colonists
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Tim O’Brien’s use of imagery in “The Man I Killed” can be compared to that purpose of imagery. In “The Man I Killed” character O’Brien explicitly describes the images that cross his mind as he stares down at the man he might have killed. He goes from describing the man’s injuries with graphic detail to then immediately taking note of a “butterfly making its way along the young
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